Sauvegarde et valorisation du patrimoine culturel immatériel du Sénègal: projet de création d'un écomusée des pratiques divinatoires et curatives

7 RESUME/ABSTRACT Au Sénégal, il existe des pratiques culturelles et cultuelles, séculaires que l’on retrouve au niveau de toutes les composantes ethnolinguistiques. Une donnée qui nous interpelle, chacun en ce qui nous concerne, et nous invite à repenser le devenir de nos spécificités et particularités culturelles face aux assauts répétés et multiformes de la modernité. La caractéristique qui entoure les rites et rituels est le plus souvent sujette à plusieurs formes d’interprétations fantaisistes et parfois dévalorisantes. Force est de reconnaître que le recours à la médecine moderne ne saurait pleinement répondre à ce besoin de tranquillité et de sérénité mystique qui habite chaque africain en général et chaque sénégalais en particulier. Il s’agit ici, pour l’africain et en ce qui nous concerne le sénégalais, de trouver une tranquillité psychologique et une assurance symbolique propres à créer les conditions d’une guérison physique et/ou morale. En ce sens que l’emprise du modernise ne peut aucunement influer totalement sur cette croyance ancestrale que bon nombre de sénégalais, et pas des moindres, ont en l’endroit de ces pratiques. Une prédisposition culturelle sous-tendue par des préoccupations cultuelles qui font l’objet d’une communion agissante entre les différents membres des communautés. Une prise de conscience qui se manifeste à travers des cérémonies ponctuellement organisées et présidées par des prêtres et prêtresses. Notre présente étude participe de la recherche d’un juste équilibre spirituel et temporel apte à offrir une possibilité de concilier les aspects traditionnels des spécificités culturelles de nos composantes ethnolinguistiques avec ce qui constitue les contraintes et exigences de la modernité. Il reste certes évident que cette opposition a généré une sorte de fracture culturelle en véhiculant une autre manière de voir, mais surtout de percevoir nos traditions et coutumes. Cependant à l’heure d’un redimensionnement et d’une adaptation contextuelle de ce qui constitue nos valeurs identitaires, il nous revient de procéder à une démarche de sensibilisation et d’explication pour conférer plus de lisibilité à nos expressions culturelles. La mise en place d’un écomusée des pratiques divinatoires et curatives, est un moyen moderne et pratique de sauvegarde et de valorisation des savoirs et connaissances thérapeutiques endogènes. Outre la création d’emplois et de revenus, cette infrastructure sera une vitrine du patrimoine local qui favorisera le développement d’un tourisme culturel source de devises et vecteur de développement local; ABSTRACT: In Senegal, there are cultural and religious practices, ancient that we find in all the ethno-linguistic components. A given that challenges us, each in our case, and invites us to rethink the future of our cultural specificities and characteristics and multifaceted face of repeated assaults of modernity. The characteristic surrounding the rites and rituals is usually subject to various forms of demeaning and sometimes fanciful interpretations. We must recognize that the use of modern medicine can not fully meet this need of tranquility and mystical serenity that inhabits every African in general and Senegal in particular each. This is, for Africa and for us Senegalese, find a psychological tranquility and symbolic own insurance to create conditions for physical healing and / or legal. In that the grip of modernizing can in no way affect totally on this ancient belief that many Senegalese, not least, have the place of such practices. A cultural predisposition underpinned by cultic concerns that are the subject of an active communion between the community members. An awareness that manifests itself through occasionally organized ceremonies presided over by priests and priestesses. Our present study involved the search for a fair balance spiritual and temporal able to offer an opportunity to reconcile the traditional aspects of the cultural specificities of our ethno-linguistic components with which constitutes the constraints and demands of modernity. While it remains clear that this opposition has generated a kind of cultural divide by conveying a different way of seeing, but above all to collect our traditions and customs. However at the time resizing and contextual adaptation of what constitutes our identity values, it is our responsibility to conduct an outreach approach and explanation to give greater clarity to our cultural expressions. The establishment of a museum of divination and healing practices, is a modern and convenient way to backup and recovery of therapeutic knowledge and endogenous knowledge. In addition to creating jobs and income, this infrastructure will be a showcase of local heritage that promote the development of cultural tourism source of foreign exchange and local development vector.

