Self determination, embodied languages and landscapes in women's video art.

This paper addresses how, since the 1960s to the present, part of women's video art has broken the traditional representation of women’s body and proposed new forms of recording women's images, explicit or symbolic, using body part close-ups, and not sparing any efforts to ensure the prevention of the cataloguing of women’s bodies according to normative categories, such as gender, race and age, and in this way challenging the Western representation codes that objectify women. The methodology employed had as its primary purpose the examination of the association existing between the micro-sociological level of body gestures and performances in women's videos and the macro-sociological level of social forces such as the dimensions of gender and sexuality. This study concluded that narratives of identity and self-determination are present in women's video pieces contributing to women's empowerment through visual discourses that could possibly point to the production of new signs and symbols, new values and models, but also for the formation of new types of social roles and even a new type of interpersonal relationships.

The incorporation of violence by women video artists

This paper examines the way in which women video artists embodied violence in their video pieces as a strategy of critique of the patriarchal regime. Since the 1960s several generations of women artists used different strategies of self-harm or explored the physical and mental limits of their bodies to express the anguish of those who are excluded from the patriarchal society on sexist and/or racist grounds. Considering the guiding line that covers three fields – art, gender, and feminist social movements – as well as their key thinkers and scholars in Sociology, Fine Arts and the Humanities, we have built the object of study of this essay, namely, the relationship between women's video art focused on the body, violence and gender along with feminist social movements in the period ranging from 1967 to 2007, in a Western context. The methodology used had as its primary goal to create a link between the micro-sociological level of expressions, body gestures and behaviours in the videos and the macro-sociological level of broader, institutionalized social forces that are at the origin of inequalities, such as dimensions of gender and «race». This study concluded that at least since the 1960s there is the denunciation by women video artists of the general circumstances women live under, while enduring violence of various kinds, such as socio-cultural, psychological and sexual violence against women.

Relatório no âmbito da unidade curricular prática de ensino supervisionada, realizada na Escola Secundária/3 Rainha Santa Isabel de Estremoz

O presente relatório foi produzido no âmbito da unidade curricular Prática de Ensino Supervisionada, que faz parte do Mestrado em Ensino do Português no 3º Ciclo do Ensino Básico e Ensino Secundário e de Espanhol nos Ensinos Básico e Secundário, sob a orientação da Professora Doutora Ângela Maria Franco Martins Coelho de Paiva Balça. Identifica-se, na sua essência basilar, como um trabalho reflexivo-descritivo sobre a prática aplicada e efetuada no ano letivo 2015/2016, no lecionamento das disciplinas de Português em duas turmas de 10º ano, e de Espanhol – Língua Estrangeira I numa de 7º ano, na Escola Secundária/3 Rainha Santa Isabel, de Estremoz. Além do mais, também constitui o expoente de todo o processo levado a cabo durante os dois anos do Mestrado, o qual permitiu e conduziu à revisão, modificação, inovação e progressão em matéria de conceitos, ideias, noções, ações e teorias, quer fossem mais antigas ou recentes. Este é o produto final e contributo para o desenvolvimento e melhoria a nível pessoal e profissional. Através do conhecimento da literatura teórica e da sua aplicação na ação, a reflexão compromete-nos a cumprir uma prática fundamentada e apoiada em toda a documentação mundial, europeia e portuguesa normativa e de referência para o exercício da profissão docente o mais completo e eficaz possível. Mais do que um relatório, é uma avaliação orientativa da dimensão transformadora no desempenho docente que, na sua parte mais cogitativa, expõe estruturalmente: a observação e o seu registo; a observação em contexto; a planificação; a orientação; a componente letiva – aulas lecionadas (análise, aprendizagem e melhorias) e a pesquisa reflexiva na abordagem dos inquéritos passados nas turmas de Português e de Espanhol; e, por fim, a abordagem reflexiva sobre a avaliação formativa das aprendizagens realizada às turmas de 10º ano, na disciplina de Português; ABSTRACT: This report was produced in the scope of Supervised Teaching Practice’s curricular unit, which is part of the Master’s Degree in Teaching Portuguese for the 3rd stage of Primary Education and Secondary Education, and Spanish Foreign Language Teaching for Primary and Secondary Education, under the supervision of Dr. Ângela Maria Franco Martins Coelho de Paiva Balça. In its basic essence, this is a reflective and descriptive paper about practices applied and performed for the 2015-2016 school year to teach Portuguese, in two tenth grade classes, and Spanish as a Foreign Language, in one seventh grade class at Rainha Santa Isabel School of Estremoz. Furthermore, it outlines the entire process carried out during the two years of the Master’s Degree, which provided and led to review, change, breakthrough, and advancement regarding concepts, ideas, assumptions, and theories, whether they were pre-existing or more recent. This is the final product and the contribution towards development and improvement in personal and professional terms. Through knowledge of theoretical literature and applying it to practice, the reflection leads us to compile substantiated and supported practice in all worldwide, European, and Portuguese standards and reference documentation for the most effective pursuit of the profession. More than a report, this is an evaluation of transformation in teaching performance that structurally examines the following: observation and its registration; observation in the field; lesson design; guidance and monitoring; a teaching component (analysis, apprenticeships, and improvements) with a reflective element based on the results of the Portuguese and Spanish class surveys; and, finally, a reflexive approach about formative assessment of student learning that took place within the Portuguese course.