Comparative Study of Four Portuguese 16th Century Illuminated Manueline Charters based on Spectroscopy and Chemometrics Analysis

The comparative study based on spectroscopic analysis of the materials used to produce four sixteenth-century Manueline Charters (the Charters of Alcochete, Terena, Alandroal and Evora) was performed following a systematic analytical approach. SEM–EDS, l-Raman and l-FTIR analysis highlighted interesting features between them, namely the use of different pigments and colourants (such as different green and yellow pigments), the presence of pigments alterations and the use of a non-expected extemporaneous material (with the presence of titanium white in the Charter of Alcochete). Principal component analysis restricted to the C–H absorption region (3000–2840 cm-1) was applied to 36 infrared spectra of blue historical samples from the Charters of Alcochete,Terena, Alandroal and Évora, suggesting the use of a mixture of a triglyceride and polysaccharide as binder.

The Political and Social Dynamics of Poverty, Poor Relief and Health Care in Early-Modern Portugal

By the end of the fifteenth century most European countries had witnessed a profound reformation of their poor relief and health care policies. As this book demonstrates, Portugal was among them and actively participated in such reforms. Providing the first English language monograph on this topic, Laurinda Abreu examines the Portuguese experience and places it within the broader European context. She shows that, in line with much that was happening throughout the rest of Europe, Portugal had not only set up a systematic reform of the hospitals but had also developed new formal arrangements for charitable and welfare provision that responded to the changing socioeconomic framework, the nature of poverty and the concerns of political powers. The defining element of the Portuguese experience was the dominant role played by a new lay confraternity, the confraternity of the Misericórdia, created under the auspices of King D. Manuel I in 1498. By the time of the king's death in 1521 there were more than 70 Misericórdias in Portugal and its empire, and by 1640, more than 300. All of them were run according to a unified set of rules and principles with identical social objectives. Based upon a wealth of primary source documentation, this book reveals how the sixteenth-century Portuguese crown succeeded in implementing a national poor relief and health care structure, with the support of the Papacy and local elites, and funded principally through pious donations. This process strengthened the authority of the royal government at a time which coincided with the emergence of the early modern state. In so doing, the book establishes poor relief and public health alongside military, diplomatic and administrative authorities, as the pillars of centralisation of royal power.

A arquitectura do mosteiro cartusiano de Santa Maria Scala Coeli: do processo de entrada

A importância da encenação de uma transição entre o mundo secular e a vida em clausura, no contexto da arquitectura cartusiana, é amplamente demonstrada através dos percursos de entrada dos conjuntos mais relevantes, bem como em muitos daqueles representados nas gravuras presentes no livro Maisons de l’Ordre des Chartreux – Vues et Notices, uma obra do início do século XX que inclui gravuras da quase totalidade dos 282 mosteiros cartusianos distribuídos por quase toda a Europa. Na maioria das cartuxas podem observarse transições indirectas e prolongadas, capazes de tardar o passo e dar significado à passagem para a clausura – características espaciais que São Bruno, fundador da casa cartusiana, considerava primordiais para a implantação do seu eremitério. A partir de uma cuidada análise dessa transição, nas cartuxas em geral, e da sua evolução morfológica, na cartuxa de Évora em particular – estimulada pela descoberta de dados aqui analisados e interpretados pela primeira vez – apresenta-se, em continuidade com a sua história e tendo como premissa a consolidação do processo de entrada, uma proposta de redefinição da estrutura monacal de Santa Maria Scala Coeli. Esta estrutura originária do século XVI encontra-se incompleta e degradada, em particular na ala sul onde se encontra o seu principal acesso, sendo fundamental o completamento desta área para o cabal reconhecimento da unidade do conjunto e da intenção na qual se traduz a sua génese. De resto, a estratégia de investigação e de projecto descrita nesta dissertação pode ser encarada como um processo plausível de ser utilizado no caso de futuras intervenções noutras estruturas cartusianas, contribuindo assim para a recuperação e preservação do conceito fundador da identidade da arquitectura cartusiana que, no decorrer da expansão da ordem, se foi perdendo; The Architecture of the Carthusian Monastery of Santa Maria Scala Coeli: About the process of entrance. ABSTRACT: The importance of staging a transition between the secular world and life cloistered in the context of Carthusian architecture is amply demonstrated through the input paths of the most important collections, as well as many of those represented in the pictures in the book Maisons de l’Ordre des Chartreux – Vues et Notices, one of the early twentieth century work that includes prints of almost all of the 282 Carthusians monasteries spread across almost all of Europe. In most of Carthusian the transitions that can be observed are indirect and long, able to delay the step and give meaning to the passage to the life cloistered - spatial characteristics that St. Bruno, founder of the Carthusian Order, considered essential for the implementation of his hermitage. From a careful analysis of this transition, looking through the Carthusian in general, and its morphological evolution, in the Charterhouse of Évora in particular, encouraged by the data discovery here analyzed and interpreted for the first time - it is presented in continuity with its history and having premised on the consolidation of the entry process, a proposal for a redefinition of the monastic structure of Santa Maria Scala Coeli. This original structure of the sixteenth century is incomplete and degraded, particularly in the south wing where it is the main access, and where is fundamental the completion of this area to the full recognition of the unity of the whole and to understand the intent in which translates its genesis. Moreover, the research strategy and project described in this paper can be seen as a plausible case to be used in case of future interventions in other cartusianas structures, thus contributing to the recovery and preservation of the founder of the identity concept of the Carthusian architecture that, during the expansion of the order, was missing.

