Zintegrowane podejście dyskursywne do rozwijania sprawności mownych; przedstawienie celów i założeń projektu badawczego

Celem artykułu jest przedstawienie projektu o charakterze badawczo-wdrożeniowym dotyczącego doskonalenia obcojęzycznych kompetencji mownych (wypowiadanie się i rozumienie wypowiedzi ustnych) na poziomie zaawansowanym i przygotowywanym w Instytucie Filologii Romańskiej UAM. Niniejszy projekt zakłada, że istnieją spore możliwości podniesienia skuteczności i ekonomii kształcenia kompetencji mownych, poprzez zintegrowane podejście do celów kształcenia, a także poprzez wykorzystanie narzędzi internetowych. Podejście to zasadza się na integracji trzech zakresów kształcenia, a mianowicie: (1) doskonalenia umiejętności interakcyjnych w zakresie komunikacji półpublicznej, (2) rozwoju kompetencji medialnej oraz (3) rozwoju wiedzy dot. aktualnej, szeroko pojmowanej problematyki społeczno-kulturowej i krytycznego, zobiektywizowanego myślenia w stosunku do prezentowanych ujęć i naświetleń tej problematyki. W niniejszym omówieniu główny nacisk położony zostanie na uargumentowanie zasadności postulowanego zintegrowanego podejścia dyskursywnego, a także na wykazanie wartości dydaktycznej wybranych audycji medialnych. Zaprezentowane zostaną również główne kierunki pracy dydaktycznej oraz wyniki badania pilotażowego.

Angewandte Literaturwissenschaft – Überlegungen zu Perspektiven einer Germanistik der Zukunft

Recently there is a big discussion about the sense and nonsense of what we called the former philology, especially in the field of German studies. The author tries to focus his consideration of German literature on the importance of studying German literature in future and what this subject can get a special use for certain sustainability and facilities. He points out some ways in which we can deal with that in future as students, but as teachers too.

Le développement de la compétence argumentative et l'initiation au discours académique

The aim of the paper is to present the specificity of oral argumentative competence in a foreign language and to propose a tentative model of task-based learning of argumentative discourse. It is assumed in the paper that the communicative situation tasks proposed during classes of French as a foreign language in the French Philology Department should contribute to the academic discourse learning. In the paper we present an analysis of two fragments of argumentative situations; the first one concerns the so-called everyday argumentative situation and another one illustrates an argumentative orientation of academic discourse.

La traduction en polonais des textes d'ancien français: une compétence spécifique

This paper is relating a practical experience of teaching Romance philology students the translation from ancient French into Polish. The main scope is a restitution of an ancient text respecting not only the equivalence at the Iexical and syntactical level, but also the discourse structures, such as the linear sequence of events and events related from different points of view: some examples of solving particular problems are discussed. The whole procedure resembles that of translating from Latin, rather than a translation from one modern language to another.

Investigation of nicknames in a bilingual environment

The author examines the use of nicknames by the Hungarians in Slovakia. Since the state and the verbal representation of nicknames are strongly influenced by the Hungarian-Slovak bilingual environment, the appearing contact phenomena in the anthroponymic corpus are also investigated in this study. In addition, the paper deals with written nicknames found in written sources, the denomination motives of nicknames used in modern language, sociolinguistic, dialectological, etymological, morphological, and stylistic peculiarities found in the onomastic corpus. The usage of nicknames of adults and students is confronted and discussed with reference to an empirical and comparative study.

Zastosowanie podcastów w rozwijaniu sprawności słuchania ze zrozumieniem w języku obcym na przykładzie studentów germanistyki i lingwistyki stosowanej w Polsce

Wydział Neofilologii

O interdyscyplinarności komparatystyki

For the past fifty years, the interest in issues beyond pure philology has been a watchword in comparative literary studies. Comparative studies, which by default employ a variety of methods, run the major risk – as the experience of American comparative literature shows – of descending into dangerous ‘everythingism’ or losing its identity. However, it performs well when literature remains one of the segments of comparison. In such instances, it proves efficacious in exploring the ‘correspondences of arts’, the problems of identity and multiculturalism as well as contributes to the research into the transfer of ideas. Hence, it delves into phenomena which exist on the borderlines of literature, fine arts and other fields of humanities, employing strategies of interpretation which are typical for each of those fields. This means that in the process there emerges a “borderline methodology”, whose distinctive feature is heterogeneity of conducting research. This, in turn, requires the scholar to be both ingenious and creative while selecting topics as well as to possess competence in literary studies and the related field.

The ‘Faust’ or ’Lucifer’ Sonata? On Liszt’s idea of programme music as exemplifi ed by his Piano Sonata in B minor

The musicological tradition places Liszt’s Sonata in B minor within the sphere of compositions inspired by the Faustian myth. Its musical material, its structure and its narrative exhibit certain similarities to the ‘Faust’ Symphony. Yet there has appeared a diff erent and, one may say, a rival interpretation of Sonata in B minor. What is more, it is well-documented from both a musical and a historical point of view. It has been presented by Hungarian pianist and musicologist Tibor Szász. He proposes the thesis that the Sonata in B minor has been in fact inspired by Milton’s Paradise Lost, with its three protagonists: Adam, Satan and Christ. He fi nds their illustrations and even some key elements of the plot in the Sonata’s narrative. But yet Milton’s Paradise Lost and Goethe’s Faust are both stories of the Fall and Salvation, of the cosmic struggle between good and evil. The triads of their protagonists – Adam and Eve, Satan, and Christ; Faust, Mephisto and Gretchen – are homological. Thus both interpretations of the Sonata, the Goethean and the Miltonian, or, in other words, the Faustian and the Luciferian, are parallel and complementary rather than rival. It is also highly probable that both have had their impact on the genesis of the Sonata in B minor.