4 resultados para democratization

em Universidade Complutense de Madrid


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Mexico and the European Union signed a new Political and Economic Association Agreement in December 1997 and ultimately a free-trade agreement in March 2000, aiming to establish a new model of relations with a more dynamic trade and investment component. This article analyzes the 1997 agreement as background to the final accord. Economic and political changes in the 1990s modified both parties' participation in the international political economy, helping to overcome some of the structural obstacles to the relationship. The policy toward Latin America adopted by the EU in 1994 was influential. The negotiation process revealed divergences over the scope of the liberalization process and the so-called democracy clause.

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Mexico is now one of the countries with better policies on transparency and access to public information, according to various indicators and academics. Just fifteen years ago, Mexico was a country that lacked legal instruments thereon, whereby the institutions were deeply opaque and citizens could not exercise this right of access to public information. The development of the right of access to public information, in both law and public policy, a milestone in the history of Mexico. It has been, therefore gestation, as its formulation and implementation. In Mexico there have existed diverse social movements that have promoted democratization and the defense of human rights. In the framework of these movements the fight registers for the right of access to the public information that one presents as a successful model of civic action and government intervention, without for it, not to know the challenges that his deepening has still and take root both in the company and in the political class in general. How was it achieved to construct a new institutional of transparency that was functional? How was it possible that the above mentioned change was achieved? These are questions that interests formulated to the political science and to the public administration for the analysis of the change and improvement of institutions. The study of the political change is relevant since the public policies precisely try to solve a problem, to transform a reality but not always the change is achieved, is not even realized of successful form. In a nascent democratic regime, it turns out important to know what factors can collaborate in the conformation of a public successful sustainable politics in the time. Even more, on having treated itself about a substantive politics that it gives content and viability itself to the democracy in a marked country historically and culturally for the opaqueness and the corruption...

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Sandinista ideology and its political culture are born in 1927, with the refusal of the Pacto del Espino Negro by Augusto César Sandino, while its disappearance can be placed in 1999, date of the signature of the Liberal-Sandinista pact with which –effectively- the two main protagonist of nicaraguan politics at that time, Daniel Ortega and Arnoldo Alemán, halt the democratization process of Nicaragua, so putting on ice also its political development. Meanwhile, in the lapse of time between these two pacts, the most intense, feverish, dramatic and participated period of political history of the Central American country develops: an anti-imperialist guerrilla warfare ended in a bloodbath; a dynastic dictatorship of predatory authoritarianism for more than 40 years; a popular revolution that throws down the dictatorship; a decade of revolutionary government attacked by a counter-revolutionary war; an electoral defeat that will lead to a season of “pactismo” that will end the Sandinista anomaly and that will give an opening to something that we could consider –not with a certain difficulty- its pretence. The aim of this essay consists in analyzing how it has been possible that a political experience like the Sandinista Front , created not only for gaining power and for revolutionizing politically, socially and economically Nicaragua, but also for changing radically cultural, ethic and moral perspective of the country and its people, arrived being the contrary of what had been posed as the horizon to aspire...

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This dissertation is concerned with a period unfortunate for the citizens of former Yugoslavia, but influential for its artists, who used their feeling of responsibility to leave valuable testimonies about their time. The research began in 2007 for the purposes of obtaining an advanced academic degree and was entitled Responsibility of the Artist Facing Social Conflicts: the Case of Yugoslavia (1989–2003). A part of it was presented in 2008, at the Women’s Worlds Congress held at Complutense University in Madrid (in cooperation with my mentor Dolores Fernández Martínez). This dissertation implied a broader scope of research on the topic of Social Responsibility and Artistic Debate Today. Artists in the Face of Armed Conflict in Former Yugoslavia (1989–2008), thus aiming to study the case of Serbian visual artists under Milosevic (1989–2000) and later, during the democratization of the Serbian society. The period in focus ends in 2008, except for the works in the group Monument where it stretches up to 2012.