Abad y señor de Rute. Don Juan de Córdoba y la repoblación de la banda morisca cordobesa

Study on the foundation of the new village of Rute close to the former border with the Muslim kingdom of Granada and the repopulation project and economic revitalization in the Sixteenth century by the dean don Juan Fernández de Córdoba, abbot and lord of Rute.

Variedades e estilos na obra atribuída a Frei Carlos: novas perspetivas

Este trabalho de investigação centra-se no contributo dos exames de superfície e nas análises micro-analíticas no estudo de vinte e uma pinturas atribuídas à oficina de Frei Carlos, um dos grandes Mestres Luso-Flamengos ativos em território Nacional durante a primeira metade do século XVI. A "Pintura Luso-Flamenga" é uma expressão comummente usada na história da pintura Portuguesa do primeiro terço do século XVI e no seu sentido mais básico designa o trabalho de mestres flamengos que se instalaram em Portugal durante o reinado de D. Manuel I (1495- 1521) contribuindo decisivamente para o processo de renovação da pintura Portuguesa na época. O estudo integrado combina a pesquisa histórica em fontes documentais com exames de superfície e de caracterização material das obras de arte. O estudo material das pinturas foi realizado através de microscopia ótica, microscopia de infravermelhos com transformada de Fourier, espectroscopia de micro-Raman, microscopia eletrónica de varrimento acoplada com espectrometria de energia dispersiva de raios X, micro- difração de raios-X, cromatografia líquida de alta eficiência e pirólise acoplada à cromatografia gasosa /espectrometria de massa. Esta investigação envolveu técnicas complementares de análise de superfície e de ponto no estudo técnico e material das preparações, imprimitura, desenho subjacente, camadas pictóricas e sucessões estratigráficas, dando a conhecer os materiais utilizados na execução técnica das pinturas e evidenciando especificidades técnicas da produção artística. Este estudo pretende inclusivamente evidenciar alguns detalhes técnicos do artista que possivelmente estão relacionados com a herança das práticas Flamengas. O conhecimento de algumas particularidades da técnica deste Mestre também permitiu estabelecer comparações com duas pinturas que haviam sido atribuídas, com algumas reservas, a esta oficina de pintura Luso-Flamenga. Mais recentemente, como resultado de um estudo colaborativo, foi realizada uma ampla campanha de reflectografia infravermelhos, introduzindo novos dados acerca da execução técnica do desenho subjacente, o que contribuiu para diferenciar, nestas duas pinturas, outra "mão", atribuída então a um seguidor de Frei Carlos. Esta investigação introduz um novo e profundo conhecimento sobre a Oficina de Frei Carlos, permitindo estabelecer comparações com a obra do seu seguidor e com uma pintura também atribuída a esta oficina e que incorpora o Museu da National Gallery (NG5594), evidenciando os materiais utilizados na técnica de produção artística e especificidades técnicas aliadas aos processos criativos/ construtivos que permitem estabelecer os pontos de contacto e de diferenciação entre estas obras; Varieties and styles in the works attributed to Frei Carlos - new perspectives Abstract: This investigation is focused on the contributions of surface exams and micro-analytical research in the study of twenty one paintings attributed to Frei Carlos workshop, one of the most important Portuguese-Flemish painters active in our country during the first half of sixteen Century. "Portuguese-Flemish Painting" is a common expression used in the history of Portuguese painting of the first third of the sixteenth century and in its most basic meaning designates the work of Flemish masters who settled in Portugal during the reign of King Manuel I (1495-1521) contributing decisively to the process of renewal of Portuguese painting at the time. The integrated approach combines historical research on documental sources with surface examination and material characterization of the paintings by using state-of-art analytical techniques. Microanalysis was carried out by optical microscopy, micro-Fourier-transform infrared-spectroscopy, micro-Raman spectroscopy, scanning electron microscopy coupled with energy dispersive X-ray spectrometry, micro-X-ray diffraction analysis, high performance liquid chromatography and Pyrolysis gas chromatography mass spectrometry. This complementary surface and analytical research was involved in the technical and material characterization of grounds, underdrawings, primings, paint layers and its multi-layered build-up, providing access to the painter´s materials used in the technical execution of the paintings and details of the technique of artistic production. This study also intends to expose some usual details of the artist’s technique which are possibly related to the Master´s Flemish influence. The knowledge of some particularities of the Master´s technique also allowed a new comparison with two paintings that had been attributed with some reserves to this Portuguese-Flemish workshop. More recently, as a result of a collaborative study, an extensive infrared reflectography campaign was made, giving new data concerning underdrawings technical execution and contributing to differentiate, in these two paintings, another “hand”, attributed to a follower of Frei Carlos. Complementary analytical research also added a new and deep insight into Frei Carlos workshop, his follower and a panel that still attributed to Frei Carlos workshop that integrates the National Gallery´s Museum (NG5594), evidencing the materials used in technical production, their models and sources of artistic inspiration, techniques and pictorial construction procedures that could specifically relate or distinguish between them.

