5 resultados para Perceptual Rivalry

em Universidad Politécnica de Madrid


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Los procedimientos de evaluación de la calidad de la voz basados en la valoración subjetiva a través de la percepción acústica por parte de un experto están bastante extendidos. Entre ellos,el protocolo GRBAS es el más comúnmente utilizado en la rutina clínica. Sin embargo existen varios problemas derivados de este tipo de estimaciones, el primero de los cuales es que se precisa de profesionales debidamente entrenados para su realización. Otro inconveniente reside en el hecho de que,al tratarse de una valoración subjetiva, múltiples circunstancias significativas influyen en la decisión final del evaluador, existiendo en muchos casos una variabilidad inter-evaluador e intra-evaluador en los juicios. Por estas razones se hace necesario el uso de parámetros objetivos que permitan realizar una valoración de la calidad de la voz y la detección de diversas patologías. Este trabajo tiene como objetivo comparar la efectividad de diversas técnicas de cálculo de parámetros representativos de la voz para su uso en la clasificación automática de escalas perceptuales. Algunos parámetros analizados serán los coeficientes Mel-Frequency Cepstral Coefficients(MFCC),las medidas de complejidad y las de ruido.Así mismo se introducirá un nuevo conjunto de características extraídas del Espectro de Modulación (EM) denominadas Centroides del Espectro de Modulación (CEM).En concreto se analizará el proceso de detección automática de dos de los cinco rasgos que componen la escala GRBAS: G y R. A lo largo de este documento se muestra cómo las características CEM proporcionan resultados similares a los de otras técnicas anteriormente utilizadas y propician en algún caso un incremento en la efectividad de la clasificación cuando son combinados con otros parámetros.

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To perceive a coherent environment, incomplete or overlapping visual forms must be integrated into meaningful coherent percepts, a process referred to as ?Gestalt? formation or perceptual completion. Increasing evidence suggests that this process engages oscillatory neuronal activity in a distributed neuronal assembly. A separate line of evidence suggests that Gestalt formation requires top-down feedback from higher order brain regions to early visual cortex. Here we combine magnetoencephalography (MEG) and effective connectivity analysis in the frequency domain to specifically address the effective coupling between sources of oscillatory brain activity during Gestalt formation. We demonstrate that perceptual completion of two-tone ?Mooney? faces induces increased gamma frequency band power (55?71 Hz) in human early visual, fusiform and parietal cortices. Within this distributed neuronal assembly fusiform and parietal gamma oscillators are coupled by forward and backward connectivity during Mooney face perception, indicating reciprocal influences of gamma activity between these higher order visual brain regions. Critically, gamma band oscillations in early visual cortex are modulated by top-down feedback connectivity from both fusiform and parietal cortices. Thus, we provide a mechanistic account of Gestalt perception in which gamma oscillations in feature sensitive and spatial attention-relevant brain regions reciprocally drive one another and convey global stimulus aspects to local processing units at low levels of the sensory hierarchy by top-down feedback. Our data therefore support the notion of inverse hierarchical processing within the visual system underlying awareness of coherent percepts.

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A novel scheme for depth sequences compression, based on a perceptual coding algorithm, is proposed. A depth sequence describes the object position in the 3D scene, and is used, in Free Viewpoint Video, for the generation of synthetic video sequences. In perceptual video coding the human visual system characteristics are exploited to improve the compression efficiency. As depth sequences are never shown, the perceptual video coding, assessed over them, is not effective. The proposed algorithm is based on a novel perceptual rate distortion optimization process, assessed over the perceptual distortion of the rendered views generated through the encoded depth sequences. The experimental results show the effectiveness of the proposed method, able to obtain a very considerable improvement of the rendered view perceptual quality.

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A frame-level distortion model based on perceptual features of the human visual system is proposed to improve the performance of unequal error protection strategies and provide better quality of experience to users in Side-by-Side 3D video delivery systems.

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Perceptual voice evaluation according to the GRBAS scale is modelled using a linear combination of acoustic parameters calculated after a filter-bank analysis of the recorded voice signals. Modelling results indicate that for breathiness and asthenia more than 55% of the variance of perceptual rates can be explained by such a model, with only 4 latent variables. Moreover, the greatest part of the explained variance can be attributed to only one or two latent variables similarly weighted by all 5 listeners involved in the experiment. Correlation factors between actual rates and model predictions around 0.6 are obtained.