Self-adaptive grids for noise mapping refinement

Noise maps are usually represented as contour or isolines maps describing the sound levels in a region. Using this kind of representation the user can easily find the noise level assigned to every location in the map. But the acoustic calculations behind the map are not performed for every single location on it; they are only performed in a grid of receivers. The results in this calculation grid are interpolated to draw the isolines or contours. Therefore, the resolution of the calculation grid and the way it was created (rectangular, triangulated, random…) have an effect on the resulting map. In this paper we describe a smart iterative procedure to optimize the quality of the map at a really low additional computational cost, using self-adaptive grids for the acoustic calculations. These self-adaptive grids add new receivers to the sampling grid in those locations where they are expected to be more useful, so that the performance at the output of the interpolator is enhanced. Self-adaptive sampling grids can be used for minimizing the overall error of the map (improving its quality), or for reducing calculation times, and can be also applied selectively to target areas or contour lines. This can be done by the user customizing the maximum number of iterations, the number of new receivers for each iteration, the target isolines, the target quality…

Evidence of charge carrier number fluctuations in InN thin films?

Due to its small band-gap and its high mobility, InN is a promising material for a large number of key applications like band-gap engineering for high efficiency solar cells, light emitting diodes, and high speed devices. Unfortunately, it has been reported that this material exhibits strong surface charge accumulation which may depend on the type of surface. Current investigations are conducted in order to explain the mechanisms which govern such a behavior and to look for ways of avoiding it and/or finding applications that may use such an effect. In this framework, low frequency noise measurements have been performed at different temperatures on patterned MBE grown InN layers. The evolution of the 1/f noise level with temperature in the 77 K-300 K range is consistent with carrier number fluctuations thus indicating surface mechanisms: the surface charge accumulation is confirmed by the noise measurements.

Preliminary test to characterize the soundscape of the Plaza Mayor in Madrid

This paper is a first step of a research about the analysis of the richness of the existing sounds in the Plaza Mayor, due to the old and traditional shops and bars under its porticoes together with the huge daily affluence of people. In this paper we study the sound preferences of the salesmen and bar tenders at those traditional shops. These sound preferences include particular sounds, time of occurrence and date of specific annoying and pleasant sounds perceived at the square and the shops surrounding it. To carry out this study, several noise level measurements and socio-acoustic surveys were held. We will also try to correlate sound preferences and annoyance with noise levels of specific events existing at this particular square.

Estudio acústico y electroacústico de la sala 18 de Kinépolis (Madrid)