Early Modern Trading Networks in Europe. Cooperation and the case of Simon Ruiz.

In the early modern period, trade became a truly global phenomenon. The logistics, financial and organizational complexity associated with it increased in order to connect distant geographies and merchants from different backgrounds. How did these merchants prevent their partners from dishonesty in a time where formal institutions and legislation did not traverse these different worlds? This book studies the mechanisms and criteria of cooperation in early modern trading networks. It uses an interdisciplinary approach, through the case study of a Castilian long-distance merchant of the sixteenth century, Simon Ruiz, who traded within the limits of the Portuguese and Spanish overseas empires. Early Modern Trading Networks in Europe discusses the importance of reciprocity mechanisms, trust and reputation in the context of early modern business relations, using network analysis methodology, combining quantitative data with qualitative information. It considers how cooperation and prevention could simultaneously create a business relationship, and describes the mechanisms of control, policing and punishment used to avoid opportunism and deception among a group of business partners. Using bills of exchange and correspondence from Simon Ruiz’s private archive, it charts the evolution of this business network through time, debating which criteria should be included or excluded from business networks, as well as the emergence of standards. This book intends to put forward a new approach to early modern trade which focuses on individuals interacting in self-organized structures, rather than on states or empires. It shows how indirect reciprocity was much more frequent than direct reciprocity among early modern merchants and how informal norms, like ostracism or signaling, helped to prevent defection and deception in an effective way.

