Perceptual thresholds for detecting modifications applied to the acoustical properties of a violin

This study is the first step in the psychoacoustic exploration of perceptual differences between the sounds of different violins. A method was used which enabled the same performance to be replayed on different "virtual violins," so that the relationships between acoustical characteristics of violins and perceived qualities could be explored. Recordings of real performances were made using a bridge-mounted force transducer, giving an accurate representation of the signal from the violin string. These were then played through filters corresponding to the admittance curves of different violins. Initially, limits of listener performance in detecting changes in acoustical characteristics were characterized. These consisted of shifts in frequency or increases in amplitude of single modes or frequency bands that have been proposed previously to be significant in the perception of violin sound quality. Thresholds were significantly lower for musically trained than for nontrained subjects but were not significantly affected by the violin used as a baseline. Thresholds for the musicians typically ranged from 3 to 6 dB for amplitude changes and 1.5%-20% for frequency changes. interpretation of the results using excitation patterns showed that thresholds for the best subjects were quite well predicted by a multichannel model based on optimal processing. (c) 2007 Acoustical Society of America.

Torsional Behaviour of Cello Strings

The behaviour of a bowed string depends, among other things, on the frequency, impedance and internal damping of torsional waves on the string. Very little published information is available about these quantities, especially the torsional damping. Measurements of all relevant torsional properties have been made on cello strings of three different constructions. These show that the torsional modes are harmonically spaced to reasonable accuracy, and that the Q factors are approximately equal for all modes of a given string. These torsional Q factors are roughly an order of magnitude smaller than those of the transverse modes of the same string. The torsional wave speed varies somewhat with the tension in the string, decreasing with higher tension. The damping factors are not significantly influenced by tension. These results have been expressed in terms of a novel "reflection function" [1] suitable for direct incorporation into simulations of the bowing process.