2 resultados para Community art projects

em Repositório Científico da Universidade de Évora - Portugal


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O objetivo principal deste estudo consiste em “Conhecer e caracterizar os modelos pedagógicos do ensino não formal e informal nas Universidades Sénior do distrito de Évora”. Para concretizar este objetivo, foram selecionadas três Universidades Sénior do distrito de Évora: Universidade Sénior de Évora, Universidade Sénior de Reguengos de Monsaraz e a Universidade Popular Túlio Espanca-Pólo de Viana do Alentejo, para conhecer a respetiva oferta formativa e caracterizar o padrão curricular da cada instituição. Por último, pretendeu-se caraterizar o público-alvo e destinatários desta Oferta. Este ensino não formal é desenvolvido por professores que dedicam o tempo a elaborar projetos e atividades nestas Universidades Sénior, contribuindo assim para a aprendizagem nas diversas áreas, como as artes e humanidades. A organização pedagógica destas instituições apresenta inúmeras diferenças na estrutura interna e existe uma discrepância considerável, no número professores e alunos que frequentam estas US. A forma como as US estão integradas na comunidade, os projetos e atividades que desenvolvem, são de certa forma o modelo da sua evolução e o progresso; ### ABSTRACT: THE PEDAGOGICAL ORGANIZATION OF SENIOR UNIVERSITIES IN ÉVORA'S DISTRICT The main purpose of this study will be to “Know and describe the pedagogical models of formal and non-formal education in Senior Universities from Évora’s district”. To fulfill this purpose we selected three Senior Universities of the district, such as Senior University of Évora, Senior University of Reguengos de Monsaraz and the Popular Tulio Espanca University - Campus of Viana do Alentejo. In this way it will be possible to know each educational offer and to describe the curricular pattern of each institution. It will also allow us to describe the target public of the Senior Universities in Évora’s district . This non-formal education is developed by teachers who dedicate their time to developing projects in these Senior Universities, making a contribution to learning several areas, such as arts and social sciences. The pedagogical organization of these institutions shows us that there are several differences between them and that there is a considerable discrepancy in the number of teachers and students that come to such institutions. The way in which they are integrated in the community, their projects and activities, are, in a way, the model of their evolution and progresso.

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Inclusive Education values differences by reducing barriers to learning and promoting active participation and positive interactions between all members of school community. Nowadays, school faces numerous children/adolescents who for several reasons have developed challenging behaviours and high risk of dropping out school. They come often from socio-cultural-economic minority groups and have sometimes a repeated course of academic failure. Art has had the ability to bring together the interests of all, even of the most unsuitable. In this paper, the authors present an intervention through street art/graffiti done in a secondary school, with a ninth grade class covered by PIEF Programme. The project aimed to understand if the integration of graffiti art in educational process had impact on challenging behaviour. The study, with a qualitative methodology, shows contributions of artistic experience as an asset to educational development of students with challenging behaviours contributing to a better school and inclusion.