The secret to legal foretelling: generic and inter-generic aspects of vagueness in contracts, patents and regulations

In this genre analysis research paper, we compare U.S. patents, contracts, and regulations on technical matters with a focus upon the relation between vagueness and communicative purposes and subpurposes of these three genres. Our main interest is the investigation of intergeneric conventions across the three genres, based on the software analysis of three corpora (one for each genre, 1 million words per corpus). The result of the investigation is that intergeneric conventions are found at the level of types of expressed linguistic vagueness, but that intergeneric conventions at the level of actual formulations are rare. The conclusion is that at this latter level the influence from the situation type underlying the individual genre is more important than the overarching legal character of the genres, when we talk about introducing explicit vagueness in the text.

Fusion of probabilistic knowledge-based classification rules and learning automata for automatic recognition of digital images

In this paper, the fusion of probabilistic knowledge-based classification rules and learning automata theory is proposed and as a result we present a set of probabilistic classification rules with self-learning capability. The probabilities of the classification rules change dynamically guided by a supervised reinforcement process aimed at obtaining an optimum classification accuracy. This novel classifier is applied to the automatic recognition of digital images corresponding to visual landmarks for the autonomous navigation of an unmanned aerial vehicle (UAV) developed by the authors. The classification accuracy of the proposed classifier and its comparison with well-established pattern recognition methods is finally reported.

Restauración del sonido fílmico

La restauración fílmica del audio es un proceso bastante complejo y se ha indagado poco en este campo. Antes de restaurar cualquier archivo, se debe preservar y conservar los archivos de la mejor manera posible. La preservación son las medidas que se deben tomar para garantizar el acceso permanente y la conservación asegura le existencia del archivo en su forma más original. Mientras que la restauración se basa en el estudio de los posibles deterioros que sufren los soportes fílmicos en el tiempo y los procesos que existen para corregirlos. La restauración siempre debe conservar la mayor originalidad posible, es decir debe mantener el audio como originalmente se expuso por primera vez. En la primera etapa, se identifican los posibles deterioros que se producen en los archivos, si conocemos en qué momento fue grabada la películas y cómo fue grabada, es decir con que máquina se realizó la grabación y el soporte fílmico en el que está grabado. Tanto las máquinas como los soportes han ido evolucionando a lo largo de la historia. El estudio de los soportes fílmicos nos permite conocer las degradaciones que sufren a lo largo del tiempo los archivos y por consecuencia, conocer las posibles restauraciones. Para intentar evitar degradaciones mayores, se intenta preservar y conservar en condiciones óptimas para el soporte. Según el soporte del archivo, tendrá unas condiciones típicas de temperatura, humedad, ventilación… en las cuales el material se conserva de la mejor manera. Tras estos pasos, se procede a restaurar. La restauración más típica es con materiales fotoquímicos, pero es bastante compleja y por tanto, en el proyecto se analiza la restauración tras digitalizar los archivos fílmicos. Para poder digitalizar correctamente los archivos, debemos tener presentes las normas y reglas de digitalización que están establecidas. La digitalización permite identificar las alteraciones típicas que aparecen en los materiales fílmicos, gracias a la herramienta del espectrograma podemos conocer las posibles soluciones de restauración para cada alteración. Las alteraciones que podemos encontrar e identificar son: · Zumbidos e Interferencias. · Siseo y Silbido. · Crujidos. · Pops y Clics. · Wow. · Lagunas o Abandonos. · Ruidos intermitentes. · Reverberación. La última parte del proyecto, una vez que se tienen todas las alteraciones típicas de los archivos fílmicos identificadas, se procede al estudio de cada una de ellas con las herramientas del espectrograma y se realiza el estudio de una manera más técnica. Con el espectrograma se determinan las herramientas que solucionan cada alteración como Reverb para la reverberación, Decrackle para los crujidos… y en el marco técnico se determina las características que tiene cada herramienta, es decir el tipo de filtro, ventana… que se puede utilizar para poder restaurar el audio de cada alteración. La restauración digital es un campo aún por investigar, pero se debería de empezar a concienciar que es una solución factible. Que este tipo de restauración puede mantener el sonido original y no va a modificar los archivos, como muchas veces se piensa. Ya que el paso del tiempo, poco a poco, ira degradando y destruyendo los soportes fílmicos en los que se encuentran, y el principal objetivo que se pretende conseguir es que los materiales fílmicos perduren a lo largo de la historia. ABSTRACT. The film audio restoration is a fairly complex process and little research has been done in this field. Before restoring any files, you must preserve and keep the files in the best way possible. The preservation is the measures to be taken to ensure continued access to and preservation ensures existence of the file in its original form. The restoration is based on the study of possible damage suffered by the film media in time and the processes that exist to correct them. The restoration must always retain the most original as possible, i.e. to keep the audio as originally discussed for the first time. In the first stage, potential impairments that occur in the files are identified, if you know what time it was recorded the movies and how it was recorded, i.e. that machine recording and film media on which is recorded took place. Both machines as media have evolved throughout history. The study of film media lets us know the suffering degradations over time and result files, make possible restorations. To try to prevent further degradation, are intended to preserve and keep in good condition for support. Depending on the media file, will have typical conditions of temperature, humidity, ventilation... in which the material is preserved in the best way. After these steps, we proceed to restore. The most typical is with photochemical restoration materials, but is rather complex and therefore the restoration project is analyzed after scanning film archives. To successfully scan the files must be aware of the rules and regulations are established digitization. Digitization allows identifying the typical alterations that appear in the film materials, thanks to the tool spectrogram we know the possible restoration solutions for each alteration. The alterations that can find and identify are: · Buzz and Interference. · Hiss and Hissing. · Crackle. · Pops and Clicks. · Wow and Flutter. · Audio Dropouts. The last part of the project, when we have all the typical alterations identified film archives, proceed to the study of each of them with the tools of spectrogram and the study of a more technical way is done . With the spectrogram tools that solve every alteration as Reverb for reverb, Decrackle for cracks... and the technical framework the features that each tool is determined, i.e. the type of filter, window... that can be used are determined for to restore the audio of each alteration. Digital restoration is an area for future research, but should start aware that it is a feasible solution. This type of restoration can keep the original sound and will not modify files, as is often thought. Since the passage of time, gradually degrading and destroying anger film media in which they are, and the main objective to be achieved is that the film materials endure throughout history.

