3 resultados para Mural painting and decoration, American

em Universidad Politécnica de Madrid


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Petrophysical properties, such as porosity, permeability, density or anisotropy de-termine the alterability of stone surfaces from archaeological sites, and therefore, the future preservation of the material. Others, like superficial roughness or color, may point out changes due to alteration processes, natural or man-induced, for ex-ample, by conservation treatments. The application of conservation treatments may vary some of these properties forcing the stone surface to a re-adaptation to the new conditions, which could generate new processes of deterioration. In this study changes resulting from the application of consolidating and hydrophobic treatments on stone materials from the Roman Theatre (marble and granite) and the Mitreo’s House (mural painting and mosaics), both archaeological sites from Merida (Spain), are analyzed. The use of portable field devices allows us to perform analyses both on site and in la-boratory, comparing treated and untreated samples. Treatments consisted of syn-thetic resins, consolidating (such as tetraethoxysilane TEOS) and hydrophobic products. Results confirm that undesirable changes may occur, with consequences ranging from purely aesthetic variations to physical, chemical and mechanical damages. This also permits us to check limitations in the use of these techniques for the evaluation of conservation treatments.

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The 12 January 2010, an earthquake hit the city of Port-au-Prince, capital of Haiti. The earthquake reached a magnitude Mw 7.0 and the epicenter was located near the town of Léogâne, approximately 25 km west of the capital. The earthquake occurred in the boundary region separating the Caribbean plate and the North American plate. This plate boundary is dominated by left-lateral strike slip motion and compression, and accommodates about 20 mm/y slip, with the Caribbean plate moving eastward with respect to the North American plate (DeMets et al., 2000). Initially the location and focal mechanism of the earthquake seemed to involve straightforward accommodation of oblique relative motion between the Caribbean and North American plates along the Enriquillo-Plantain Garden fault system (EPGFZ), however Hayes et al., (2010) combined seismological observations, geologic field data and space geodetic measurements to show that, instead, the rupture process involved slip on multiple faults. Besides, the authors showed that remaining shallow shear strain will be released in future surface-rupturing earthquakes on the EPGFZ. In December 2010, a Spanish cooperation project financed by the Politechnical University of Madrid started with a clear objective: Evaluation of seismic hazard and risk in Haiti and its application to the seismic design, urban planning, emergency and resource management. One of the tasks of the project was devoted to vulnerability assessment of the current building stock and the estimation of seismic risk scenarios. The study was carried out by following the capacity spectrum method as implemented in the software SELENA (Molina et al., 2010). The method requires a detailed classification of the building stock in predominant building typologies (according to the materials in the structure and walls, number of stories and age of construction) and the use of the building (residential, commercial, etc.). Later, the knowledge of the soil characteristics of the city and the simulation of a scenario earthquake will provide the seismic risk scenarios (damaged buildings). The initial results of the study show that one of the highest sources of uncertainties comes from the difficulty of achieving a precise building typologies classification due to the craft construction without any regulations. Also it is observed that although the occurrence of big earthquakes usually helps to decrease the vulnerability of the cities due to the collapse of low quality buildings and the reconstruction of seismically designed buildings, in the case of Port-au-Prince the seismic risk in most of the districts remains high, showing very vulnerable areas. Therefore the local authorities have to drive their efforts towards the quality control of the new buildings, the reinforcement of the existing building stock, the establishment of seismic normatives and the development of emergency planning also through the education of the population.

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Esta es una tesis con dos partes bien diferenciadas; en la primera se habla de conceptos como la escala, el tamaño y la medida en el mundo de la antigua Roma. Para ello se eligen edificios con características específicas que pueden explicar estos términos, como la” Villa Adriana” en la que se habla del tamaño desde la acumulación de dimensiones medias, el “Ara Pacis”, en la que se describe la ambigüedad dimensional y el tamaño, el Panteón en el que habla de la escala, y el Santuario de Baalbek a través del cual se reflexiona sobre la condición de monumentalidad. Dichos edificios se comparan con piezas de arte contemporáneo que ayudan a entender el contenido histórico. En ese sentido la tesis propone un viaje desde lo moderno a lo antiguo, instalándose en la certeza de que el conocimiento ampliado de los conceptos contemporáneos otorga nueva vida a los edificios históricos, en un paseo inverso al clásico de estudiar lo antiguo para entender el presente. La tesis defiende que el presente se lee desde el presente y el pasado también desde el presente, elaborando nuevas narrativas que permiten superponer realidades distintas para alumbrar lo real. La segunda parte de la tesis compara la medida de lo público y lo privado así como la medida del paisaje. Habla de la medida del Poder ejemplificada en el proyecto de los Foros Imperiales desde el Foro de César hasta el Foro de Trajano y elabora una comparación dimensional desde la disección de sesenta casas pompeyanas, que son sometidas a un cuidadoso análisis métrico y relacional. Se estudian así mismo sus distintas proporciones desde el tratado de Vitrubio y se analizan sus sistemas de proyecto, encontrando en la ampliación acumulativa un mecanismo que relaciona lo público y lo privado. Por último se estudia la medida del paisaje, encontrando un apoyo en la pintura mural romana y también en la relación entre los cuatro Santuarios Republicanos de Lacio. ABSTRACT This is a thesis with two different parts; the first one deals with concepts from the Ancient Rome, such as scale, size and measure. Some buildings with specific characteristics have been chosen in order to explain these terms, such as "Villa Adriana" where size is formed by the accumulation of medium sizes, the "Ara Pacis",where the dimensional ambiguity is described, the Pantheon where the scale is explained and the Sanctuary of Baalbek where the condition of monumentality is understood. These buildings are compared with contemporary artworks that help to understand the historical contents. In that sense, the thesis proposes a journey from the modern to the old, settling in the certainty that the extended knowledge of contemporary concepts gives new life to historic buildings, instead of the usual walk to the old to understand the present . The thesis argues that both the present and the past can be read through the present, developing new narratives that are overlayed to light reality. The second part of the thesis compares the measures in public and private worlds as well as the measure in the landscape. It is also about the measure of the power, that is exemplified in the Fori Imperiali as the Forum of Caesar and Trajan's Forum. Besides a dimensional comparison is made by dissecting sixty Pompeian houses, which are subjected to careful and relational analysis. Furthermore, their different proportions are studied, since the Treaty of Vitruvius and their design systems are analyzed, finding the mechanism that links the public and private spheres in the cumulative expansion. Finally , the measure of the landscape is studied supported by Roman wall painting and in the relationship between the four Sanctuaries Republicans of Lazio.