2 resultados para performing arts education
em Repositório Científico da Universidade de Évora - Portugal
Resumo:
Este Relatório corresponde à Unidade Curricular da Prática de Ensino Supervisionada (PES), do Curso de Mestrado em Ensino de Artes Visuais no 3º Ciclo do Ensino Básico e Secundário, desenvolvida no ano lectivo 2009/2010, e tem como objectivo principal a auto-reflexão sobre a prática de ensino efectivada, pois a dimensão reflexiva é um factor fundamental na formação de professores. É importante estar-se actualizado na reunião de um conjunto de conhecimentos e competências que permitam exercer correctamente a actividade profissional docente, mas não menos relevante é a capacidade de se saber reflectir e auto-avaliar, enquanto professor, transmissor de saberes para uma melhoraria do ensino dos jovens e também das metodologias e estratégias educativas requeridas. ABSTRACT: Report of Supervised Teaching Practice conducted by Cátia Marisa Barrenho Casquinha, No.2 in the Group of Évora, André de Resende Integrated Primary School and Gabriel Pereira High School, for the specialty master’s degree in Visual Arts Education in the 3rd Cycle Elementary and Secondary Education. This report corresponds to Supervised Teaching Practice (PES) curricular unit of the Master Course in Teaching Visual Arts at the 3 rd Cycle of Basic and Secondary Education, developed in 2009/2010, and has as main objective self-reflection on teaching practice considering the reflective dimension as a key factor in teacher education. It is important to be updated on a set of knowledge and competences to properly exercise teaching professional activity, but not least is the ability to reflect and learn self-assessment practices as a teacher, transmitter of knowledge, in order to improve youngster education and also the required methodologies and educational strategies.
Resumo:
The Declaration of Salamanca proposes a deep reformulation of educational praxis which has as a main goal to create an environment where all students can enjoy learning, improve and grow in confidence, in a perspective of Inclusive Education. In this sense, it is necessary that teachers acquire scientific and educational skills but, also, development of personal and interpersonal competences that are crucial for a flexible and adequate professional praxis. The concept of competences integrates knowledge, skills, personal values and attitudes that are acquired through work experience and learning by doing. On other side, experiential work is lived through a body in movement. Acknowledging these ideas and considering active methods and expressive arts as valorous contributions to the positive model of inclusive education in this paper, the authors propose the training in Expressive Arts to promote Inclusion but mainly to develop personal and interpersonal competences of teachers to the Inclusion