El teatro peruano contemporáneo (1960-2000). Aproximación

An Approach to contemporary Peruvian theatre (1960-2000) is a work of research that attempts to justify an initial assumption: contemporary Peruvian theatre could not have come to an end at the close of the 1950s with the few writers mentioned briefly in histories of literature, such as Sebastián Salazar Bondy, Enrique Solari Swayne, Juan Ríos and Julio Ramón Ribeyro. Moreover, these are writers noted for their work in other areas of literature and not specifically defined as playwrights. There must have been a new generation of theatrical authors starting in the 1960s who did not gain notoriety in Peru or, of course, beyond its borders. In the preface to his collected works, Mario Vargas Llosa gives us a clue that illustrates this period: “To write theatre in the Lima of those years, was worse than to weep; it was almost to condemn yourself never to see what you wrote on the stage, which is even sadder and more frustrating than it is for a poet or novelist to die unpublished.” [2001: 4] The huge social inequality that characterised Peruvian society at the time meant that only a small elite had access to theatres...

Tener hambre de luz y devorar una estrella: la poesía de J.E. Eielson

The present Doctoral Thesis is framed within the study of the poetry of the great Peruvian artist Jorge Eduardo Eielson (April 13, 1924 – March 8, 2006). In general terms, it focuses on the symbols that articulate both his literary productions and his work in the field of visual arts. Throughout this project, I used the principles of the modern semiotics as well the myth criticism theory developed by Gilbert Durand in his work The Anthropological Structures of the Imaginary as the basis. Following the assumption of considering Eielsońs work as an indivisible whole, in contrast to many studies that often attempted to analyse part of his creative work by privileging one medium over the others, I analyzed each symbol in all its forms, looked at its presence and relevance in his entire work and sought the archetypal level of each term. For this task, the works of Joseph Campbell and Mircea Eliade provided valuable guidances. At the beginning of this study I present a short author's biography, in order to help to understand the circumstances under which his poems were composed. (Let us remember that most of his books were published many years after their conception). Throughout this chapter, I have carefully considered the Lima period, his relationship with his first mentor, the anthropologist and writer José María Arguedas who introduced him to the knowledge of the ancient civilizations of Peru, his link with the literary circles of Lima and his first acknowledgments: the National Poetry Award (1944) and the National Drama Award (1948)...