8 resultados para Ancilídeo Rio de Janeiro (Estado)
em Queensland University of Technology - ePrints Archive
Resumo:
In modern day Brazil, new media initiatives centred in local communities are attempting to change the face of mainstream ideas about favelas and their inhabitants. One of these initiatives is Viva Favela which is ideologically and physically supported by the NGO Viva Rio that is based in Rio de Janeiro. This non-government organisation runs projects that provide favela residents with skills to take, edit and print their own(photo)journalism contents that enable a community-based framing and documentation of favela life, personalities and issues. The NGO furthermore has developed a range of public venues for displaying these works of (photo)journalism, thus minimising the invisibility that favela dwellers feel in Brazilian political life. This paper takes a discursive and ethnographic approach to investigating how community media might contribute with the aims of empowering people and supporting deliberation within Rio de Janeiros favelas.
Resumo:
Oprincipal objetivo desse artigo apresentar os resultados parciais de uma pesquisa em andamento sobre o processo de produo de contedo do portal Viva Favela, um dos projetos sociais realizados pela organizao nogovernamental Viva Rio. Partindo de uma abordagem conceitual que discute os modos pelos quais a mdia alternativa e o jornalismo pblico/jornalismo cvico criam as condies de possibilidade para que uma determinada prtica jornalstica d voz e empodere (empower) moradores de periferias e favelas brasileiras, estamos realizando um estudo das rotinas produtivas do Viva Favela e seus correspondentes comunitrios. O conceito sobre voice, de Jo Tacchi, oferece-nos um embasamento terico adequado para refletirmos sobre o que vem sendo denominado, nos Estados Unidos, de digital storytelling as narrativas digitais produzidas com as tecnologias de informao e comunicao para contar estrias 1, que so criativamente apropriadas, no Brasil, por moradores das favelas e periferias das regies metropolitanas.
Resumo:
Abstract This paper presents the partial results of an ongoing research project which investigates ethnographically community (photo)journalism media initiatives, in Rio de Janeiro, Brazil. The Viva Rio and Observatorio de Favelas (NGOs) run projects that provide favela residents with skills to take, edit and print their own (photo) journalism contents that enables community-based framing and documentation of favela live, personalities and issues. Three months of fieldwork related to these projects in Rio's favelas generated remarkable theoretical issues that represent the community photographers' attempt to establish counter news values by shifting the focus from poverty, shortages, violence and criminality to images of the ordinary life which included the myriad events that occurs in the day of the favelas. Resumo Este artigo apresenta os resultados parciais de uma pesquisa em andamento que, a partir do mtodo etnogrfico, investiga os projetos de comunicao comunitria, jornalismo e fotojornalismo, no Rio de Janeiro, Brasil. As organizaes no-governamentais (ONGs) Viva Rio e Observatrio de Favela apoiam projetos que objetivam tornar moradores de favelas capazes de produzir, editar e publicar as suas prprias narrativas sobre personagens e questes do cotidiano de suas comunidades. O trabalho de campo sobre estes projetos, realizado durante trs meses nas favelas do Rio de Janeiro, forneceu questes tericas relevantes que representam o esforo dos fotgrafos populares para estabelecer contra valores-notcia transferindo o foco da pobreza, escassez, violncia e criminalidade para imagens do cotidiano que inclui uma mirade de eventos que acontecem no dia-a-dia das favelas.
Resumo:
This proposal combines ethnographic techniques and discourse studies to investigating a collective of people engaged with audiovisual productions who collaborate in Curta Favelas workshops in Rio de Janeiros favelas. Favela is often translated simply as slum or shantytown, but these terms connote negative characteristics such as shortage, poverty, and deprivation referring to favelas which end up stigmatizing these low income suburbs. Curta Favela (Favela Shorts) is an independent project which all participants join to use photography and participatory audiovisual production as a tool for social change and raising consciousness. As cameras are not affordable for favelas dwellers, Curta Favelas volunteers teach favela residents how they can use their mobile phones and compact cameras to take pictures and make movies, and afterwards, how they can edit the data using free editing video software programs and publish it on the Internet. To record audio, they use their mp3 or mobile phones. The main aim of this study is to shed light not only on how this project operates, but also to highlight how collective intelligence can be used as a way of fighting against the lack of basic resources.
Resumo:
Resumo: Esse artigo apresenta os resultados parciais de uma pesquisa em andamento que, a partir do mtodo etnogrfico, investiga os projetos de comunicao comunitria, jornalismo e fotojornalismo desenvolvidos por duas organizaes no-governamentais na cidade do Rio de Janeiro. O trabalho de campo, realizado durante trs meses nas favelas cariocas, forneceu questes tericas relevantes para os estudos do jornalismo, destacando-se as problematizaes sobre a noo de valores-notcia. Voltados para a produo de narrativas centradas no cotidiano das comunidades, os fotojornalistas populares consideram fundamental discutir os valores-notcia formulados pela grande imprensa e propor contra-valores.
Resumo:
This proposal combines ethnographic techniques and discourse studies to investigate a collective of people engaged with audiovisual productions who collaborate in Curta Favelas workshops in Rio de Janeiros favelas. Favela is often translated simply as slum or shantytown, but these terms connote negative characteristics such as shortage, poverty, and deprivation which end up stigmatizing these low income suburbs. Curta Favela (Favela Shorts) is an independent project in which all participants join to use photography and participatory audiovisual production as tools for social change and to raise consciousness. As cameras are not affordable for favela dwellers, Curta Favelas volunteers teach favela residents how they can use their mobile phones and compact cameras to take pictures and make movies, and afterwards, how they can edit the data using free editing video software programs and publish it on the Internet. To record audio, they use their mp3 or mobile phones. The main aim of this study is to shed light not only on how this project operates, but also to highlight how collective intelligence can be used as a way of fighting against a lack of basic resources.
Resumo:
This paper takes a multimethod approach which combines ethnographic techniques and discourse studies to investigate two contrasting professional groups: community photographers, who are favela dwellers who have developed photographic projects in Brazils favelas, and photojournalists of the mainstream media. Its purpose is to determine how a cultural and social divide in the city of Rio de Janeiro shapes both community photographers and mainstream photojournalists practices, discourses, and identities. While community photographers strive to establish a humane and positive view about favelas and their residents by shifting the focus from poverty, shortages, violence, and criminality to images of the ordinary life, mainstream photojournalists express the view that their role is of primary importance for the defence of human rights in the favelas by helping to prevent, for instance, police abuses and violations. As the data analysis indicated the existence of socio-spatial borders all over Rio de Janeiro, this study adopted the idea of a divided city without denying interconnections between favelas and the citys political life. Through the analysis of categories which emerged from the data, the complex world of documenting favela life is explored. The major themes touched upon are: the breakdown between the mainstream media and the favela communities; the different kinds of relationships which arise in Rios low income suburbs; and the gradual return of mainstream news workers to favelas.
Resumo:
Public space in many communities around the world has been identified as over-regulated and devoid of social vibrancy. This research contributed new knowledge regarding the way local residents territorialise and take ownership of streets and open areas in a favela, or informal settlement, in Rio De Janeiro, Brazil. Findings showed that public spaces were only partly activated by spatial pattern or structure. User agency also played a significant role, despite recent regulatory and policing interventions in the favela. This may have important implications for new communities where design could allow for more flexible usage and thereby enhance social vibrancy.
