The development of learner autonomy through Internet resources and its impact on English language attainment

Wydział Neofilologii: Instytut Filologii Angielskiej

Multimodal lexicography: The representation of meaning in electronic dictionaries

One finding of user studies is that information on meaning tends to be what diction¬ary users want most from their dictionaries. This is consistent with the traditional image of the dictionary as a repository of meanings of words, and this is also borne out in definitions of the item DICTIONARY itself as given in dictionaries. While this popular view has not changed much, the growing role of electronic dictionaries can change the lexicographers' approach to meaning repre¬sentation. Traditionally, paper dictionaries have explained words with words, using either a defi¬nition or an equivalent, and occasionally a line-drawn picture. However, a prominent feature of the electronic medium is its multimodality, and this offers potential for the description of meaning. While it is much easier to include pictorial content, electronic dictionaries can also hold media objects which paper cannot carry, such as audio, animation or video. Publishers are drawn by the attraction of these new options, but are they always functionally useful for the dictionary users? In this article, the existing evidence is examined, and informed guesses are offered where evidence is not yet available.

Edward Sapir’s View About International Auxiliary Language

The search for common attributes of all languages is connected with the search for characteristics which differentiate languages. If some attributes cannot be found in every language, what is cause of this situation? Is it linked up with the origin of language or with users of the language?

Najważniejsze kierunki, motywy i podstawy konstrukcji wierszy Pirbala Muhammuda

Wydział Neofilologii: Katedra Studiów Azjatyckich

Integrative motivation and global language (English) acquisition in Poland

This study investigated the consistency of a measure of integrative motivation in the prediction of achievement in English as a foreign language in 18 samples of Polish school students. The results are shown to have implications for concerns expressed that integrative motivation might not be appropriate to the acquisition of English because it is a global language and moreover that other factors such as the gender of the student or the environment of the class might also influence its predictability. Results of a hierarchical linear modeling analysis indicated that for the older samples, integrative motivation was a consistent predictor of grades in English, unaffected by either the gender of the student or class environment acting as covariates. Comparable results were obtained for the younger samples except that student gender also contributed to the prediction of grades in English. Examination of the correlations of the elements of the integrative motivation score with English grades demonstrated that the aggregate score is the more consistent correlate from sample to sample than the elements themselves. Such results lead to the hypothesis that integrative motivation is a multi-dimensional construct and different aspects of the motivational complex come into play for each individual. That is, two individuals can hold the same level of integrative motivation and thus attain the same level of achievement but one might be higher in some elements and lower in others than another individual, resulting in consistent correlations of the aggregate but less so for the elements.

Gender-dependent language anxiety in Polish communication apprehensives

This paper analyzes the relationship between communication apprehension and language anxiety from the perspective of gender. As virtually no empirical studies have addressed the explicit influence of gender on language anxiety in communication apprehensives, this paper proposes that females are generally more sensitive to anxiety, as reflected in various spheres of communication. For this reason, language anxiety levels in communication apprehensive females should be higher, unlike those of communication apprehensive males. Comparisons between them were made using a student t test, two-way ANOVA, and post-hoc Tukey test. The results revealed that Polish communication apprehensive secondary grammar school males and females do not differ in their levels of language anxiety, although nonapprehensive males experience significantly lower language anxiety than their female peers. It is argued that the finding can be attributed to developmental patterns, gender socialization processes, classroom practices, and the uniqueness of the FL learning process, which is a stereotypically female domain.

Buland al-Ḥaydarī – poeta pokolenia prekursorów współczesnej poezji arabskiej. Interpretacja twórczości

Głównym celem dysertacji jest interpretacja twórczości Bulanda al-Ḥaydarīego (iracki poeta kurdyjskiego pochodzenia (1926-1996)). Utwory Al-Ḥaydarīego zawierają w sobie charakterystyczne cechy współczesnego wiersza arabskiego. Opisują ponadto najważniejsze historyczne, społeczne i osobiste doświadczenia literackiego pokolenia tego poety, jak również innych członków społeczności arabskiej w okresie po II wojnie światowej. Praca doktorska składa się z dwóch części. Pierwszą część poprzedza krótki opis stanu badań nad liryką Al-Ḥaydarīego. W pierwszym jej rozdziale przedstawiono życiorys i biografię literacką poety oraz wyjaśniono pojęcia takie jak: ‘współczesna poezja arabska’, ‘wolna poezja’, ‘poemat prozą’ czy ‘ruch wolnej poezji’. Wspomniano również o głównych nurtach w poezji arabskiej w latach 50. i 60. XX w., jak również ukazano sposób, w jaki modernistyczni poeci postrzegali poezję. Natomiast w drugim rozdziale przedstawiono pokrótce charakterystyczne cechy (stylistyczne, składniowe i melodyczne) współczesnego wiersza arabskiego i zilustrowano je fragmentami utworów Al-Ḥaydarīego. Druga część dysertacji składa się z pięciu rozdziałów. W każdym z nich przedstawiono jeden lub kilka głównych motywów oraz ich różne warianty: w pierwszym rozdziale – motyw miłość, w drugim – motyw istnienia (życie i śmierć), w trzecim – motywy ojczyzny, obczyzny, zaangażowania społecznego twórcy i jego wyobcowania, w czwartym – motyw przestrzeni (np. dom, droga, raj, piekło) oraz w piątym – motyw czasu (przeszłość, teraźniejszość, przyszłość).