Diffusion Tensor Imaging in Alzheimer's disease

Attentional control and Information processing speed are central concepts in cognitive psychology and neuropsychology. Functional neuroimaging and neuropsychological assessment have depicted theoretical models considering attention as a complex and non-unitary process. One of its component processes, Attentional set-shifting ability, is commonly assessed using the Trail Making Test (TMT). Performance in the TMT decreases with increasing age in adults, Mild Cognitive Impairment (MCI) and Alzheimer’s Disease (AD). Besides, speed of information processing (SIP) seems to modulate attentional performance. While neural correlates of attentional control have been widely studied, there are few evidences about the neural substrates of SIP in these groups of patients. Different authors have suggested that it could be a property of cerebral white matter, thus, deterioration of the white matter tracts that connect brain regions related to set-shifting may underlie the age-related, MCI and AD decrease in performance. The aim of this study was to study the anatomical dissociation of attentional and speed mechanisms. Diffusion tensor imaging (DTI) provides a unique insight into the cellular integrity of the brain, offering an in vivo view into the microarchitecture of cerebral white matter. At the same time, the study of ageing, characterized by white matter decline, provides the opportunity to study the anatomical substrates speeded or slowed information processing. We hypothesized that FA values would be inversely correlated with time to completion on Parts A and B of the TMT, but not the derived scores B/A and B-A.

Brain tissue segmentation on Diffusion Weighted Magnetic Resonance data

Introduction Diffusion weighted Imaging (DWI) techniques are able to measure, in vivo and non-invasively, the diffusivity of water molecules inside the human brain. DWI has been applied on cerebral ischemia, brain maturation, epilepsy, multiple sclerosis, etc. [1]. Nowadays, there is a very high availability of these images. DWI allows the identification of brain tissues, so its accurate segmentation is a common initial step for the referred applications. Materials and Methods We present a validation study on automated segmentation of DWI based on the Gaussian mixture and hidden Markov random field models. This methodology is widely solved with iterative conditional modes algorithm, but some studies suggest [2] that graph-cuts (GC) algorithms improve the results when initialization is not close to the final solution. We implemented a segmentation tool integrating ITK with a GC algorithm [3], and a validation software using fuzzy overlap measures [4]. Results Segmentation accuracy of each tool is tested against a gold-standard segmentation obtained from a T1 MPRAGE magnetic resonance image of the same subject, registered to the DWI space. The proposed software shows meaningful improvements by using the GC energy minimization approach on DTI and DSI (Diffusion Spectrum Imaging) data. Conclusions The brain tissues segmentation on DWI is a fundamental step on many applications. Accuracy and robustness improvements are achieved with the proposed software, with high impact on the application’s final result.

Grapheme-color synesthetes show peculiarities in their emotional brain: cortical and subcortical evidence from VBM analysis of 3D-T1 and DTI data

Grapheme-color synesthesia is a neurological phenomenon in which viewing achromatic letters/numbers leads to automatic and involuntary color experiences. In this study, voxel-based morphometry analyses were performed on T1 images and fractional anisotropy measures to examine the whole brain in associator grapheme-color synesthetes. These analyses provide new evidence of variations in emotional areas (both at the cortical and subcortical levels), findings that help understand the emotional component as a relevant aspect of the synesthetic experience. Additionally, this study replicates previous findings in the left intraparietal sulcus and, for the first time, reports the existence of anatomical differences in subcortical gray nuclei of developmental grapheme-color synesthetes, providing a link between acquired and developmental synesthesia. This empirical evidence, which goes beyond modality-specific areas, could lead to a better understanding of grapheme-color synesthesia as well as of other modalities of the phenomenon.