El objetivo de este proyecto se materializa en el diseño acústico y electroacústico de las salas de cine con número 18, 19, 20 y 21 del centro de cines Kinépolis situado en la Ciudad de la Imagen. Dichas salas son idénticas por lo que con el estudio y análisis de una se podrán extrapolar los resultados a las demás, por tanto a partir de ahora se realizará el diseño acústico y electroacústico centrado en la sala 18. Así pues se procederá a certificar que dicha sala cumple la norma THX. En dicho recinto se habrán aplicando con anterioridad diferentes técnicas de acondicionamiento sonoro (insonorización mediante el uso de materiales tanto absorbentes como reflectantes, arquitectura de la sala ), así como todos los acondicionamientos propios de un espacio de uso público cumpliendo las consiguientes normativas de seguridad. Se analizará la sala en su estado de partida mediante medidas acústicas in-situ tanto del tiempo de reverberación como del ruido de fondo, así como medidas espaciales con un medidor de alta precisión (láser); para posteriormente realizar las simulaciones en el programa EASE 4.01 de manera que la simulación sea lo más fidedigna posible. Estas medidas se realizarán de acuerdo a lo especificado en la norma UNE-EN ISO 3382. Cuando el comportamiento acústico del modelado de la sala sea el mismo que el de la sala real (respondan con el mismo Tiempo de Reverberación), mediante la introducción de los materiales adecuados y del ruido de fondo; se procederá al diseño electroacústico del equipo necesario para implementar el sistema de sonido multicanal Dolby (R). En el estudio electroacústico se distribuirán los diferentes altavoces que correctamente insertados ajustados sus niveles y retardos cubrirán con su señal uniformemente la sala cumpliendo los requisitos de la norma Dolby (R). Y finalmente una vez propuesto el sistema electroacústico y comprobado su correcto funcionamiento y por tanto el cumplimiento de la norma THX se propondrán mejoras en el sistema. Hay que señalar que aunque las recomendaciones THX son conocidas como norma THX no es una norma como tal, sino un conjunto de recomendaciones, que aconsejan utilizar una norma u otra para cada requisito. De ahora en adelante se referirá en este documento como norma THX. Se recuerda una vez más que dado que las salas son idénticas, y que las medidas realizadas en cada una de ellas son similares, se procederá en adelante al estudio de la sala única sala, la sala 18, siendo todos los estudios, análisis, comentarios y conclusiones aplicables a las otras 3 salas. Abstract The aim of this Project is the acoustic and electroacoustic design of the projection rooms 18th, 19th, 20th and 21st of the theater kinépolis, which is located at “Ciudad de la imagen”. These rooms are equal so with the studing and analazing of one of them , the results can be extrapolted from this one to the others, therefore as from now the and electroacoustic design will focus on the 18th room. As result the room will be certified that it comply with the standard THX. The starting point of the room will be analized such on-spot acoustical measures as the reverberation time and the noise level, in the same way the spatial measurements will be make with a precise laser meter, in order to perform simulations with the data obtained with the EASE 4.01 program. These mesurements should be made in accordance with the standard UNE-EN ISO 3382. Once the acoustical behavior of the simulated room became the same as the real room (the same reverberation times), through the configuration of the suitable materials and the background noise, previously measured, the electroacoustic design of the equipment necessary to develop the multichannel sound system Dolby (R) will be completed. In