14 resultados para Modern literature
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In this paper, I examine the treatment of competitive profit of professor Varian in his textbook on Microeconomics, as a representative of the “modern” post-Marxian view on competitive profit. I show how, on the one hand, Varian defines profit as the surplus of revenues over cost and, thus, as a part of the value of commodities that is not any cost. On the other hand, however, Varian defines profit as a cost, namely, as the opportunity cost of capital, so that, in competitive conditions, the profit or income of capital is determined by the opportunity cost of capital. I argue that this second definition contradicts the first and that it is based on an incoherent conception of opportunity cost.
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Revised: 2007-01.-- Published as an article in: Revista Desarrollo y Sociedad (2006), Semestre II, pp. 245-260.
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361 p.
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612 p.
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Publicado en: "End of Tradition?.Part 1 : History of Commons and Commons Management (Cultural Severance and Commons Past)", edited by Ian D. Rotherham, Mauro Agnoletti and Christine Handley
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[EN] This paper focuses on how to initiate discussions of the regulatory gaze in primary school classrooms through the study of characters in literature. It specifically focuses on two renowned characters in Spanish literature: Xola (Bernardo Atxaga) and Iholdi (Mariasun Landa). These characters are composed of a chorus of looks which in turn also look. We shall carefully reflect upon these looks and discuss how we see others, how others see us, and how we would like others to see us.
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Santamaría, José Miguel; Pajares, Eterio; Olsen, Vickie; Merino, Raquel; Eguíluz, Federico (eds.)
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Eterio Pajares, Raquel Merino y José Miguel Santamaría (eds.)
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Eterio Pajares, Raquel Merino y José Miguel Santamaría (eds.)
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8 p.
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35 p.
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421 p.
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Trabajo realizado dentro del Grupo de Investigación «Tradiciones Clásicas» de la UPV/EHU (GIU-07-26)
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[ES] Este trabajo muestra ejemplos de la difusión que, como modelo, ha tenido el "corpus Tibullianum" en la poesía de Occidente. Ponemos de relieve su apreciación en Inglaterra, donde hemos encontrado un interesante grupo tanto de imitaciones expresas y como de composiciones de diverso signo que se aproximan a la elegía latina a través de Tibulo. La mayor parte de estos testimonios se sitúan en los siglos XVlI y XVIII, coincidiendo con las primeras traducciones inglesas, y terminan con los poetas románticos, que como Byron ya adelantan la actitud de nuestro tiempo ante el "corpus Tibullianum", entre un cierto olvido y admiración.