2+2+2 fa molto più di 6 = 2+2+2 is much more than just 6 = CUANDO 2+2+2 SON MUCHO MÁS QUE SOLO 6. Sobre el espacio diagonal concatenado

Nella sua "dichiarazione di poetica", Alberto Campo Baeza confessa che la cosa che più gli sta a cuore è la bellezza, che persegue con le armi della ragione e dell'immaginazione, confortato dalle parole di illustri predecessori, come Cervantes e Goya, Platone e Sant'Agostino, Vitruvio e Keats

Percepción dispersa: Arquitectura y tactilidad en la sociedad de la comunicación

El tema de la tesis se centra en el pensamiento de Walter Benjamin y en el concepto de percepción distraída, desarrollado en el ensayo La obra de arte en la época de su reproducibilidad técnica (1936). El título percepción dispersa deriva de una profundización de los conceptos benjaminianos en términos lingüísticos, adoptando otros significados de la palabra distracción que relacionan este concepto a cuestiones de ámbito espacial y atmosférico. Benjamin sostiene que la arquitectura, en una época en la que se desarrollan y se difunden nuevas técnicas de reproducción/ comunicación, no se puede percibir solo de manera visual sino también táctil, interrelacionando la difusión de nuevas técnicas de reproducción, la tensión entre diferentes modalidades perceptivas y la arquitectura: según él, la dispersión de la vista a favor de la percepción táctil/háptica es un rasgo característico de una sociedad en la que se desarrollan y se difunden nuevas técnicas de reproducción. La tesis profundiza en estos temas, actualizando el concepto de distracción/dispersión para valorar las repercusiones de esta intuición en el ámbito de una parte de la producción arquitectónica contemporánea: se propone una contextualización histórica y una conceptual, relativas a los proyectos recientes de algunos de los autores que profundizan en el impacto de las nuevas tecnologías en el ámbito del proyecto de arquitectura. La hipótesis que se quiere demostrar es que se está desarrollando una tendencia que lleva proyectos o edificios de alto nivel tecnológico y informático desde un ámbito de (supuesto) predominio de la percepción visual, hasta una arquitectura que proporciona experiencias multisensoriales: espacios que se pueden medir con el movimiento, los músculos y el tacto, que desarrollan un conjunto de sensaciones táctiles/hápticas y no solo visuales. Finalmente se quiere verificar si, revertiendo siglos de evolución visual, la visión táctil y cercana siga siendo uno de los polos dialécticos que estructuran la experiencia de la arquitectura, como previsto por Benjamin hace 75 años. ABSTRACT The thesis focuses on the thought of Walter Benjamin and the concept of distracted perception, developed in the essay The Work of Art in the Age of Mechanical Reproduction (1936). The title derives from a linguistic approach to this concept which further explores the meaning of the word distraction, finally relating this kind of perception to spatial and atmospheric issues. Benjamin argues that architecture, thanks to the development of new reproduction/communication technologies, cannot be perceived exclusively in a visual way but also in a tactile way, interrelating new technologies of reproduction, perceptual modalities and architecture: according to him, the dispersion of the view in favor of tactile/ haptic perception is a fundamental characteristic of a technologically developed society. The thesis explores these issues, updating the concept of distraction/dispersion to assess its implications in the works of some architects that are exploring with their buildings the impact of new communication technologies in the field of architectural design. The hypothesis at the base of this work is that we are facing a new trend in this particular field: many of the most advanced buildings provide multisensory experience, and define spaces that can be better perceived with the sense of touch (haptic sense), going beyond a mere visual perception. Finally the thesis wants to verify if, reversing centuries of visual evolution, tactile and close vision remains one of the dialectical poles that stay at the base of the experience of architecture, as foreseen by Benjamin 75 years ago. ABSTRACT La tesi si basa sul pensiero di Walter Benjamin e sul concetto di percezione distratta, sviluppato nel saggio La opera d’arte nell’epoca della sua riproducibilità tecnica (1936). Il titolo, percezione dispersa, deriva da un approfondimento dei concetti benjaminiani in termini linguistici, adottando ulteriori significati della parola che il filosofo utilizza per indicare la distrazione e che relazionano questo termine a questioni di ambito spaziale ed atmosferico. Benjamin sostiene che l’architettura, in un’epoca nella quale si sviluppano e si diffondono nuove tecniche di riproduzione (o meglio: nuove tecnologie di comunicazione), non possa essere percepita solamente in maniera visuale, ma anche tattile, mettendo in relazione la diffusione di nuove tecnologie, la tensione tra differenti modalità percettive e l’architettura: secondo Benjamin, la dispersione della vista a favore di una ricezione tattile/aptica della realtà è una caratteristica tipica di quei momenti storici nei quali si manifestano grandi trasformazioni di ambito sociale e culturale dovute allo sviluppo di nuove tecnologie di comunicazione. La tesi approfondisce questi temi, aggiornando il concetto di distrazione/dispersione per valutarne le ripercussioni su una certa parte della produzione architettonica contemporanea: si propone una contestualizzazione storica ed una concettuale, relative ai progetti di alcuni architetti che lavorano da tempo sull’impatto delle nuove tecnologie nell’ambito del progetto di architettura. La ipotesi che si dimostra con questa tesi è che si sta sviluppando una contro-tendenza tattile, a seguito della quale molti degli edifici tecnologicamente ed informaticamente più avanzati strutturano la relazione con i propri utenti sulla base di esperienze multisensoriali, definendo spazi che possono essere percepiti attraverso una percezione aptica, piuttosto che visuale. In definitiva la tesi verifica che, superando secoli di evoluzione visuale, la visione tattile e ravvicinata e - più in generale - una percezione di tipo aptico continuano ad essere uno dei poli dialettici che strutturano l’esperienza dell’architettura, come previsto da Benjamin più di 75 anni fa.

