5 resultados para Synchronic Imitation

em Adam Mickiewicz University Repository


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Wydział Studiów Edukacyjnych

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Wydział Studiów Edukacyjnych: Zakład Pedagogiki Specjalnej

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This article aims to give various examples that illustrate the use of a bipolar and joint perspective – diachronic and synchronic – for the semantic study of certain items of the language. We are initially interested in the adverb carrément, which currently seems to bear little relation to any meaning as an adverb of manner. Nevertheless, the diachronic study shows how the latter stages of its development with respect to its root carré pave the way for its becoming a polyphonic adverb. It is a similar case with apparemment: it has four clear stages of semantic development, each of which is related to the various values of this adverb in synchrony. However what is perhaps even more revealing is the diachronic approach in the case of the delocutive adverbs (diablement, bigrement, fichtrement...), whereby it might be seen that these elements can have no nominal or adjectival base, which is one of the criteria that helps to illustrate their origin.

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Filologii Polskiej i Klasycznej: Zakład Dydaktyki Literatury i Języka Polskiego

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It has long been held that people who have musical training or talent acquire L2 pronunciation more successfully than those that do not. Indeed, there have been empirical studies to support this hypothesis (Pastuszek-Lipińska 2003, Fonseca-Mora et al. 2011, Zatorre and Baum 2012). However, in many of such studies, musical abilities in subjects were mostly verified through questionnaires rather than tested in a reliable, empirical manner. Therefore, we run three different musical hearing tests, i.e. pitch perception test, musical memory test, and rhythm perception test (Mandell 2009) to measure the actual musical aptitude in our subjects. The main research question is whether a better musical ear correlates with a higher rate of acquisition of English vowels in Polish EFL learners. Our group consists of 40 Polish university students studying English as their major who learn the British pronunciation model during an intense pronunciation course. 10 male and 30 female subjects with mean age of 20.1 were recorded in a recording studio. The procedure comprised spontaneous conversations, reading passages and reading words in isolation. Vowel measurements were conducted in Praat in all three speech styles and several consonantal contexts. The assumption was that participants who performed better in musical tests would produce vowels that are closer to the Southern British English model. We plotted them onto vowel charts and calculated the Euclidean distances. Preliminary results show that there is potential correlation between specific aspects of musical hearing and different elements of pronunciation. The study is a longitudinal project and will encompass two more years, during which we will repeat the recording procedure twice to measure the participants’ progress in mastering the English pronunciation and comparing it with their musical aptitude.