Cost-effectiveness of introducing the 10-valent pneumococcal conjugate vaccine into the universal immunisation of infants in Brazil

Background Cost-effectiveness studies have been increasingly part of decision processes for incorporating new vaccines into the Brazilian National Immunisation Program. This study aimed to evaluate the cost-effectiveness of 10-valent pneumococcal conjugate vaccine (PCV10) in the universal childhood immunisation programme in Brazil. Methods A decision-tree analytical model based on the ProVac Initiative pneumococcus model was used, following 25 successive cohorts from birth until 5 years of age. Two strategies were compared: (1) status quo and (2) universal childhood immunisation programme with PCV10. Epidemiological and cost estimates for pneumococcal disease were based on National Health Information Systems and literature. A 'top-down' costing approach was employed. Costs are reported in 2004 Brazilian reals. Costs and benefits were discounted at 3%. Results 25 years after implementing the PCV10 immunisation programme, 10 226 deaths, 360 657 disability-adjusted life years (DALYs), 433 808 hospitalisations and 5 117 109 outpatient visits would be avoided. The cost of the immunisation programme would be R$10 674 478 765, and the expected savings on direct medical costs and family costs would be R$1 036 958 639 and R$209 919 404, respectively. This resulted in an incremental cost-effectiveness ratio of R$778 145/death avoided and R$22 066/DALY avoided from the society perspective. Conclusion The PCV10 universal infant immunisation programme is a cost-effective intervention (1-3 GDP per capita/DALY avoided). Owing to the uncertain burden of disease data, as well as unclear long-term vaccine effects, surveillance systems to monitor the long-term effects of this programme will be essential.

A percepção de emoções em trechos de música ocidental erudita

O objetivo deste estudo foi verificar respostas emocionais a trechos musicais do repertório erudito ocidental. Músicos e não músicos ouviam cada trecho musical e associavam-no a categorias emocionais (Alegria, Tristeza, Serenidade ou Medo/Raiva). Os resultados indicaram que, para ambos os grupos, cada trecho musical, na maioria, não foi associado a mais de uma categoria emocional. De um modo geral, as associações foram semelhantes entre os grupos, embora as respostas dos músicos tenham sido mais consistentes. Estes resultados sugerem um processamento cognitivo de respostas emocionais à música ocidental relacionado à estrutura cognitiva do evento, a diferenças entre indivíduos e à expertise musical.