News from Academy Bay

Sea Cucumber Fishing Boat Captured. Park Warden Wounded by Bullet in Confrontation Between Illegal Sea Cucumber Fishermen and Patrol Personnel of the Galápagos National Park. Peaceful Demonstration to Reject Violence in Galápagos. Conflict in the Galápagos Biological Reserve for Marine Resources, a Statement by the President of the Charles Darwin Foundation. Rediscovery of an "Extinct" Endemic Plant, the Floreana Flax Linum cratericola. The Arrival of Marek's Disease to Galápagos. Mortality of Giant Tortoises at El Chato, Isla Santa Cruz. The Darwin Station Begins a Monthly Program on Local Television. Account of a Historical Crossing of Isthmus Perry.

La pêche artisanale en lagune Aby-Tendo-Ehy (Côte d'Ivoire): premières estimations de la production

This work is the result of one year of investigations on the artisanal fisheries of the Aby-Tendo-Ehy lagoon. The structure of fish catches varies with the fisheries zones and the fishing gears, but is relatively stable all year along, in the spite of the existence of some species with well worked seasonary cycle. The composition of beach seines catches, which are relatively unselective fishing gears, is: - in the Tendo lagoon (oligohaline) and Ehy lagoon (freshwater): Chrysichthys spp. 35.1%, Tilapia spp. 18.9%, Acentrogobius schlegelii 15.7%, Ethmalosa fimbriata 12% (those are two seasonary species), Tylochromis jentinki 8.8%, Elops lacerta 5.6%, other species 3.9%. - in the south of the Aby lagoon, under tide influence, Ethmalosa fimbriata 79%, Elops lacerta 12%, Chrysichthys spp. 6%, other species 3%. A preliminary estimation of 7900 tons for this lagoon artisanal fisheries total production is made for 1979 (from representative fishing villages) and can be shared as follows: - beach seines: 5300 tons; - purse seines and "syndicat" seines: 2600 tons; individual fishing: not estimated, it mostly concerns fill nets.

Bibliographie des lagunes et du littoral de Côte d'Ivoire (Afrique de l'Ouest)

The present bibliography collects references on lagoon and coastal environments in Côte d'Ivoire. It is mainly based on: - the draft bibliography prepared by Charles-Dominique and Durand in 1979, edited in the Archives Scientifiques du Centre de Recherches Océanographiques d'Abidjan (vol. 5 no. 2); - the synthesis on the marine environment, published in 1993 (LeLoeuff, Marchal and Amon-Kothias editors); - and the synthesis on the lagoon environment, published in 1994 (Durand, Dufour, Guiral and Zabi editors). In spite of a careful check of the available documents, it is more than possible that references are lacking or erroneous. That's why this bibliography is still a draft, and the author will be glad to receive complements and/or corrections from lectors. After these contributions, a more comprehensive version will be proposed. Remarks can be sent to this e-mail: arfi@ortsom.orstom.fr or to the postal address.

Three new Galapagos books

Contents for three books: Galapagos: Volume 2 edited by Roger Perry. Evolution in the Galapagos edited by R.J. Berry. Patterns of Evolution in Galapagos Organisms edited by Robert I. Bowman, Margaret Berson and Alan E. Leviton.

Drawn to the Sea: Charles Bradford Hudson (1865-1939), Artist, Author, Army Officer, with Special Notice of His Work for the United States Fish Commission and Bureau of Fisheries

The biography of Charles Bradford Hudson that follows this preface had its seeds about 1965 when I (VGS) was casually examining the extensive files of original illustrations of fishes stored in the Division of Fishes, National Museum of Natural History, Smithsonian Institution. I happened upon the unpublished illustration of a rainbow trout by Hudson and was greatly impressed with its quality. The thought occurred to me then that the artist must have gone on to do more than just illustrate fishes. During the next 20 years I occasionally pawed through those files, which contained the work of numerous artists, who had worked from 1838 to the present. In 1985, I happened to discuss the files with my supervisor, who urged me to produce a museum exhibit of original fish illustrations. This I did, selecting 200 of the illustrations representing 21 artists, including, of course, Hudson. As part of the text for the exhibit, Drawn from the Sea, Art in the Service of Ichthyology, I prepared short biographies of each of the artists. The exhibit, with an available poster, was shown in the Museum for six months, and a reduced version was exhibited in U.S. and Canadian museums during the next 3 years.