the electroacoustic design the sound power level and the dealys of the speakers and its amplifiers will be configurated till amplifiers provide an uniform coverage over the entire room in compliance with the Dolby (R) standard. Finally, once an electroacoustic system will be proposed and checked it works correctly in compliance with the THX standard, posible improvements will be identified. Abstract. Acoustic and electroacoustic study of the 18th room of the movie theater Kinépolis (Madrid) It must however be pointed out that although the THX standard is known as a standard it is actually a set of recommended practices made by Lucasfilm Ltd, anyway, from now on we will call it THX standard.

Muestreo temporal para la evaluación del ruido ambiental

La idea principal de este proyecto es realizar un estudio temporal de los parámetros necesarios para evaluar el ruido ambiental. En la actualidad son muchas las medidas que se hacen a diario para evaluar el nivel de ruido ambiente, sin embargo, este nivel no es el mismo siempre. Dependiendo del momento en el que se realicen las medidas, de la longitud de la muestra tomada etc., los resultados pueden llegar a ser muy dispares entre sí. En este proyecto se estudiarán los parámetros temporales con el objetivo de determinar las características más apropiadas de la muestra que se debe tomar a la hora de realizar medidas del nivel de ruido, de tal forma que se obtengan los resultados más apropiados con un margen de error pequeño y conocido. Para comenzar, se eligieron los puntos de medida en los que se quiere centrar el estudio. En el presente proyecto se va a analizar el ruido ambiente, principalmente procedente del tráfico rodado, existente en 3 rotondas y una semirotonda. Para ello se comenzó realizando registros de larga duración del nivel de ruido de manera continua a lo largo de todo el periodo diurno, que comprende desde las 7:00 h hasta las 19:00 h. La adquisición de estos datos se realizó con una grabadora digital y un micrófono. Posteriormente, los datos registrados se volcaron al ordenador y se procesaron con el sistema de medida Symphonie con el que de obtuvieron los parámetros necesarios para el análisis. Una vez obtenidos los niveles de los registros, el siguiente paso consistió en realizar diferentes procesos de muestreo para obtener resultados y finalmente elaborar conclusiones. ABSTRACT The main idea of this project is to realice a temporary study of the necessary parameters to evaluate the ambiental noise. Nowadays, a lot of measures are done everyday to evaluate the ambiental noise, however, this level is not always the same. The results can be very different one from another depending of the moment when this measures are done, the length of the sample, etc. In this project, temporary parameters will be studied with the aim of determine the more apropiate characteristics to the sample to be taken when performing the noise level measurements, so as to obtain the most appropriate results with an small and known error margin. To start, the points where you want to focus the study were chosen. In this project we will analyze the ambient noise, mainly by road traffic, existing over three roundabouts and one semi-roundabout. For this purpose we begin performing long-term registers of the noise level throughout the day period continuously, which is from 7:00h to 19:00h. The acquisition of this data was performed with a digital recorder and a microphone. Later, data recorded were fed into the computer and processed with Symphonie measuring system, with which we obtained the parameters for the analysys. Once the level from the registers are obtained, the next step was to perform different sampling processes to get results and finally draw conclusions.

