Las poéticas explícitas de Antonio Colinas

Poets' thoughts about poetry have long been the subject of much attention. Since Classical Antiquity this has given rise to powerful reflections about literature, influencing texts which would then become part of academic discourse. However, these have also been used to help to explain or exemplify questions the academic discipline of Literary Theory have failed to address properly, since such questions related to the process of creation justifiably give attention to the writers' own experiences of such a process. Nevertheless, although the content of texts in which poets explain their own creation or specify key aspects of the literary process has been taken into account, there has not been any systematic study of the formal aspects of the discourse coming from the creator. The reason lies in the fact that the discourse of the creator takes different and variant directions that complicate its definition and distinction in relation to other kinds of similar texts. The first part, theoretical in nature, has emerged from the study of explicit poetics by numerous authors, as well as from critical bibliography. This seeks to identify common characteristics of these texts. Conversely, the second and third parts aims to find the individuality of Colinas' poetics, which manifests itself fundamentally in its content. Because of this, it is the study of the core parts of Colinas' poetic thinking expressed in the trends of his explicit poetics that will constitute a substantial part of this section of research...

Ideología y narrativa: la función significativa, el pensamiento estetizante y las relaciones humanas

This research deals with the study of ideology in the novel. Our motivation has philosophical implications and refers to fundamental and foundational issues of literary theory and aesthetics in general. Thus, the definition of the object of study for a correct formulation of these questions, as appropriate, represents the first difficulty of this research. The concept of ideology is of a problematic nature due to the polysemy of the term and the Marxist pejorative use associated to it. In our work, however, we understand ideology in a general and literal way: study and system of ideas. This research seeks to justify the study of ideology and its relevance in the investigation of narrative text as a system of ideas for understanding the world that determines the individual's relationship with it within the novel. The epistemological approach of our research relates the concept of ideology in terms of literary hermeneutics, critical theory, and dialogic criticism, linked trough the critical inquiry and the signifying function of ideology. Furthermore, the ideological representation of the signifying function in literary texts responds to aesthetic criteria, and therefore aesthetics constitutes the specificity of the methodological approach of this study. Bakhtińs essential text on literary theory, "The Problem of Content, Material and Form in Verbal Arts", allows us to develop an understanding of the literary phenomena based on the concept of aestheticided thought. The main references to establish the foundational criteria of our investigation based on the hermeneutic-aesthetic relationship are P. Ricoeur, M. Bakhtin, and J. Habermas...