2 resultados para Lucas Lopes

em Repositório Científico da Universidade de Évora - Portugal


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Face ao aumento que se tem vindo a observar da população, especialmente a população flutuante, e a alteração nos hábitos de consumo de água, com destaque para os últimos 20 anos, a região do Algarve poderá enfrentar em anos secos um cenário onde a disponibilidade de recursos hídricos naturais seja reduzida face à procura. Em 2005 foi desenvolvido um plano de contingência para o Sistema Multimunicipal de Abastecimento de Água do Algarve (SMAAA). O plano prevê a possibilidade de reactivação de antigas captações subterrâneas municipais para reforço do abastecimento público em situações de contingência nesta região. A presente dissertação apresenta a avaliação dos principais impactos das projecções dos modelos de clima para o fim do século no SMAAA, nomeadamente ao nível da disponibilidade de água na origem e da procura de água para consumo humano, e a adaptação do plano de contingência face a esses impactos. /RESUME: Faced with a population increase, special one related with tourism, and also with changes in water consumption habits that has been occurring mostly in the last 20 years, the Algarve region in hydrologic dry years may face serious water shortage in a scenario where water resources are scarce. Being so, in 2005 a contingency plan was developed for the Algarve's Multimunicipal Bulk System (AMBS). The plan includes the possibility of reactivating old water capitations, to reinforce the water public distribution upon contingency situation in the region. The present dissertation evaluates the main impacts of the climatic change forecasted by model projections throughout the end of the century on the AMBS, Iooking more specifically at the water availability and the water demand for public consumption, and the adaptation of the contingency plan to those impacts.

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Grego´rio Lopes (c. 1490–1550) was one of the most prominent painters of the renaissance and Mannerism in Portugal. The painting “Mater Misericordiae” made for the Sesimbra Holy House of Mercy, circa 1535–1538, is one of the most significant works of the artist, and his only painting on this theme, being also one of the most significant Portuguese paintings of sixteenth century. The recent restoration provided the possibility to study materially the painting for the first time, with a multianalytical methodology incorporating portable energy-dispersive X-ray fluorescence spectroscopy, scanning electron microscopy–energy-dispersive spectroscopy, micro-X-ray diffraction, micro-Raman spectroscopy and high-performance liquid chromatography coupled to diode array and mass spectrometry detectors. The analytical study was complemented by infrared reflectography, allowing the study of the underdrawing technique and also by dendrochronology to confirm the date of the wooden panels (1535–1538). The results of this study were compared with previous ones on the painter’s workshop, and significant differences and similitudes were found in the materials and techniques used