Influence of the semantic content of urban sounds in the identity of outer spaces

This paper shows the influence of the semantic content of urban sounds in the subjective evaluation of outer spaces. The study is based on the analysis conducted in three neighboring and integrated urban spaces with a different form of social ownership in the city of Cordoba, Argentina. It shows that the type of sound source present at each site influence, by its semantic content, in the user´s identification and permanence in the place. The noise present in a soundscape is able to have a high semantic content, and therefore the sound has a particular meaning for the perceiver. Every particular social group influences the production of their own sounds and how they perceive them. This allows to consider the sound as one of the factors that define the sense of "place" or "no place" of a certain urban space. Evidently the sounds, and their ability to evoke and characterize the environment, cannot be ignored in the construction and recovery of anthropological sites. This urban culture is unique and specific to every society. Thepublic spaces, with their soundscape, are part of the construction of the urban identity of a city. It is shown that for identical general sound levels present in each of the spaces, the level of annoyance or discomfort, in relation to the subjective acoustic quality, is different. This is the result of the influence of semantic content of the sounds present in each urban space. Coinciding with other similar research, the level of discomfort or annoyance decreases as the presence of natural sounds such as water, the wind in the trees or the birds singing increases, even when the objective values of noise level of natural sounds are higher.

Cálculo del ruido de tráfico de una carretera empleando lo especificado en el proyecto IMAGINE

El objetivo del trabajo es estudiar el procedimiento descrito en el proyecto IMAGINE(estimación del nivel de ruido del tráfico rodado que se registra en las carreteras europeas, a partir de la obtención del nivel de potencia sonora del ruido de propulsión y del ruido de rodadura). Para validar el modelo, se compararán los resultados teóricos del proyecto con los niveles registrados en las inmediaciones de la M-40, dentro del campus de la Escuela Universitaria de Ingeniería Técnica de Telecomunicación. Para obtener los valores reales, además de lo descrito en el proyecto IMAGINE se empleará como método de medida el descrito en la ISO 1996- Parte 2 y con el instrumental con el que cuenta la Escuela. SUMMARY. The objective of this work is to analyse the procedure described in the IMAGINE project(estimation of the road traffic noise level that can be observed in the European roads, by means of obtaining the level of audible power from both the propulsion and rolling noise), in order to validate the model. The theoretical results from the project will be compared against the levels measured in the surroundings of the M-40 in Madrid, within the campus of the Escuela Universitaria de Ingeniería Técnica de Telecomunicación. To obtain the real values, the IMAGINE project and the methodology described in the norm ISO 1996 - Part 2 will be used, with the equipment made available by the Faculty.

