Evaluación subjetiva de la diferenciación entre las respuestas impulsivas medidas y simuladas en diferentes recintos

Para estudiar la acústica en recintos se utilizan herramientas de modelado acústico de salas y la auralización de estos recintos. En muchos casos el mismo software de modelado genera las auralizaciones que simulan como se escucharía un determinado audio en un punto del recinto. En el presente trabajo se intenta estudiar la calidad de las respuestas impulsivas simuladas generadas por una de estas herramientas de modelado. El proyecto consiste en realizar una evaluación subjetiva de la diferenciación entre las respuestas impulsivas medidas y simuladas en diferentes recintos, comparándola con los parámetros acústicos objetivos que se han obtenido mediante una evaluación objetiva anterior. Para ello, se desarrolla una herramienta software que, con las respuestas impulsivas simuladas (generadas por un software de modelado acústico, ODEON) y las respuestas impulsivas medidas, genere: las auralizaciones correspondientes; un test de escucha para hacer la evaluación subjetiva de las auralizaciones obtenidas y una interfaz de usuario para interaccionar con los oyentes a evaluar; y que almacene los resultados del test de escucha. Además se llevará a cabo la evaluación subjetiva (test de escucha) con un grupo de oyentes, con los que posteriormente se obtendrán los resultados para poder comparar con los valores objetivos. A partir de los resultados del test de escucha, se estudiará la relación entre las diferencias de las respuestas impulsivas (medidas y simuladas) con respecto a: 1) parámetros objetivos (diferencias en valores de JND), 2) evaluación subjetiva (diferenciación subjetiva con el test de escucha) y, 3) comparación entre ambos. Finalmente, se obtendrán las conclusiones derivadas de este estudio. ABSTRACT. Tools of Room Acoustic Modeling and the auralization of these rooms have been used to study room Acoustics. In many cases, the modeling software itself generates the auralizations which simulate the sound of a particular audio in a particular position in a room. The quality of simulated impulse responses generated by a modelling tool has been studied in this project. The project carries out a subjective evaluation of the differences between measured and simulated impulse responses in different rooms, and in comparing them with objective acoustical parameters which have been obtained from the previous objective evaluation. For this, a software tool has been developed. This software, with simulated (generated by a modelling software, ODEON) and measured impulse responses generate: the correspondent auralizations, listening test (which carries out the subjective evaluation of the auralization) and a user interface to interact with listeners. This tool also stores the listening test results. In addition, the subjective evaluation (listening test) will be carried out with a group of listeners, from who we will get the results to compare subjective values. The differences between impulse responses (both measured and simulated) are obtained from the results of the listening test and these differences have been studied regarding: 1) objective parameters (difference in JND values); 2) subjetive evaluation (subjective differences with the listening test); 3) comparison between both. Eventually the conclussions derivative from this project will be obtained.

Virtual restoration of the sound of the Hispanic Rite

The virtual acoustic reality techniques are powerful tools for the recovery of acoustical heritage of historic buildings. Through the acoustic modeling and auralization techniques it´s possible to reconstruct the sound of disappeared buildings or the ones with significant modifications over the years, knowing the original geometry and the acoustic characteristics of their surfaces. This paper shows the results of a research project whose goal is the virtual recovery of the sound of the Hispanic Rite, the rite celebrated by Christians of the Iberian Peninsula before the imposition of the Roman Rite in the mid-eleventh century. For this purpose, acoustic models of a series of Pre-Romanesque churches were made. These acoustic models represent the churches in their original state, following the reconstruction hypothesis proposed by leading researchers in medieval liturgical archeology. Multichannel anechoic recordings of several pieces of the music of the Hispanic Rite have been carried out using a spherical array composed of 31 microphones. Finally, static and dynamic auralizations have been developed, involving the different liturgical configurations which were usual in this rite.

