Coaliciones promotoras y transparencia en México: el caso de las políticas de derecho de acceso a la información en la administración pública federal 2002-2014

Mexico is now one of the countries with better policies on transparency and access to public information, according to various indicators and academics. Just fifteen years ago, Mexico was a country that lacked legal instruments thereon, whereby the institutions were deeply opaque and citizens could not exercise this right of access to public information. The development of the right of access to public information, in both law and public policy, a milestone in the history of Mexico. It has been, therefore gestation, as its formulation and implementation. In Mexico there have existed diverse social movements that have promoted democratization and the defense of human rights. In the framework of these movements the fight registers for the right of access to the public information that one presents as a successful model of civic action and government intervention, without for it, not to know the challenges that his deepening has still and take root both in the company and in the political class in general. How was it achieved to construct a new institutional of transparency that was functional? How was it possible that the above mentioned change was achieved? These are questions that interests formulated to the political science and to the public administration for the analysis of the change and improvement of institutions. The study of the political change is relevant since the public policies precisely try to solve a problem, to transform a reality but not always the change is achieved, is not even realized of successful form. In a nascent democratic regime, it turns out important to know what factors can collaborate in the conformation of a public successful sustainable politics in the time. Even more, on having treated itself about a substantive politics that it gives content and viability itself to the democracy in a marked country historically and culturally for the opaqueness and the corruption...

La respuesta liberal de Edmund Burke a la crisis de legitimidad política del siglo XVIII

Edmund Burke is both the greatest and the most underrated political thinker of the last three hundred years. We could not agree more with this assertion of Jesse Norman. Very few political-statesmen have attainted the enormous repercussion both in politics and in history that Burke had deployed over the last centuries. Nevertheless, Burke remains unfairly unknown for a wider public. And what it is more, the vast majority tend to think of him as a conservative, if not a liberal-conservative. A prior precision has to be made before continuing regarding the term liberal for the sake of accuracy. Burke was a prominent Whig, what in Spanish language we describe as a liberal, in the sense that both Hayek and Milton Friedman uttered, far from the meaning “kidnapped” of the word liberal by the Anglo-Saxon left. The object of this thesis is to investigate the non-solved controversy on Burke`s figure and the liberal answer he provided with to the political crisis of legitimacy of the 18th century. There is an existing shared opinion by the academia that prior to the Reflections on the Revolution of France, his masterpiece, he was an outstanding and prominent Whig. Champion of liberty, justice and good governance, guardian of liberal virtues and the authentic developer of the efficient policy put in place by the Marquis of Rockingham in order to curb the corruption and influence emanating from the court of George the Third and his double cabinet.

Los jardines "pintados" de Émile Zola, lugares de encuentro entre literatura y arte

The thesis here presented, entitled “PAINTED” GARDENS BY ÉMILE ZOLA, MEETING PLACES OF LITERATURE AND ART, aims to analyze the treatment of the theme of garden in La Curée, the second of the twenty novels that make up the cycle of Les Rougon-Macquart, series published between 1871 and 1893. In this story, the author, an ardent republican, bluntly attacks the imperial regime, emphasizing the confusion of high society, the immorality of speculation occurred under the Haussmann's renovation of Paris, the profusion of luxury and pleasure, and, in short, a dynamism geared exclusively to the sense of destruction or perversion. Hence we have devoted an entire chapter to argue the presentation of this novel as a chronicle of Parisian society of the Second Empire. Also, because reading Zola is to recognize the profusion of metaphorical language, the analysis of the poetic discourse has played an important role in the body of this thesis. This analysis focuses on the two major descriptions of the greenhouse of hôtel Saccard, in chapters I and IV, both aiming to present this garden as a disturbing space, favorable to the discovery of unsuspected amorous capabilities, according to the mentality of the nineteenth century, so full of puritan principles, for which the tropical world of greenhouses meant a sexual freedom which did not understand bans or limitations. The sexual corruption that occurs in this greenhouse, is not only indicative of moral laxity in personal relationships, but also works as a symbolic image of decay and breakdown of society as a whole...