Diseño acústico y electroacústico de Waipahu Transit Center en Honolulú, Hawái

El objetivo de este Proyecto Fin de Grado es el diseño de megafonía y PAGA (Public Address /General Alarm) de la estación de tren Waipahu Transit Center en la ciudad de Honolulú, Hawái. Esta estación forma parte de una nueva línea de tren que está en proceso de construcción actualmente llamada Honolulu Rail Transit. Inicialmente la línea de tren constará de 21 estaciones, en las que prácticamente todas están diseñadas como pasos elevados usando como referencia las autopistas que cruzan la isla. Se tiene prevista su fecha de finalización en el año 2019, aunque las primeras estaciones se inaugurarán en 2017. Se trata en primer lugar un estudio acústico del recinto a sonorizar, eligiendo los equipos necesarios: conmutadores, altavoces, amplificadores, procesador, equipo de control y micrófonos. Este primer estudio sirve para obtener una aproximación de equipos necesarios, así como la posible situación de estos dentro de la estación. Tras esto, se procede a la simulación de la estación mediante el programa de simulación acústica y electroacústica EASE 4.4. Para ello, se diseña la estación en un modelo 3D, en el que cada superficie se asocia a su material correspondiente. Para facilitar el diseño y el cómputo de las simulaciones se divide la estación en 3 partes por separado. Cada una corresponde a un nivel de la estación: Ground level, el nivel inferior que contiene la entrada; Concourse Level, pasillo que comunica los dos andenes; y Platform Level, en el que realizarán las paradas los trenes. Una vez realizado el diseño se procede al posicionamiento de altavoces en los diferentes niveles de la estación. Debido al clima existente en la isla, el cual ronda los 20°C a lo largo de todo el año, no es necesaria la instalación de sistemas de aire acondicionado o calefacción, por lo que la estación no está totalmente cerrada. Esto supone un problema al realizar las simulaciones en EASE, ya que al tratarse de un recinto abierto se deberán hallar parámetros como el tiempo de reverberación o el volumen equivalente por otros medios. Para ello, se utilizará el método Ray Tracing, mediante el cual se halla el tiempo de reverberación por la respuesta al impulso de la sala; y a continuación se calcula un volumen equivalente del recinto mediante la fórmula de Eyring. Con estos datos, se puede proceder a calcular los parámetros necesarios: nivel de presión sonora directo, nivel de presión sonora total y STI (Speech Transmission Index). Para obtener este último será necesario ecualizar antes en cada uno de los niveles de la estación. Una vez hechas las simulaciones, se comprueba que el nivel de presión sonora y los valores de inteligibilidad son acordes con los requisitos dados por el cliente. Tras esto, se procede a realizar los bucles de altavoces y el cálculo de amplificadores necesarios. Se estudia la situación de los micrófonos, que servirán para poder variar la potencia emitida por los altavoces dependiendo del nivel de ruido en la estación. Una vez obtenidos todos los equipos necesarios en la estación, se hace el conexionado entre éstos, tanto de una forma simplificada en la que se pueden ver los bucles de altavoces en cada nivel de la estación, como de una forma más detallada en la que se muestran las conexiones entre cada equipo del rack. Finalmente, se realiza el etiquetado de los equipos y un presupuesto estimado con los costes del diseño del sistema PAGA. ABSTRACT. The aim of this Final Degree Project is the design of the PAGA (Public Address / General Alarm) system in the train station Waipahu Transit Center in the city of Honolulu, Hawaii. This station is part of a new rail line that is currently under construction, called Honolulu Rail Transit. Initially, the rail line will have 21 stations, in which almost all are designed elevated using the highways that cross the island as reference. At first, it is treated an acoustic study in the areas to cover, choosing the equipment needed: switches, loudspeakers, amplifiers, DPS, control station and microphones. This first study helps to obtain an approximation of the equipments needed, as well as their placement inside the station. Thereafter, it is proceeded to do the simulation of the station through the acoustics and electroacoustics simulation software EASE 4.4. In order to do that, it is made the 3D design of the station, in which each surface is associated with its material. In order to ease the design and calculation of the simulations, the station has been divided in 3 zones. Each one corresponds with one level of the station: Ground Level, the lower level that has the entrance; Concourse Level, a corridor that links the two platforms; and Platform Level, where the trains will stop. Once the design is made, it is proceeded to place the speakers in the different levels of the station. Due to the weather in the island, which is about 20°C throughout the year, it is not necessary the installation of air conditioning or heating systems, so the station is not totally closed. This cause a problem when making the simulations in EASE, as the project is open, and it will be necessary to calculate parameters like the reverberation time or the equivalent volume by other methods. In order to do that, it will be used the Ray Tracing method, by which the reverberation time is calculated by the impulse response; and then it is calculated the equivalent volume of the area with the Eyring equation. With this information, it can be proceeded to calculate the parameters needed: direct sound pressure level, total sound pressure level and STI (Speech Transmission Index). In order to obtain the STI, it will be needed to equalize before in each of the station’s levels. Once the simulations are done, it is checked that the sound pressure level and the intelligibility values agree with the requirements given by the client. After that, it is proceeded to perform the speaker’s loops and the calculation of the amplifiers needed. It is studied the placement of the microphones, which will help to vary the power emitted by the speakers depending on the background noise level in the station. Once obtained all the necessary equipment in the station, it is done the connection diagram, both a simplified diagram in which there can be seen the speaker’s loops in each level of the station, or a more detailed diagram in which it is shown the wiring between each equipment of the rack. At last, it is done the labeling of the equipments and an estimated budget with the expenses for the PAGA design.

