Entre ética e ironía: aspectos retóricos en los “pies de foto” de Juan José Millás.

The aim of this short essay is to analyze the techniques of argumentation developed by the writer and journalist Juan José Millás in his articles named Pie de Foto. Millás is known for his peculiar way of writing, in which language is highly unstable and is thereby apt to the creation of new perspectives and points of view. In the Pie de Foto, this ambivalence of language is enriched by the presence of a picture, of which his textual article is a comment. Using the definition given by Genette, Millás rhetoric is not a ‘restricted’ one but it is a complex system, in which also the apparently superficial figures can provide semantic effects and enrich information. Within this frame, irony plays a fundamental role because it helps questioning the standard discourse of politics. By means of techniques such as the mechanical reproduction and the ridiculing of the fallacies hidden in common sense, Millas raises ethical problems and develops a critique to the postmodern way of life in western countries.

Lo que sé de los hombrecillos de Juan José Millás: la ficción psicótica de la sociedad perfecta.

This short essay deals with literary representations of identity and of social reality, especially in relation to the novelistic works published by the Spanish writer Juan José Millás. The article is divided into three parts. The first section is dedicated to a general overview of the new perspectives brought by the contemporary ‘linguistic turn’ in culture, which is currently considered as the product of different discourses and not as an ontological datum. The postmodern condition, on the other hand, is described as the age in which it has become radically difficult to rely on such ideas as “nation” and “people” for the construction of personal identity. The second part of the article identifies Millás’ poetics as an excellent example of describing the neurotic symptoms produced by the urban way of life in Western communities. Millás recognizes the separateness between language and material reality as the origin of the subject's isolation, especially in contemporary life. Finally, the third part handles with Lo que sé de los hombrecillos, the last novel by Millás, in which we witness a significant switch from neurosis to psychosis in the mind of the protagonist who offers us a distorted realisation of his idea of community and plenitude.