Notas florísticas sobre Andalucía Oriental: Sierra Quintana (Jaén)

Se incluyen en este trabajo 40 taxones recolectados en la Sierra de Quintana (provincia de Jaén); la mayor parte de ellos constituyen novedades para la flora de esta provincia. Algunos se citan por primera vez para Andalucía oriental: Illecebrum verticillatum L., Cicendia filiformis (L.) Delarbre, Exaculum pusillum (Lam.) Carnel in Parl., Gratiola linifolia Vahl., Laurentia gasparrini (Tineo) Strobl., etc.

Aportaciones a la flora de Andalucía Oriental

Se comentan 14 taxones raros o no conocidos hasta ahora en Andalucía Oriental; para cada especie se aportan datos ecológicos, fitosociológicos y corológicos y en algunos casos también de tipo nomenclatural.

Algunas comunidades orófilas de Andalucía Oriental

Se proponen dos nuevas asociaciones de pastizales presentes en las montañas de Andalucía oriental: Brachypodio boissieri-Trisetetum velutini y Seseli granatensis-Festucetum hystricis. Así mismo se da cuenta de la ecología, corología y sinfitosociología de ambos sintáxones.

Notas florísticas y corológicas de Andalucía oriental

Se comenta el comportamiento ecológico y corologia de veinte táxones de Andalucia oriental poco o nada conocidos, de los que destacamos: Geum rivale L., Convolvulus cantabricus L., Scrophularia frutescens L., Plantago loeflingii L., Koeleria caudata (Link) Steudel y K. dasyphylla Willk.

The Architecture of Seduction: An Analysis on Digital Architectures within Consumer Society

Currently new digital tools used in architecture are often at the service of a conception of architecture as a consumer society’s cultural good. Within this neoliberal cultural frame, architects’ social function is no longer seen as the production of urban facts with sense of duty, but as a part within the symbolic logic that rules the social production of cultural values as it was defined by Veblen and developed by Baudrillard. As a result, the potential given by the new digital tools used in representation has shifted from an instrument used to verify a built project to two different main models: At the one hand the development of pure virtual architectures that are exclusively configured within their symbolic value as artistic “images” easily reproducible. On the other hand the development of all those projects which -even maintaining their attention to architecture as a built fact- base their symbolic value on the author’s image and on virtual aesthetics and logics that prevail over architecture’s materiality. Architects’ sense of duty has definitely reached a turning point.