Para una relectura del compromiso en los años sesenta: paradoja, escritura transparente, retracción de Antonio Gamoneda

[ES] En este artículo se trata de analizar el planteamiento del compromiso poético a la altura del comienzo de la década de los años sesenta, a partir del análisis de esa modalidad de escritura en Blues castellano de Antonio Gamoneda, libro cuyos poemas datan de 1961–1966, aunque permaneció inédito hasta 1982. Leído en el contexto de su producción, Blues castellano muestra una solidaridad absoluta con algunos de los modelos poéticos comprometidos de la época (Nazim Hikmet, Bertolt Brecht, los espirituales negros, etc.), así como una vinculación hacia un tipo de compromiso poético que va a hacer recaer su dimensión crítica en el lenguaje poético, no sólo en el referente externo. En Blues castellano se consolidan ya algunos de los conceptos centrales de la poesía gamonediana posterior: retracción, búsqueda de una escritura transparente, desaparición del sujeto en la escritura, etc.

From social to political. New forms of mobilization and democratization. Conference proceedings

In the recent evolution of contemporary social movements three phases can be identified. The first phase is marked by the labour movement and the systemic importance attributed to the labour conflict in industrial societies. This conflict has been interpreted as a consequence of the shortcoming of social integration mechanisms by Emile Durkheim, as a rational conflict by entrepreneurs’ and workers’ interests by Max Wener, and as a central class struggle for the transformation of society by Karl Marx. The second phase in this development was led by the new social movements of the post-industrial society of the 1960s and 1970s’ students, women and environmentalist movements. Two new analytical perspectives have explained these movements’ meaning and actions. Resource mobilization theory (McAdam and Tilly) has focuses on rational attitudes and conflicts. Actionalist sociology, in turn, has identified the new protagonists of social conflicts that replaced the labour movement in postindustrial societies. The third phase emerges in a world characterized by the ascendance of markets, the increasingly prominent role of financial capital flows, the closure of communities, and fundamentalism. In this context, human rights and pro-democratization movements constitute alternatives to global domination and the systemic conditioning of individual and groups.

Arte medioambiental y ecología. Paradigmas de comprensión, interpretación y valoración de las relaciones entre arte y ecología (1960-2015)

549 pp. (Bibliogr. pp. 501-522) (Conclusiones pp. 467-483/ Conclusions pp. 484-497)

The scientific legacy of the "Instituto Eduardo Torroja" in Bilbao (1960-1980)

By means of this analysis, we have endeavored to evaluate and understand both the influence that the IETcc started to bear on scientific progress in Bilbao, mainly during the 1960s and the 1970s, as well as the determined efforts of the local financial and industrial elite of the time to transform Bilbao into the great metropolis of the north, i.e. the economic capital of that part of Spain, using as a model, among other metropolises, New York, the financial capital of America, and Pittsburg, the industrial capital. The various means to accomplish this have been studied: from the institutions of investigation, exposition and information which would initiate the longed for scientific progress, to the pathways for reproducing the fascinating American way.