El mundo existe para acabar en Cinelandia (a propósito de El incongruente)

[es] Este trabajo pretende explorar la íntima relación existente entre el cine y la literatura en El incongruente, de Ramón Gómez de la Serna, dentro del proyecto narrativo de las llamadas «novelas de la nebulosa». Para este propósito, se pondrán en relación los escritos teóricos del autor —fundamentalmente algunos de sus Ismos— con otras novelas —en especial, El novelista y Cinelandia—. Asimismo, exploraremos las similitudes entre el protagonista de El incongruente, Gustavo, y el personaje de Charlot, lo que nos permitirá establecer la relación entre los lenguajes cinematográfico y literario desde una perspectiva metaficcional. Por último, intentaremos situar estas indagaciones interdisciplinares dentro del contexto general de la literatura de vanguardia, con especial atención al surrealismo. [en] This paper aims to explore the intense relationship between cinema and literature in Gómez de la Serna’s El incongruente, within the general project of the so-called «novelas de la nebulosa». For this purpose, we will try to connect the author’s theoretical writings —specially some of his Ismos—, with other novels, with particular attention to El novelista and Cinelandia. Furthermore, we will try to establish the similitudes between the main character of El incongruente, Gustavo, and Charles Chaplin’s Charlot from a metafictional perspective. Finally, we will try to situate this interdisciplinary approach within the general context of the avant-garde, specially surrealism.

Análise do conteúdo veiculado pelas secretarias de turismo das cidades e estados-sedes da copa do mundo 2014 em suas páginas do facebook

The aim of this research was to analyze the content posted by Municipal and State Tourism Organizations (DMO) of the twelve headquarters cities and States of the FIFA 2014 World Cup in their fanpages on Facebook, Were used the reference studies of Torres (2009), Gabriel (2009), Safko and Brake (2010) and Barefoot and Szabo (2010 ). In the first stage, the official Facebook fanpages were identified, then posts published between June 1st and July 31st of 2013, period from pre to post-event FIFA Confederations Cup Brazil 2013 were collected. The data analysis method employed was content analysis from the perspective of Bardin (2011), which is divided into: i) pre-analysis using dedicated softwares, phase ii) material exploration and iii) treatment of results, inference and interpretation. It was observed that the DMOs analyzed publish diversified information to users, including actions addressed to the abovementioned event.