3 resultados para Memories and visions
em Repositório Científico da Universidade de Évora - Portugal
Resumo:
O Museu do Território, descentralizado e polinucleado, sediado no Museu Maria da Fontinha, compreende 50 núcleos, de diversificados patrimónios: geológico (Geoparque de Arouca), arqueológico (castros, dólmens ou orcas) religioso (mosteiros, igrejas e ermidas), histórico, gastronómico, paisagístico, artístico, musical e do "saber fazer". Pretende-se a preservação de identidades, memórias, patrimónios, tangíveis e intangíveis, garantindo a auto-estima das populações abrangidas, buscando sempre um desenvolvimento, um ambiente e um turismo sustentáveis, para acréscimo da melhoria económica e social. Respeitar-se-ão sempre os princípios da museologia. O presente trabalho/dissertação descreve com algum pormenor a transformação da Casa-Museu Maria da Fontinha, com 26 anos de existência, em Museu Maria da Fontinha. O Museu abrange territórios de 28 freguesias dos Municípios de Arouca, Castro Daire, São Pedro do Sul e Vila Nova de Paiva. ABSTRACT: The Museum of the Territory, decentralized and polynucleated, based in the Museum of Maria da Fontinha, includes 50 centres of diverse heritages: geological (Geoparque of Arouca), archaeological (castors, dolmens or orcas), religious (monasteries, churches and hermitages), history, food, landscape, artistic, musical and know-how. It wishes the protection of identities, memories and tangible and intangible heritages, and thus ensuring the self-esteem of the populations concerned, proceeding with the development, the environment and the sustainable tourism, to achieve better economic and social improvement, always respecting the museology principles. The principales of museology will always be respected. The present work thesis describes in detail the transformation of CasaMuseu Maria da Fontinha, with its 26 years of existence, into Museu Maria da Fontinha. The Museum covers areas of 28 parishes of the Arouca, Castro Daire, São Pedro do Sul and Vila Nova de Paiva Municipalities.
Resumo:
Initiated by Augustus, Rome’s Atlantic policy seems to have been consolidated in the age of Claudius, with the acknowledgement of the economic potential offered by the Atlantic region. It is in this context that we must understand the development of the salted-fish industry in Lusitania. In the same geographical contexts, and in close relationship with fish-processing factories, are known about 20 pottery centres producing amphorae, located in the regions of Peniche, Sado and Tejo valleys, and the coasts of Alentejo and Algarve. This production extended in time beyond the end of the Western Roman Empire and up to the end of the 5th and 6th centuries, according to the archaeological data of some amphora kilns and fish-processing sites. The identification of Lusitanian amphorae in distant consuming centres and several shipwrecks in the Mediterranean basin confirm the long-distance commerce and the total integration of this “peripheral” region into the trade routes of the Roman Empire.
Resumo:
A reflection on the relevance of the experience of walking in the production and thinking of a pioneer urban planer, such as Patrick Geddes, and a pioneer landscape artist, such as Richard Serra. Despite the fact that are two unknown visions one from the other, and dispite the fact that are territorialy apart and scientifically apart, also, the subjectivity of the dimension of the experience of the body when walkin a place, have sparkling similarities.