Optically triggered infrared photodetector

We demonstrate a new class of semiconductor device: the optically triggered infrared photodetector (OTIP). This photodetector is based on a new physical principle that allows the detection of infrared light to be switched ON and OFF by means of an external light. Our experimental device, fabricated using InAs/AlGaAs quantum-dot technology, demonstrates normal incidence infrared detection in the 2−6 μm range. The detection is optically triggered by a 590 nm light-emitting diode. Furthermore, the detection gain is achieved in our device without an increase of the noise level. The novel characteristics of OTIPs open up new possibilities for third generation infrared imaging systems

Optically triggered infrared photodetector

We demonstrate a new class of semiconductor device: the optically triggered infrared photodetector (OTIP). This photodetector is based on a new physical principle that allows the detection of infrared light to be switched ON and OFF by means of an external light. Our experimental device, fabricated using InAs/AlGaAs quantum-dot technology, demonstrates normal incidence infrared detection in the 2−6 μm range. The detection is optically triggered by a 590 nm light-emitting diode. Furthermore, the detection gain is achieved in our device without an increase of the noise level. The novel characteristics of OTIPs open up new possibilities for third generation infrared imaging systems

Estudio acústico y electroacústico de la sala 5 de los cines Kinépolis de Madrid

En el proyecto se realiza el estudio del comportamiento acústico y electroacústico de la sala 5 de los cines Kinépolis de Madrid. El objetivo es determinar las características acústicas de la sala mediante la realización de las medidas in-situ para después analizar y simular la misma con EASE4.4, realizar una sonorización apropiada para reproducción de cine, valorar la sala actual y proponer algunas mejoras. El desarrollo del proyecto se ha dividido en tres partes. En primer lugar, se realizan las medidas espaciales y acústicas in-situ con el programa de toma de medidas Dirac 5.5. En este paso, se obtienen las medidas reales (usadas en la simulación 3D posterior) y los dos parámetros acústicos importantes inherentes a la sala, el tiempo de reverberación y el ruido de fondo. Además, se estudia el conexionado de altavoces y de los equipos instalados en sala. En segundo lugar, se hace la simulación de la sala, para ello se realiza su diseño con el programa de simulación acústica EASE 4.4, con el que se ajustan las condiciones de campo a las existentes en Kinépolis, asegurando que el comportamiento acústico de la sala simulada sea similar al real. También se distribuirá el sistema electroacústico con la descripción del conexionado y la configuración de los altavoces. En la simulación, durante el estudio acústico, además de desarrollar el dimensionado del recinto, se ajustan los materiales de tal manera que el tiempo de reverberación sea el de la sala de estudio considerando también el ruido de fondo. En cuanto al estudio electroacústico, se distribuyen los altavoces en las posiciones medidas in-situ de la instalación y se detalla su conexionado. De esta manera, se realizan los cálculos para ajustar sus respuestas para proporcionar un recubrimiento sonoro uniforme y el efecto precedencia desde la zona frontal al oyente deseado. Finalmente, y a partir de los datos obtenidos en la simulación, se hace una valoración a través de diversos criterios de inteligibilidad, se extraen las conclusiones del estudio y se proponen una serie de mejoras en la sala real para obtener unas prestaciones sonoras óptimas. Se consigue con el proyecto, tras el aprendizaje de las herramientas específicas utilizadas, la recopilación de documentación y el análisis de datos de la sala, aplicar los conceptos teóricos de manera práctica a un caso real. ABSTRACT. During the project is carried out the acoustic and electroacoustic study of the room cinema 5 of the Kinépolis group in Madrid. The objective is to determine the acoustic characteristics of the room by performing the in-situ measurements in order to analyze and simulate it with the software EASE 4.4 making an appropriate sound for movie playback, assess the current room, and propose some improvements. Development of the project is composed of three parts. First, the performing of the spatial and acoustic in-situ measurements with the program Dirac 5.5. On this step, the real measures are obtained (that will be used on the next 3D simulation) and the two important parameters inherent to the room, the reverberation time and the noise level. In addition, the speaker connections and the installations of the cinema’s equipment are studied. Secondly, the simulation of the room cinema is performed. This simulation is done with the acoustic simulation program EASE 4.4 in which its field conditions conform to the conditions of Kinépolis, ensuring that the acoustic behavior of the simulated room is similar to the real room. Also, the electroacustic system is distributed with the wiring and the speaker setup. During the acoustic study of the simulation, in addition to do the dimensions of the cinema room, the materials are adjusted in order to synchronize reverberation time to that of the real room. The noise level is taking in account too. For the electroacustic studio, the speakers will be distributed in the positions measured in-situ to do the installation and its detailed connection. By this way, the calculations are done to adjust to the responses in a way to give a sound uniform coating with the precedence effect desired on the front area of the listeners. Lastly, and from the data obtained in the simulation, an assessment is done through the various criteria of intelligibility, conclusions are drawn from the study and a number of improvements are proposed in the actual room for obtain optimal sound benefits. With this project is achieved, after gain learning of the specific tolls used, the documentation collected and the data analysis of the room, to apply theoretical concepts in a practical way for a real case.

Influence of fabrication steps on optical and electrical properties of InN thin films

This paper reports on a case study of the impact of fabrication steps on InN material properties. We discuss the influence of annealing time and sequence of device processing steps. Photoluminescence (PL), surface morphology and electrical transport (electrical resistivity and low frequency noise) properties have been studied as responses to the adopted fabrication steps. Surface morphology has a strong correlation with annealing times, while sequences of fabrication steps do not appear to be influential. In contrast, the optical and electrical properties demonstrate correlation with both etching and thermal annealing. For all the studied samples PL peaks were in the vicinity of 0.7 eV, but the intensity and full width at half maximum (FWHM) demonstrate a dependence on the technological steps followed. Sheet resistance and electrical resistivity seem to be lower in the case of high defect introduction due to both etching and thermal treatments. The same effect is revealed through 1/f noise level measurements. A reduction of electrical resistivity is connected to an increase in 1/f noise level.