Uncover the mantle: rediscovering Gregório Lopes palette and technique with a study on the painting “Mater Misericordiae”

Grego´rio Lopes (c. 1490–1550) was one of the most prominent painters of the renaissance and Mannerism in Portugal. The painting “Mater Misericordiae” made for the Sesimbra Holy House of Mercy, circa 1535–1538, is one of the most significant works of the artist, and his only painting on this theme, being also one of the most significant Portuguese paintings of sixteenth century. The recent restoration provided the possibility to study materially the painting for the first time, with a multianalytical methodology incorporating portable energy-dispersive X-ray fluorescence spectroscopy, scanning electron microscopy–energy-dispersive spectroscopy, micro-X-ray diffraction, micro-Raman spectroscopy and high-performance liquid chromatography coupled to diode array and mass spectrometry detectors. The analytical study was complemented by infrared reflectography, allowing the study of the underdrawing technique and also by dendrochronology to confirm the date of the wooden panels (1535–1538). The results of this study were compared with previous ones on the painter’s workshop, and significant differences and similitudes were found in the materials and techniques used

Gestão democrática caminhos e possibilidades : um estudo de caso em uma escola pública de ensino fundamental em Belém

A linha de pesquisa desenvolvida nesta dissertação não é inédita, todavia, apresenta algumas peculiaridades a respeito da gestão democrática para a educação brasileira, mais especificamente em Belém do Pará, que são no mínimo, um contributo à sociedade. Principalmente porque demonstra sucintamente, no primeiro e segundo capítulos a trajetória sócio histórica e a política-pedagógica da gestão democrática no Brasil a partir dos meados do século XVI, até a implementação da LDB nº 9394/96. No terceiro capítulo trato a respeito das Leis de Diretrizes e Bases da Educação Nacional, nº 5692/71 e da LDB nº 9394/96, esta última objetivou romper com os resquícios deixados pela 5692/71, vale frisar que o primeiro estado a implementar as Leis de Diretrizes e Bases, assentadas na Lei nº 9394/96, foi o estado do Pará. Nos capítulos: quarto e quinto destaco a Metodologia aplicada à pesquisa de campo; às análises dos dados coletados e mensurados, e construo uma triangulação e/ou cruzamento (Teoria-Práxis-Teoria que resultará à práxis), entre a teoria pesquisada e analisada, com as referências bibliográficas e com os dados coletados no campo acerca dos caminhos e possibilidades necessários para articular a gestão democrática no município de Belém. Para construir esse trajeto recorri às leituras bibliográficas de autores que já aprofundaram o assunto como: José Júlio Chiavenato, Luiz Fernando Dourado, Paulo Freire, Moacir Gadotti, Carlos Libâneo, João Monlevad, Vítor Paro, Michel Thiollent, Sofia Lérché Vieira entre outros autores que contribuíram para a construção teórica e prática, e que estão citados na referência. No que concerne a pesquisa de campo foi efetivada uma sondagem prévia e uma apresentação do tema à direção da escola e para a presidente do Conselho Escolar, em seguida foram feitos contatos com os profissionais da educação através de conversas informais a cerca do assunto. Após esse processo foram aplicados questionários com vinte e seis perguntas objetivas e duas perguntas subjetivas, que estão expostas no anexo desta dissertação; outros mecanismos utilizados na pesquisa de campo foram as entrevistas in lócus com alguns profissionais da escola pesquisada, utilizou-se também a observação participante com o viés na abordagem sócio histórica. O trabalho de campo e as referências bibliográficas coadunadas à observação participante, no cotidiano da comunidade escolar, foram essenciais para a consolidação deste trabalho dissertativo que envolveu um tema, que certamente, está em voga na educação brasileira e que serviu como base para o título desta dissertação: Gestão democrática caminhos e possibilidades:. Um estudo de caso em uma escola pública de ensino fundamental em Belém. A dissertação em questão também apresenta no capítulo quinto o tripé básico para a análise científica relacionada a gestão democrática que são: Eleição direta para o Conselho Escolar, eleição direta para o diretor/articulador/social, eleição para o grêmio estudantil, esta sob a direção dos alunos. A base desse tripé deve estar assentada na participação qualitativa de todas as categorias da comunidade escolar, preservando e respeitando a autonomia de cada categoria, bem como demonstra a aproximação e a contribuição da comunidade externa para o processo de ensino-aprendizagem. E, por fim, não menos importante, proponho algumas sugestões que estão expostas nas conclusões e demonstram claramente a necessidade de implementação de alguns caminhos a serem seguidos e implementados para que de fato e de direito se processe a gestão democrática participativa, à luz dos conceitos apresentados nesta dissertação que estão diretamente relacionados à formação, à participação, e à autonomia, para isso é necessário alguns ajustes na lei nº 7.722/94, na resolução nº036/2008 e o conhecimento e domínio da Lei nº 9394/96.__ ABSTRACT: The line of research developed in this thesis is not new, however, presents some peculiarities about the democratic management in Brazilian education, specifically in Belem, which are at least a contribution to society. Mainly because it shows succinctly in the first and second chapters the history and socio-historical political-pedagogical democratic management in Brazil since the mid-sixteenth century through implementation of the LDB 9394/96. ln the third chapter dealing with respect to the Laws of Directives and Bases of National Education, 5692/71 and 9394/96 LDB, the latter aimed to break with the remnants left over from 5692/71, it is worth stressing that the first state to implement the laws Guidelines and Bases, sitting in the Law 9394/96, was the Para The fourth and fifth chapters highlight the Methodology applied to field research, the analysis of data collected and measured and construct a triangulation and I or intersection (Theory-Praxis-Theory resulting praxis), between theory researched and analyzed with the references and the data collected in the field about the ways and possibilities necessary to articulate the democratic management at the education system in the municipality of Belém. To construct this path resorted to reading literature by authors who have explored the subject as: Jose Julio Chiavenato, Luiz Fernando Dourado, Paulo Freire, Moacir Gadotti, Carlos Libâneo John Monlevade, Paro Vítor, Michel Thiollent, Sofia Lerche Vieira and others who contributed to the theoretical and practical construction andare cited in the reference. Regarding the field research, it was carried a survey and a preliminary presentation of the theme to the school principal and to the School Board president, then were made contacts with professionals in education, through informal conversations about the subject. After this procedure were applied questionnaires with twenty-six objective questions and two subjective questions that are exposed in the appendix of this thesis. Other mechanisms used in field research were interviews in locus with some professionals of the surveyed. It was also used participant observation with the bias in the socio-historical approach. The field research and the references link ed to the participant observation in daily school community. were essential for the consolidation of this dissertational work involving a theme, which certainly, is in vogue in the Brazilian education and That served as the basis for this title dissertation: Management democratic ways and possibilities: A in a public elementary school case study in Belém. This dissertation Thesis presents in Its fifth chapter the basic tripod for scientific analysis related to the democratic management which are: Direct election for the School Board, direct election for chief articulator/social, for students union, this last one under the direction of the students. The basis of this tripod must be seated in the qualitative participation of all categories of the school community, preserving and respecting the autonomy of each on and demonstrates the approach and the contribution of the externa! community to the process of teaching and learning. At finally, but not less important propose some suggestions that are exposed on the conclusion and clearly demonstrate the need to implement some ways to be followed and implemented so that actually and by law the participatory democratic management, may be conducted according to Ulrich the concepts of this dissertation, are directly related to education, participation, and autonomy. However, this requires some adjustments in the Law 7.722/94, in its resolution 036/2008, and indeed the knowledge mastery of the Law 9394/96.