Normalizar la utopía: Un proyecto de sistematización de la normativa en vivienda social = Normalizing Utopia: A Project of Systematization of Regulations on Social Housing

La presente tesis doctoral aborda el estudio del proyecto de vivienda colectiva social desde la noción de norma, entendida desde la sistematización o normalización de los instrumentos del proyecto arquitectónico de vivienda protegida. Esto es, desde una idea de tipificación taxonómica en cuanto ajuste a un conjunto de reglas comunes productoras de sistemas normativos. La hipótesis de partida se basa en la consideración de la vivienda pública como un laboratorio de estudio histórico de los ideales de confort y calidad de vida. Este campo de pruebas ha constituido una sólida base que ha servido como punto de encuentro muy particular entre proyecto y normativa desde las primeras vanguardias europeas hasta la actualidad. El principal objetivo de la investigación es la revalorización de una normativa de vivienda que ha producido ejemplos de innegable calidad en el contexto nacional e internacional, así como un intento de actualización de su codificación. La investigación se sirve de los instrumentos específicos de la disciplina arquitectónica para explicar una disociación detectada desde la segunda mitad del siglo pasado entre la utopía del proyecto social de vivienda y el pragmatismo de la norma que lo regula, más allá de los aspectos sociales y culturales asociados a las nuevas composiciones familiares, las tecnologías cambiantes, los ritos domésticos contemporáneos o el valor creciente del tiempo libre. La propuesta de una nueva terminología que aborde nuevas relaciones en el acercamiento al proyecto de vivienda desde la normativa española deriva en un conjunto de estrategias de proyecto desde las que proponer sistemas normativos. Dichas estrategias se basan principalmente en mecanismos de cualificación espacial que permitan un nuevo acercamiento entre dichas normas y las formas de habitar actuales. ABSTRACT This doctoral thesis deals with the study of the project of social collective housing from the notion of rule, understanding it from the systematization or standardization of the instruments of architectural project for social housing. Thus, it deals with an idea of taxonomic typification as an adjustment to a set of common rules which produce regulation systems. The initial hypothesis is based on the consideration of public housing as a laboratory for studying the historical ideals of comfort and quality of life. This testing ground has been a solid base that has served as a very specific meeting point between project and regulations from the first European avant‐garde to nowadays. The main objective of this research is the revaluation of housing regulations, which have produced examples of undeniable quality in the national and international stage, as well as an attempt to update their codification. The research assumes the specific tools of the discipline of architecture for explaining a dissociation detected between the utopia of the project for social housing and the pragmatism of the regulations from the second half of last century, beyond social and cultural aspects associated to the new family arrangements, the changing technologies, the contemporary domestic rituals or the rising value of leisure time. The proposal of a new terminology that tackles new relations in the approach to housing project from the Spanish legislation results in a set of strategies to propose regulation systems. Those strategies are mainly based on mechanisms for spatial qualification which allow a new approach between these rules and the current ways of living.

