3 resultados para staged authenticity

em Repositorio Institucional de la Universidad de La Laguna


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En este artículo se aborda la relación entre el concepto de autenticidad y el patrimonio cultural. Se analizan los puntos de encuentro entre ambos términos que se consideran claves para entender los diferentes turismos culturales en la actualidad, caracterizados por la especial relevancia que se le atribuye al componente emocional y sensorial. Estas experiencias se enmarcan en las nuevas tendencias de comportamiento y de motivación que se observan desde el lado de la demanda turística, fruto del contexto social que determina las características de los turistas, sus preferencias y las prácticas turísticas que desean desarrollar, en las que el componente sensorial y emocional constituye uno de los aspectos más relevantes que pueden definir al turismo cultural contemporáneo. En este sentido, se incide en las evidentes posibilidades que ofrece la interpretación del patrimonio para la creación de experiencias patrimoniales que podrían ser denominadas como auténticas. [en] This paper addresses the relationship between the concepts authenticity and cultural heritage. Key common aspects between both terms are explored to understand the current types of cultural tourism characterised by the special relevance given to the emotional and sensory components. These experiences are framed by the new behavioural and motivational demand patterns where the sensory and emotional components are some of the most relevant aspects defining contemporary cultural tourism. Thus, the evident opportunities offered by the heritage interpretation discipline to create authentic “heritage experiences” are explored.

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Previous research has demonstrated that aggression and marginalization are key components of maintaining popularity within male peer groups. However, more recent ethnographic studies have documented a significant shift in young men’s attitudes and behaviours, with more inclusive masculinities flourishing. My previous research has examined friendship dynamics and popularity hierarchies among boys, showing that contemporary popularity is stratified by a boy’s charisma, authenticity, emotional support, and social fluidity. In this article, I draw upon ethnographic research to provide an intersectional analysis of how adolescent masculinities are influenced by class, age and sexuality

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Contemporary research on masculinities has focused on demonstrating how these are multiple, hierarchical, collective as well as individual, complex and contingent. In this article, I read Jonathan Franzen’s The Corrections in the light of such recent theorizations. I propose to focus on the negotiation of what Demetriou has termed a masculine bloc, which is a space in which hegemonic and non-hegemonic masculinities coexist and, therefore, a strict duality between both categories is transcended. Next, I suggest focusing on the construction of masculinities as subject positions that are interwoven with different geographical levels. It is my contention that St. Jude, the fictional city for the Lamberts’ home in the Midwest, conforms the symbolic arena in which hegemonic masculinity is staged.