Le patrimoine culturel universitaire: une méthodologie pour la conservation et la valorisation des biens culturels mobiliers. Le cas de l'Instituto Superior José Antonio Echeverría à la CUJAE - La Havane

Une préoccupation importante pour le patrimoine culturel universitaire vient de se développer en Europe depuis les années 1980. Dans ce riche patrimoine sont inclus les biens mobiliers de valeur historique, scientifico-technique, académique, documentaire, artistique, architecturale et urbaine. Le continent européen a développé durant ces dernières années des actions significatives qui comprennent la création d’organisations, de comités à caractère international, ainsi que la rédaction de recommandations et règlements au niveau européen et institutionnel. Plusieurs universités ont pris des initiatives dans le domaine de la conservation et de la valorisation. À Cuba, il existe un grand intérêt pour le patrimoine culturel de la nation. Malgré la situation économique difficile depuis plusieurs années, Cuba a réussi des bons résultats dans la gestion des centres historiques et des biens patrimoniaux de la nation. Cependant, la thématique liée au patrimoine universitaire est encore peu discutée sur le territoire national, malgré depuis 2010, des actions pour étudier ce patrimoine sont mis en oeuvre grâce aux initiatives des universités de la capitale cubaine. Notre étude de cas, l’Instituto Superior Politécnico José Antonio Echeverría, appartenant au campus CUJAE1, fondé en 1964, a produit un patrimoine culturel universitaire de valeur scientifique, artistique et documentaire qui le distingue des autres universités. Malheureusement, ils existent plusieurs problèmes qui affectent les biens culturels mobiliers de l’ISPJAE et son campus. À partir de la situation actuelle, nous proposons une méthodologie en faveur de la conservation et la valorisation de ses biens, basée sur l’étude des tendances actuelles dans les universités européennes et cubaines étudiées. Les actions proposées favoriseront aussi les biens immobiliers, en tenant compte qu’ils ont un fort lien avec ceux mobiliers; ABSTRACT: An important concern for the university cultural heritage has just developed in Europe since the 1980s. The real asses of historic, scientific-technical, academic, documentary, artistic, architectural values are included in these rich heritages. The European continent developed during the last years significant actions which include the creation of organizations, committees with international character, as well as the writing of recommendations and regulations at the European and institutional level. Several universities took initiatives in the fields of the preservation and the valuation. In Cuba, there is a big interest for the cultural heritage of the nation. In spite of the difficult economic situation for several years, Cuba made a success of good results in the management of the historic centers and the patrimonial asses of the nation. However, the subject related to the university heritage is again little discussed in the national territory in spite of since 2010, several actions to study this heritage are implemented, thanks to the initiatives of the universities of the Cuban capital. Our case of study, Instituto Superior Politécnico José Antonio Echeverría, belonging to the campus CUJAE, established in 1964, produced a university cultural heritage of the scientific, artistic and documentary value, which distinguishes it from other universities. Unfortunately, there are several problems, which affect the real cultural asses of the ISPJAE and its campus. From the current situation, we propose a methodology in favor of the preservation and the valuation of its properties, based on the study of the current trends in the studied European and Cuban universities. The proposed actions will also favor the real property, taking into account that they have a strong link with those movable cultural asses; RIASSUNTO: Una preoccupazione importante per il patrimonio culturale universitario inizia a svilupparsi in Europa dagli anni 1980. In questo ricco patrimonio sono inclusi i beni mobili di valore storico, scientifico-tenico, accademico, documentario, artistico, architettonico e urbano. Il continente europeo ha sviluppato durante questi ultimi anni delle azioni significative che comprendono la creazione di organizazioni, di comitati internazionali, così come la redazione di raccomandazioni e regolamenti a livello europeo e istituzionale. Molte università hanno intrapreso delle iniziative nella conservazione e nella valorizzazione. A Cuba esiste un grande interesse per il patrimonio culturale della nazione. Malgrado la difficile situazione economica da molti anni Cuba ha ottenuto dei buoni risultati nella gestione di centri storici e di beni patrimoniali del Paese. Comunque, la tematica relativa al patrimonio universitario è ancora poco discussa anche se dal 2010 siano messe in opera delle azioni per studiare questo patrimonio, grazie alle iniziative di alcune università della capitale cubana. Il nostro caso di studio, l’Instituto Superior Politécnico José Antonio Echeverría –ISPJAE-, appartenente al campus CUJAE fondato nel 1964, ha prodotto un patrimonio culturale universitario di valore scientifico, artistico e documentale che la distinguono delle altre università. Purtroppo, esistono molti problemi che influenzano i beni culturali mobili dell’ISPJAE e del suo campus. A partire della situazione attuale e facendo parte di questa ricerca, si propone una metodologia a favore della conservazione e della valorizzazione dei loro beni fondata sullo studio delle tendenze attuali in università europee e cubane. Alcune delle azioni proposte sono finalizzate e destinate anche ai beni immobili, tenendo conto che questi hanno un forte rapporto con i beni mobili.

Uma Visão Cultural do Turismo

Os autores abordam a temática do turismo cultural numa perspectiva antropológica, visando a sustentabilidade de práticas tradicionais articuladas com o processo dinÂmico da inovação e da mudança.

