3 resultados para Casas, Bartolomé de las

em Universidade Complutense de Madrid


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There is a growing concern about the poor quality of the writing of children and teenagers because of the continuous and constant exposure to the new technologies. Increasingly parents complain that their children spend too much time with their phones, tablets, computers, video games, etc. There is also an increase in the number of teachers who complain about their students’ writing skills. Some of the most prominent criticisms are loss of vocabulary, simplified syntax and the poor spelling of the compositions. To verify if these criticisms are motivated or not by the use of information and communication technologies (ICT) is what moved us to initiate this doctoral dissertation entitled “The influence of ICT on ratings of syntactic maturity: a comparative study between pre- and post-internet generations”. We aim to know if a daily and constant exposure to the ICT can affect the syntactic maturity rates of children and teenagers. We also want to find out if there are differences between the levels of syntactic maturity of today’s students and those of the 1990s, when there were no ICT and internet. In order to do this, we have carried out a quantitative analysis taking as a reference previous studies by generativist researchers in the Anglo-Saxon and Hispanic world and we have used the same units of measure (T-unit and clause). We collected a corpus of 382 essays, half argumentative and half descriptive, from 191 individuals. We have analyzed them according to ten dependent variables or syntactic maturity rates and other independent variables (Hours in internet, Course, Sex, Location, Type of school) by applying techniques of descriptive and inferential statistics...

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Diseño y Planificación de un Programa para acoger en la Facultad a los estudiantes de nuevo ingreso en primer curso que básicamente pretende informar de qué es la Universidad, cómo es la Complutense, cómo es la Facultad y todo acerca de los recursos de todo tipo que se brindan a cada titulación de esta su Facultad a partir de ahora.

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El carácter innovador y feminista del mediometraje "Margarita y el lobo" (1969) supuso la censura total de la película y el ostracismo hacia su directora, la entonces estudiante de la EOC, Cecilia Bartolomé. En este artículo repasamos sus anteriores cortometrajes para desgranar los primeros matices de protesta así como la utilización de la expresión musical como vehículo del discurso feminista en "Margarita y el lobo". A través de los planteamientos de la musicóloga Susan McClary que abordan sexualidad, género y feminismo concluimos con una visión del análisis de género en las obras musicales, al vincular sus estudios al film de Bartolomé. Del mismo modo, analizamos la función que cumple la música en el mediometraje. Para ello, examinamos el repertorio de canciones presentes en "Margarita y el lobo" para terminar reconociendo la función discursiva y referencial como piezas claves en la película de la directora.