4 resultados para Bonn-B
em Adam Mickiewicz University Repository
Resumo:
Wydział Biologii: Instytut Biologii Eksperymentalnej
Resumo:
Książka jest interesująca – sam projekt stworzenia antropologii cyborgów należy uznać za zadanie bardzo ambitne, które, mam nadzieję, znajdzie kontynuację czy to w kolejnych pracach autorki, czy innych badaczy, dla których to zagadnienie okaże się dostatecznie interesujące. Należy też docenić całe spektrum poruszanych w niej analiz, które stanowią reprezentatywną próbę, ekstrakt cyborga i jego wizerunku w kulturze audiowizualnej, a także podkreślić charakter kulturoznawczych i literaturoznawczych analiz, które dookreślają projekt antropologii cyborgów. Paradoksalnie – antropologia cyborgów może okrzepnąć do postaci antropologii, skoro i tak wszyscy byliśmy, stajemy się czy też w niedalekiej przyszłości będziemy cyborgami.
Resumo:
This article presents the physical structure of the land, organic substances content and the chemical composition of soil comprising subsoil of 21 urban greenery locations in the city of Poznań. As they tend to be commonly underestimated, they have also been presented with view to their vital functions in plants’ life processes. The analysed microelements are referred to their levels, the so-called geo-chemical background of Polish soils and the limit values for field soils with medium levels of nutrients.
Resumo:
The musicological tradition places Liszt’s Sonata in B minor within the sphere of compositions inspired by the Faustian myth. Its musical material, its structure and its narrative exhibit certain similarities to the ‘Faust’ Symphony. Yet there has appeared a diff erent and, one may say, a rival interpretation of Sonata in B minor. What is more, it is well-documented from both a musical and a historical point of view. It has been presented by Hungarian pianist and musicologist Tibor Szász. He proposes the thesis that the Sonata in B minor has been in fact inspired by Milton’s Paradise Lost, with its three protagonists: Adam, Satan and Christ. He fi nds their illustrations and even some key elements of the plot in the Sonata’s narrative. But yet Milton’s Paradise Lost and Goethe’s Faust are both stories of the Fall and Salvation, of the cosmic struggle between good and evil. The triads of their protagonists – Adam and Eve, Satan, and Christ; Faust, Mephisto and Gretchen – are homological. Thus both interpretations of the Sonata, the Goethean and the Miltonian, or, in other words, the Faustian and the Luciferian, are parallel and complementary rather than rival. It is also highly probable that both have had their impact on the genesis of the Sonata in B minor.