Drawn to the Sea: Charles Bradford Hudson (1865-1939), Artist, Author, Army Officer, with Special Notice of His Work for the United States Fish Commission and Bureau of Fisheries

The biography of Charles Bradford Hudson that follows this preface had its seeds about 1965 when I (VGS) was casually examining the extensive files of original illustrations of fishes stored in the Division of Fishes, National Museum of Natural History, Smithsonian Institution. I happened upon the unpublished illustration of a rainbow trout by Hudson and was greatly impressed with its quality. The thought occurred to me then that the artist must have gone on to do more than just illustrate fishes. During the next 20 years I occasionally pawed through those files, which contained the work of numerous artists, who had worked from 1838 to the present. In 1985, I happened to discuss the files with my supervisor, who urged me to produce a museum exhibit of original fish illustrations. This I did, selecting 200 of the illustrations representing 21 artists, including, of course, Hudson. As part of the text for the exhibit, Drawn from the Sea, Art in the Service of Ichthyology, I prepared short biographies of each of the artists. The exhibit, with an available poster, was shown in the Museum for six months, and a reduced version was exhibited in U.S. and Canadian museums during the next 3 years.

Stanford University’s John Otterbein Snyder: Student, Collaborator, and Colleague of David Starr Jordan and Charles Henry Gilbert

John Otterbein Snyder (1867–1943) was an early student of David Starr Jordan at Stanford University and subsequently rose to become an assistant professor there. During his 34 years with the university he taught a wide variety of courses in various branches of zoology and advised numerous students. He eventually mentored 8 M.A. and 4 Ph.D. students to completion at Stanford. He also assisted in the collection of tens of thousands of fish specimens from the western Pacific, central Pacific, and the West Coast of North America, part of the time while stationed as “Naturalist” aboard the U.S. Fish Commission’s Steamer Albatross (1902–06). Although his early publications dealt mainly with fish groups and descriptions (often as a junior author with Jordan), after 1910 he became more autonomous and eventually rose to become one of the Pacific salmon, Oncorhynchus spp., experts on the West Coast. Throughout his career, he was especially esteemed by colleagues as “a stimulating teacher,” “an excellent biologist,” and “a fine man.

Humpback and Fin Whaling in the Gulf of Maine from 1800 to 1918

The history of whaling in the Gulf of Maine was reviewed primarily to estimate removals of humpback whales, Megaptera novaeangliae, especially during the 19th century. In the decades from 1800 to 1860, whaling effort consisted of a few localized, small-scale, shore-based enterprises on the coast of Maine and Cape Cod, Mass. Provincetown and Nantucket schooners occasionally conducted short cruises for humpback whales in New England waters. With the development of bomb-lance technology at mid century, the ease of killing humpback whales and fin whales, Balaenoptera physalus, increased. As a result, by the 1870’s there was considerable local interest in hunting rorquals (baleen whales in the family Balaenopteridae, which include the humpback and fin whales) in the Gulf of Maine. A few schooners were specially outfitted to take rorquals in the late 1870’s and 1880’s although their combined annual take was probably no more than a few tens of whales. Also in about 1880, fishing steamers began to be used to hunt whales in the Gulf of Maine. This steamer fishery grew to include about five vessels regularly engaged in whaling by the mid 1880’s but dwindled to only one vessel by the end of the decade. Fin whales constituted at least half of the catch, which exceeded 100 animals in some years. In the late 1880’s and thereafter, few whales were taken by whaling vessels in the Gulf of Maine.

Alberto M. Salas. Para un bestiario de Indias. Iconografía de David Almirón.

Esta serie de ProBiota tiene como propósito mostrar diferentes expresiones artísticas relacionadas con la Ictiología nacional y regional, generadas en diferentes épocas y que surgen por diversas motivaciones personales que, en algún caso, muestran casi con exactitud a los modelos que inspiraron la obra, en otras, por lo contrario, responden a la imaginación y creatividad del autor. En este núnero de su Serie Arte y Sociedad, se han recopilado las magnificas ilustraciones de David Almirón que fueron incluidas en la obra “Para un bestiario de Indias” de Alberto M. Salas editada en 1968 y las que aquí son reproducidas con el número de la página donde están ubicadas Estos creadores con particular estilo nos describen parte del “abanico zoológico” del “Nuevo Mundo”. Invito a quiénes no lo hayan hecho, colegas, estudiosos y profanos, a dar una lectura a este libro, puesto que no me queda duda que saldrán enriquecidos en todo sentido. Sólo me resta convocar a quienes quieran sumarse a esta iniciativa de ProBiota, se acerquen con sus aportes para consolidar esta idea, ya que podría ser otro instrumento de difusión del conocimiento de nuestra disciplina a los diferentes estamentos de la sociedad.

Semblanzas Ictiológicas Iberoamericanas: Héctor Samuel Vera Alcaraz.

A través de esta nueva serie tratamos de conocer diferentes aspectos personales de los integrantes de la comunidad ictiológica iberoamericana. Esta iniciativa, comparte el espíritu y objetivo de las semblanzas nacionales buscando informalmente, otro punto de unión en la “comunidad de ictiólogos iberoamericanos”. Quizás esté equivocado en mi apreciación, pero creo que vale la pena este intento, ya que, con la colaboración generosa e insoslayable de los integrantes de este “universo”, señalaremos un registro en el tiempo de la Ictiología Neotropical.

A redescription of Diogenes senex Heller, 1865, sensu stricto (Decapoda: Anomura: Paguridea: Diogenidae)

Diogenes senex Heller, 1865 sensu stricto is redescribed from specimens collected in Australia, particularly in and around the type locality of Sydney. A neotype has been designated. Comparisons of this material with other specimens identified as D. senex by a number of authors has shown that at present only the Australian material truly represents Heller's taxon.