Simplified Chinese lacquer techniques and Nanban style decoration on Luso-Asian objects from the late sixteenth or early seventeenth centuries

The meeting of multiple cultures and their mutual influence during the Portuguese expansion in Asia led to the emergence of different types of fusion styles in objects commissioned by the settlers, merchants, and religious orders present in Portuguese India. The east-Asian lacquer coatings of modestly sized wooden objects of various types dating from the sixteenth and early seventeenth centuries have been analyzed as part of the research for a doctoral thesis that aims to establish their cultural and geographical attribution within the context of the Getty Conservation Institute’s lacquer research project. Among the objects were three seventeenthcentury lacquered trays from Portuguese museums and private collections that had previously been classified as Japanese Nanban, Chinese or Ryukyuan lacquers or even as Indo-Portuguese artifacts. The materials and techniques that were identified show close similarities with Chinese techniques mentioned in historic accounts — the only existing Ming Chinese Treatise on lacquering Xiushi lu and the eighteenth-century memoirs of the Jesuit priest d’Incarville. These nearly 400-year-old artifacts are among the first lacquered objects commissioned by Europeans and probably the first of Chinese origin. Their detailed technical study contributes to international lacquer research and complements existing knowledge and perceptions of the lacquering processes that were applied in response to an early European demand for exotic items.