Acoustic properties of microperforated panels and their optimizatión by simulated annealing

This thesis investigates the acoustic properties of microperforated panels as an alternative to passive noise control. The first chapters are devoted to the review of analytical models to obtain the acoustic impedance and absorption coefficient of perforated panels. The use of panels perforated with circular holes or with slits is discussed. The theoretical models are presented and some modifications are proposed to improve the modeling of the physical phenomena occurring at the perforations of the panels. The absorption band is widened through the use of multiple layer microperforated panels and/or the combination of a millimetric panel with a porous layer that can be a fibrous material or a nylon mesh. A commercial micrometric mesh downstream a millimetric panel is proposed as a very efficient and low cost solution for controlling noise in reduced spaces. The simulated annealing algorithm is used in order to optimize the panel construction to provide a maximum of absorption in a determined wide band frequency range. Experiments are carried out at normal sound incidence and plane waves. One example is shown for a double layer microperforated panel subjected to grazing flow. A good agreement is achieved between the theory and the experiments. RESUMEN En esta tesis se investigan las propiedades acústicas de paneles micro perforados como una alternativa al control pasivo del ruido. Los primeros capítulos están dedicados a la revisión de los modelos de análisis para obtener la impedancia acústica y el coeficiente de absorción de los paneles perforados. El uso de paneles perforados con agujeros circulares o con ranuras es discutido. Se presentan diferentes modelos y se proponen algunas modificaciones para mejorar la modelización de los fenómenos físicos que ocurren en las perforaciones. La banda de absorción se ensancha a través del uso de capas múltiples de paneles micro perforados y/o la combinación de un panel de perforaciones milimétricas combinado con una capa porosa que puede ser un material fibroso o una malla de nylon. Se propone el uso de una malla micrométrica detrás de un panel milimétrico como una solución económica y eficiente para el control del ruido en espacios reducidos. El algoritmo de recocido simulado se utiliza con el fin de optimizar la construcción de paneles micro perforados para proporcionar un máximo de absorción en una banda determinada frecuencias. Los experimentos se llevan a cabo en la incidencia normal de sonido y ondas planas. Se muestra un ejemplo de panel micro perforado de doble capa sometido a flujo rasante. Se consigue un buen acuerdo entre la teoría y los experimentos.

Acoustic study of the Compañía de Jesús church. Characterization by means of objective and subjective parameters

This work shows the objective results of the acoustic quality of the Compañia de Jesús Church in Cordoba, Argentina. The acoustics of this Temple, built by the Orden Jesuita (Jesuit Order) two centuries ago and declared a World Heritage Site by UNESCO in 2000, is currently considered optimal by musicians as well as general public. In the second half of XVI century, with the Catholic reform, the need for improved speech intelligibility was given priority, being the Jesuit one of the orders that gave most importance to the construction of their temples. This church has constructive and spatial characteristics consistent with those needs. With the purpose of carrying out the acoustic assessment of the precincts, a work methodology that allowed comparing the results obtained from objective measures was developed by means of implementation of field measurements and space modeling, with subjective appreciation results, by developing surveys, with the aim of characterizing acoustically the sound space. This paper shows the comparison between the subjective results and objective criteria, which allowed important conclusions on the acoustic behavior of the temple to be obtained. In this way interesting data were obtained in relation to the subjective response of the acoustics of the church.

Analysis of measured and simulated supraglottal acoustic waves

To date, although much attention has been paid to the estimation and modeling of the voice source (ie, the glottal airflow volume velocity), the measurement and characterization of the supraglottal pressure wave have been much less studied. Some previous results have unveiled that the supraglottal pressure wave has some spectral resonances similar to those of the voice pressure wave. This makes the supraglottal wave partially intelligible. Although the explanation for such effect seems to be clearly related to the reflected pressure wave traveling upstream along the vocal tract, the influence that nonlinear source-filter interaction has on it is not as clear. This article provides an insight into this issue by comparing the acoustic analyses of measured and simulated supraglottal and voice waves. Simulations have been performed using a high-dimensional discrete vocal fold model. Results of such comparative analysis indicate that spectral resonances in the supraglottal wave are mainly caused by the regressive pressure wave that travels upstream along the vocal tract and not by source-tract interaction. On the contrary and according to simulation results, source-tract interaction has a role in the loss of intelligibility that happens in the supraglottal wave with respect to the voice wave. This loss of intelligibility mainly corresponds to spectral differences for frequencies above 1500 Hz.

Modeling of GRBAS perceptual evaluation using spectral features obtained from an auditory-based filterbank.

Perceptual voice evaluation according to the GRBAS scale is modelled using a linear combination of acoustic parameters calculated after a filter-bank analysis of the recorded voice signals. Modelling results indicate that for breathiness and asthenia more than 55% of the variance of perceptual rates can be explained by such a model, with only 4 latent variables. Moreover, the greatest part of the explained variance can be attributed to only one or two latent variables similarly weighted by all 5 listeners involved in the experiment. Correlation factors between actual rates and model predictions around 0.6 are obtained.