Escola e diversidade cultural dos alunos: Um estudo no 1º ciclo do ensino básico

Portugal não foi exceção à globalização do mundo e hoje é procurado por povos de toda a parte. A diferença cultural destes povos/minorias reflete-se nas escolas a partir do 1.° Ciclo do Ensino Básico (CEB). No enquadramento teórico de vários autores sobre educação inter/ multicultural para as minorias, abordámos questões sobre a "Sociedade Inter/ Multicultural, Escola Multicultural”, a "Educação Multicultural", e a "Autonomia da escola e gestão do Currículo”. Focalizámos o estudo na "Escola e Minorias étnicas”, na relação da escola com, "estereótipos, preconceitos e atitudes” na sua inter ação com a comunidade e estudámos o caso concreto da escola e a etnia cigana. No estudo empírico, através de um questionário, recolhemos a opinião dos docentes de seis concelhos do distrito de Évora de Escolas do 1.° CEB, sobre as ”Práticas Educativas Desejáveis" e “Existentes” nas escolas em relação a estes alunos. Os resultados obtidos levam-nos a concluir que as práticas educativas existentes não respeitam totalmente a cultura dos alunos de minorias/ciganos mas que existe uma sensibilização para práticas educativas que transformem a escola numa escola multicultural. /ABSTRACT - School and Student's Cultural Diversity Portugal was not exception to the world's globalization and today is looked by peoples (ethnic minorities) of all different places. The cultural difference of these peoples/minorities reflects in the schools since 1.st degree (1. ° Ciclo do Ensino Básico). In the theoretical part of several authors on inter/multicultural education for the minorities, we approached questions on the "Inter/Multicultural Society,” Multicultural School", "School and multicultural education", the "School’s autonomy, curriculum management and multicultural education". We focused the study on the "gypsies" (ethnic minority) approaching questions of´Minority ethnic and school” and "School, Preconceptions and Stereotypes". In the empirical study, through a questionnaire, we collected the opinion of the professors of 1.st degree, from six councils (concelhos) of Évora's district, on "Desirable Educative Practice" and "the Existing ones" in the schools in relation to these pupils. The gotten results take us to conclude that the existing educative practice do not totally respect the culture of the pupils of minorities/gypsies but that exists a sensibilization for educative practice that transform the school into a multicultural school.

Escola e diversidade: os desafios da diversidade cultural na gestão do currículo : alunos imigrantes nas escolas do 1º ciclo do ensino básico de Abrantes: um estudo de caso

Partindo do objeto de estudo: a gestão do currículo para a diversidade cultural é nossa intenção compreender a forma como o discurso do multiculturalismo se encontra presente nos principais documentos definidores de uma política de escola e na postura desta e dos professores, através das decisões e práticas adotadas perante uma realidade diversificada, na presença de culturas de imigrantes. A construção do saber e a análise que fazemos da forma como o currículo é gerido, seguiram um percurso assente num quadro teórico nos campos curricular e da educação intercultural, bem como nas opções metodológicas em que o estudo assenta, e às quais recorremos para a realização da componente empírica. Nesta, analisamos a forma como as escolas-alvo de estudo e os professores respondem à presença dos alunos imigrantes através das representações dos próprios alunos, seus professores e responsáveis pelas escolas; ou seja, analisamos a forma como é gerido o currículo para a diversidade cultural. /ABSTRACT - Taking the subject under study: curricular management for cultural diversity, as our starting point, our aim is to gain an understanding of the nature of multiculturalism as portrayed in the main documents that define school policy as well as in the position taken both by the school and the teachers, in the light of the decisions and practices adopted in the presence of a culturally diverse reality, immigrant cultures. The construction of a body of knowledge and the assessment we make of how the curriculum is managed, has been based on a theoretical framework in the areas of intercultural curricula and education, as well as on the choice of methodology for the study used in carrying out the empirical component In the latter, We have analysed the way in which the schools and the teachers under study responded to the presence of immigrant pupils, seen in the descriptions given by the pupils themselves, their teachers and those responsible for the schools, that is to say, we have analysed the way in which the curriculum for cultural diversity has been managed.

O ESTUDO ACADÉMICO DO TURISMO CULTURAL

O turismo cultural tem múltiplas facetas e varia entre as diferentes regiões geográficas. Hoje, os turistas culturais desejam conhecer e compreender os lugares que visitam, particularmente, o património material e imaterial de uma região ou país. O desenvolvimento do turismo cultural tem atraído a atenção de vários investigadores, especialmente, do campo da Sociologia, da Antropologia, da Geografia e do Turismo que procuram analisá-lo na vertente da oferta e da procura. Por outro lado, tem existido muito debate académico sobre o que realmente é o turismo cultural e quem são os turistas culturais. Uma das complexidades em definir o turismo cultural está na diversidade da cultura que os turistas consomem. Palavras-