Planning and Management of Mobility in Natural Protected Areas

The paper describes some relevant results of an on-going research aiming to elaborate a methodology to help the mobility management in natural parks, compatible with their protection missions: it has been developed a procedure to reproduce the mobility-environment relationships in various operational conditions. The final purpose is the identification of: a) the effects of various choices in transport planning, both at long term and strategic level; b) the most effective policies of mobility management. The work is articulated in the following steps: 1) definition of protected area on the basis of ecological and socio-economic criteria and legislative constraints; 2) analysis of mobility needs in the protected areas; 3) reconstruction of the state of the art of mobility management in natural parks at European level; 4) analysis of used traffic flows measurement methods; 5) analysis of environmental impacts due to transport systems modelling (air pollution and noise only); 6) identification of mitigation measures to be potentially applied. The whole methodology has been tested and validated on Italian case studies: i) the concerned area has been zoned according to the land-use peculiarities; ii) the local situations of transport infrastructure (roads and parking), services (public transport systems) and rules (traffic regulations) have been mapped with references to physical and functional attributes; iii) the mobility, both systematic and touristic, has been represented in an origin-destination matrix. By means of an assignment model the flows have been distributed and the corresponding average speeds to quantify gaseous and noise emissions was calculated, the criticalities in the reference scenario have been highlighted, as well as some alternative scenarios, including both operational and infrastructural measures have been identified. The comparison between projects and reference scenario allowed the quantification of effects (variation of emissions) for each scenario and a selection of the most effective management actions to be taken.

Planning and management of mobility in natural protected areas

The final purpose is the identification of: a) the effects of various choices in transport planning, both at long term and strategic level; b) the most effective policies of mobility management. The preliminary work was articulated in the following steps: 1) definition of protected area on the basis of ecological and socio-economic criteria and legislative constraints; 2) analysis of mobility needs in the protected areas; 3) reconstruction of the state of the art of mobility management in natural parks at European level; 4) analysis of used traffic flows measurement methods; 5) analysis of environmental impacts due to transport systems modelling (limited to air pollution and noise); 6) identification of mitigation measures to the potentially applied. The whole methodology has been firstly tested on the case study of the National Park of ?Gran Sasso and Monti della Laga? and further validated on the National Park of ?Gargano?, both located Italy: i) the concerned area has been zoned according to the land-use peculiarities; ii) the local situations of transport infrastructure (roads and parking), services (public transport systems) and rules (traffic regulations) have been mapped with references to physical and functional attributes; iii) the mobility, both systematic and touristic, has been synthetically represented in an origin-destination matrix. By means of an assignment model it has been determined the distribution of flows and the corresponding average speeds to quantify gaseous and noise emissions. On this basis the environmental criticalities in the reference scenario have been highlighted, as well as some alternative scenarios including both operational and infrastructural measures have been identified. The comparison between the projects and the reference scenario allowed the quantification of the effects (variation of emissions) for each scenario and a selection of the most effective management actions to be taken.