Sytuacja komunikacyjna w kulturze archaicznej a symboliczność komunikacji

Celem niniejszego artykułu jest wskazanie i przedyskutowanie (z perspektywy filozofii komunikacji i teorii komunikacji) kilku konsekwencji wynikających z badań nad fenomenem komunikacji. Oprócz zagadnień związanych z filozoficznym ujęciem procesu komunikacji podejmuje się również problematykę wyłonienia się myślenia metafizycznego w starożytnej Grecji. Artykuł ten jest próbą wskazania warunków, które należy spełnić, aby prowadzić filozoficznie uprawnioną refleksję nad procesem komunikacji. Całość została podzielona na trzy główne działy: w pierwszym są prezentowane dwa poziomy rekonstrukcji sytuacji komunikacyjnej w kulturze archaicznej; w drugim rozważa się zagadnienie początków relacji symbolizowania oraz zjednoczenia myślenia i działania. Trzecia część poświęcona jest źródłom myślenia metafizycznego oraz symboliczności komunikacji. Najistotniejszy wniosek wynikający z rozważań zawarty w artykule dotyczy nie-symbolicznego ujęcia procesów komunikacyjnych.

Problemy z pojęciem wiedzy w ramach epistemicznej koncepcji znaczenia Michaela Dummetta

According to epistemic theory of meaning the meaning is not understanding-transcendent – understanding is a kind of knowledge and the meaning is the content of this knowledge. The main problem of such a theory is to provide an adequate characteristic of the notion of knowledge. Dummett claims that understanding cannot be reduced neither to purely practical abilities, nor to explicit theoretical knowledge. In his opinion the most important part of the knowledge that constitutes understanding is a kind of implicit knowledge, something halfway between practical ability and theoretical knowledge. Unfortunately is not so simple to provide sufficiently clear characteristics of it. Moreover, because of implicitness of this knowledge, there is problem with manifestation of possession of such knowledge. Understanding should be related to the practice of making assertions. In the article I try to argue for soundness of thesis that important part of knowledge that constitutes understanding is a kind of procedural knowledge. This type of knowledge (called “knowledge-how”) cannot be reduced to propositional or conceptual knowledge (“knowledge-that”). Procedural knowledge has manifestation in activities doing in accordance with some set of the rules, but possession of this knowledge does not require explicit knowledge-that of the rules. Procedural knowledge is also located in the middle of the spectrum – between reflex actions and theoretical knowledge.

Form, fi gure, and the experience of time in seven southern composers of the 1950s-60s

After the 1980s it is diffi cult, following stylistic criteria, to draw a map of contemporary academic music. All styles are compossible, and all are practiced. In this context, the geographical entity “South of Italy” does not stand out for a musical identity with special technical-stylistic features. Rather, at a socio-cultural level, the South remains today – in music no less than in all areas where there is a gap between top development and stagnation – a land of emigrants: six out of the seven composers treated (Ivan Fedele, Giuseppe Colardo, Rosario Mirigliano, Giuseppe Soccio, Nicola Cisternino, Biagio Putignano, Paolo Aralla) live in the North of Italy. The positive aspect of this is the affi nity of the South with the transnational and superstructural community of contemporary music, which from European and Western has now become almost global. The composers under consideration belong to the generation of the ‘50s, rooted in the serial and post-serial movements (from which Franco Donatoni, Luciano Berio, Luigi Nono, Salvatore Sciarrino, Giacinto Scelsi, are the principals models, to mention only the Italians), dipped in the general phenomenon of timbrism (particularly spectralism), and acquainted with electronics. They draw from these sources various instruments of compositional technique and aspects of their poetics. In particular these composers, active from the ‘80s, develop new ways of construction of the temporal form of music. They share the goal to establish a new continuity, different from the tonal one but at the same time transcending the serial and post-serial disintegration and fragmentation. The primary means to this end is a new enhancement of the category of fi gure, as a clear and distinct, recognizable aggregate of pitches, intervals, register, durations, timbre, articulation, dynamics, and texture. Each composer elaborates the atonal fi gural material in different ways, emphasizing one aspect or another. For example, Fedele (1953) is a master in the management of form per se, Colardo (1953) in the activation of disturbed harmonic effects, Mirigliano (1950) in the creation of a slight tension from the smallest vibrations of sound, Soccio (1950) in the set up of movement by means of accumulations and discharges of energy, Cisternino (1957) in a Cagean-Scelsian emphasis on sound as such, Putignano (1960) in the suspension of time through the succession and transformation of images, Aralla (1960) in the foundation of form from below, from the concreteness of sound.

Analityczna filozofia dziejów w poznańskiej szkole metodologicznej. Próba falsyfikacji Popperowskiej krytyki historii teoretycznej

The purpose of this paper is the reconstruction of the theory of historical process elaborated at the Poznań School of Methodology. The heuristic tool will be Popper’s model of knowledge, according to which, the development of scientific theory went through the phase of the posing of the scientific problem, proposing a tentative theory, a critical discussion and its modification. Proposed by Leszek Nowak the adaptive interpretation of historical materialism was transformed – under the influence of the elaboration of the idealizational theory of science and the categorical interpretation of dialectics – into the generalized version of historical materialism. This version includes theory of the class and primitive societies. Difficulties in the building of the theory of real socialism led to the transformation of adaptive historical materialism into the non-Marxian historical materialism where some tenets of Marxism were refuted (e.g. the domination of economy over politics). In the course of the building of the adaptive interpretation of historical materialism and the non-Marxian historical materialism some primary notions were defined and modified satisfying the criteria of falsification. Although Popper severely criticized the possibility of theoretical history, the theory of history as developed at the Poznań School of Methodology satisfies his criteria of falsification. This throws doubt upon the validity of Popperian critique of theoretical history.