La primera autoficción queer de "l´extrême contemporain" : Le voile mis à nu de Badia Hadj Nasser

We analyze, from the Queer Theory paradigm, the first autofictional novel on account gender dissidence, peripheral sexualities and deconstruction of identity stigmatized written by a «l'extrême contemporain» Muslim novelist woman. We focus on three aspects of originality included in the novel –the theme, the compositional mode and speech– in order to show that it is worthy of being considered a queer work, by its transgressive nature and commitment to social criticism of his time.

La traducción al español de Entre les murs : el lenguaje coloquial, el argot y el verlan

The most remarkable difficulty of audiovisual translation is related to the translation of dialogues, which are supposed to reproduce the features of a more or less spontaneous oral language. This paper aims to analyze the difficulties and the strategies adopted for the translation into Spanish of the film Entre les murs (2008). This film, which depicts the daily life of a group of students and their teachers, is known for being a reflection of a French social reality, namely the reality for young people who live in the suburbs, which constitutes a particular universe. From a linguistic point of view, this reality is defined by the use of an oral register, a language characteristic of young people and by the presence of slang, specially the so-called verlan.