Modelización del ruido de ocio: terrazas y veladores

El ruido de ocio que se produce hoy en día, es un problema de salud y de bienestar en la vida de las personas. Sin embargo, no existen modelos que ayuden a prever los problemas que puedan ocasionar. Este proyecto es el primer paso en la creación de estos modelos, centrándose en terrazas y veladores. Los objetivos principales del proyecto son la creación de una base de datos de ruidos de terrazas y la definición de una metodología para la estimación de la potencia que emiten. Para alcanzar estos objetivos, será necesario, en primer lugar, seleccionar una serie de terrazas en las que llevar a cabo las mediciones, definir el método de cálculo y llevar a cabo las mismas. Cuando se alcanza este punto, llega el momento de estudiar los distintos escenarios que han tenido lugar durante la etapa de medidas para poder simularlos en un software de estimación acústica que sea capaz de recrearlos. Si se siguen estos pasos, se podrá saber cuáles son los valores de potencia acústica de las terrazas estudiadas así como las características de emisión de ruido. Creada la base de datos y definida la metodología para la estimación de potencia acústica emitida por terrazas, se analizan los resultados llegando a la conclusión de que el nivel de potencia acústica depende del número de personas en la terraza y las mesas ocupadas, aunque es difícil ver la relación exacta. También se llega a la conclusión de que las terrazas suelen tener un nivel estable de potencia acústica que tiene un valor promedio de entre 76dBA y 78dBA. ABSTRACT. Nowadays, leisure noise is a health and wellness problem in the lives of people. However, there are no models that help anticipate problems that may arise. This project is the first step to creating these models, focusing on terraces. The main objectives are the creation of a database of noise made by terraces and the definition of a methodology for estimating the noise level. To achieve these objectives, it is necessary, first, selecting a series of terraces where measure, define the calculation method and perform the measures. When this point is reached, it is time to study the different scenarios that have taken place during the period of measures to simulate them with an acoustic estimation software that is able to recreate them. If you follow these steps, you will know the values of sound power of the terraces studied as well as noise emission characteristics. Created the database and defined the methodology for estimation of acoustic power emitted by terraces, you can see that the sound power level depends on the number of people on the terrace and tables occupied, although it is difficult see the exact relationship. You also can conclude that the terraces usually have a stable sound power level which has an average value of between 76 dBA and 78dBA.

Influence of road noise disturbances on black vulture nesting area: Case of "Cabeza de Hierro" state in Spanish Mediterranean Central Mountain

The real and potential road influence on soundscape is considered a relevant management aspect that can assess the negative effects of massive visitants on such sensitive species -that have been living for centuries in the area-. As a first approach to the study of human disturbances sound impact, acoustic engineering tools allow us to model noise pollution caused by the main road that crosses the state ?Cabeza de Hierro? (M-604). For these preliminary results we use the French method XPS 31-133, recommend at EU level. Noise emission levels in black vulture nesting area are analyzed to understand the influence of human activities on rural areas and road management on biodiversity conservation. This approach develops a useful tool to make compatible the public enjoyment of forest services such as recreation or landscape scenary, the conservation of biodiversity as well as a suitable social and economic activity level ?timber and firewood harvesting, industry?- at the region.

Analysis of noise temperature sensitivity for the design of a broadband thermal noise primary standard

A broadband primary standard for thermal noise measurements is presented and its thermal and electromagnetic behaviour is analysed by means of a novel hybrid analytical?numerical simulation methodology. The standard consists of a broadband termination connected to a 3.5mm coaxial airline partially immersed in liquid nitrogen and is designed in order to obtain a low reflectivity and a low uncertainty in the noise temperature. A detailed sensitivity analysis is made in order to highlight the critical characteristics that mostly affect the uncertainty in the noise temperature, and also to determine the manufacturing and operation tolerances for a proper performance in the range 10MHz to 26.5 GHz. Aspects such as the thermal bead design, the level of liquid nitrogen or the uncertainties associated with the temperatures, the physical properties of the materials in the standard and the simulation techniques are discussed.