Modelado de un sistema de telemetría LIDAR CW-RM

Los sistemas LIDAR (Light Detection and Ranging) permiten medir la distancia entre dos puntos, evaluando el tiempo que tarda una señal óptica (generalmente procedente de un Láser) en hacer un recorrido de ida y vuelta entre dichos puntos. En los sistemas CW-RM (Continuous Wave - Random Modulated) esta evaluación se hace calculando la correlación entre la señal emitida (pseudoaleatoria) y la recibida (cuyo retardo depender de la distancia entre los puntos). Este sistema CW-RM tiene la ventaja sobre los TOF (Time Of Flight) de que funcionan bien ún con señales recibidas de reducida relación señal a ruido. La precisión de la medida, depende, entre otros parámetros, del tiempo de bit de la secuencia pseudoaleatoria y de la frecuencia de muestreo del sistema que capta las señales y posteriormente las correla. El objetivo del presente trabajo es realizar un sistema de gran precisión, utilizando señales pseudoaleatorias de tiempo de bit de centenas de pico segundo y frecuencia de muestreo de Gs/s, para lo que deberemos utilizar equipamiento disponible en laboratorio, as mismo deberemos seleccionar y con guiar los láseres emisores para que puedan trabajar a estas velocidades. La primera etapa del proyecto será el conocimiento del instrumental de laboratorio que vamos a utilizar en el set-up. La segunda etapa será la realización de un primer montaje en el que se conectará emisor y receptor a través de una fibra óptica de longitud conocida. Esto nos permitir á el desarrollo de algoritmos para extraer información de la medida y para una calibración del instrumental para posteriores medidas. La tercera etapa es el diseño definitivo con emisor al aire para el que tendremos que ajustar todos los elementos ópticos del sistema, de modo que se pueda detectar la luz reflejada y además se pueda reducir parte de la luz de background.

Neutron field characteristics of Ciemat's Neutron Standards Laboratory Hector Rene Vega-Carrillo

Monte Carlo calculations were carried out to characterize the neutron field produced by the calibration neutron sources of the Neutron Standards Laboratory at the Research Center for Energy, Environment and Technology (CIEMAT) in Spain. For 241AmBe and 252Cf neutron sources, the neutron spectra, the ambient dose equivalent rates and the total neutron fluence rates were estimated. In the calibration hall, there are several items that modify the neutron field. To evaluate their effects different cases were used, from point-like source in vacuum up to the full model. Additionally, using the full model, the neutron spectra were estimated to different distances along the bench; with these spectra, the total neutron fluence and the ambient dose equivalent rates were calculated. The hall walls induce the largest changes in the neutron spectra and the respective integral quantities. The free-field neutron spectrum is modified due the room return effect.