3 resultados para CAMPING
em Aquatic Commons
Resumo:
The Channel Islands—sometimes called the Galapagos of North America—are known for their great beauty, rich biodiversity, cultural heritage, and recreational opportunities. In 1980, in recognition of the islands’ importance, the United States Congress established a national park encompassing 5 of California’s Channel Islands (Santa Barbara, Anacapa, Santa Cruz, Santa Rosa, and San Miguel Islands) and waters within 1 nautical mile of the islands. In the same year, Congress declared a national marine sanctuary around each of these islands, including waters up to 6 nautical miles offshore. Approximately 60,000 people visit the Channel Islands each year for aquatic recreation such as fishing, sailing, kayaking, wildlife watching, surfing, and diving. Another 30,000 people visit the islands for hiking, camping, and sightseeing. Dozens of commercial fishing boats based in Santa Barbara, Ventura, Oxnard, and other ports go to the Channel Islands to catch squid, spiny lobster, sea urchin, rockfish, crab, sheephead, flatfish, and sea cucumber, among other species. In the past few decades, advances in fishing technology and the rising number of fishermen, in conjunction with changing ocean conditions and diseases, have contributed to declines in some marine fishes and invertebrates at the Channel Islands. In 1998, citizens from Santa Barbara and Ventura proposed establishment of no-take marine reserves at the Channel Islands, beginning a 4-year process of public meetings, discussions, and scientific analyses. In 2003, the California Fish and Game Commission designated a network of marine protected areas (MPAs) in state waters around the northern Channel Islands. In 2006 and 2007, the National Oceanic and Atmospheric Administration (NOAA) extended the MPAs into the national marine sanctuary’s deeper, federal waters. To determine if the MPAs are protecting marine species and habitats, scientists are monitoring ecological changes. They are studying changes in habitats; abundance and size of species of interest; the ocean food web and ecosystem; and movement of fish and invertebrates from MPAs to surrounding waters. Additionally, scientists are monitoring human activities such as commercial and recreational fisheries, and compliance with MPA regulations. This booklet describes some results from the first 5 years of monitoring the Channel Islands MPAs. Although 5 years is not long enough to determine if the MPAs will accomplish all of their goals, this booklet offers a glimpse of the changes that are beginning to take place and illustrates the types of information that will eventually be used to assess the MPAs’ effectiveness. (PDF contains 24 pages.)
Resumo:
Dr. Charles M. Breder, a well known ichthyologist, kept meticulous field diaries throughout his career. This publication is a transcription of field notes recorded during the Bacon Andros Expeditions, and trips to Florida, Ohio and Illinois during the 1930s. Breder's work in Andros included exploration of a "blue hole", inland ecosystems, and collection of marine and terrestrial specimens. Anecdotes include descriptions of camping on the beach, the "filly-mingoes" (flamingos) of Andros Island, the Marine Studios of Jacksonville, FL, a trip to Havana, and the birth of seahorses. This publication is part of a series of transcriptions of Dr. Breder's diaries. (PDF contains 55 pages)
Resumo:
En este número de la Serie Documentos presentamos a la Profesora Nacional de Dibujo Claudina Abella de López. El 23 de diciembre de 1943 se casó con Rogelio B. López y fue su dibujante en la Sección Ictiología del Museo Argentino de Ciencias Naturales “Bernardino Rivadavia”, . Realizó numerosas ilustraciones de vertebrados, entre ellas, las hermosas láminas color editadas en 1949 en Aves de Nahuel Huapi de José Santos Gollan; las dos láminas de peces en el capítulo II de la obra Suma de Geografía; la bella iconografía de Los Recursos Acuáticos Vivos, Volumen I, del Consejo Federal de Inversiones; y los peces ilustrados en la revista Camping, estos últimos cedidos gentilmente por José Athor. Recolectamos la mayor información posible, la que incluimos en el presente documento, intentando reflejar una parte de la trayectoria de la artista. Claudina era profesora de Bellas Artes y, además, una bella persona, muy culta, prolija y precisa en sus diseños y pinturas. Claudina era la dibujante de todo el Museo Argentino de Ciencias Naturales “Bernardino Rivadavia” (MACN) y varias de sus acuarelas originales se guardan en la colección de la División Ictiología, en cuya parte media estaba situado su gabinete. Ella captaba inmediatamente las notas y detalles de color de los peces y de las aves, aunque también llego a pintar algas marinas y otros organismos a pedido de los investigadores del Museo. No gustaba de realizar dibujos técnicos en tinta china, siempre preferia el ejemplar fresco como modelo y la acuarela para captar los colores y detalles. En pocos trazos reproducía el contorno de los peces, esbozando los radios de las aletas y las escamas y, en algunos casos, los delineaba con sumo detalle. Fue una eximia pintora. Jamás fue reemplazada