8 resultados para private actor rule-making
em University of Michigan
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Most vols. have subtitle: 1922-1958, Other than those of a local, personal, or temporary character, and also a classified list of local orders and an index; 1959-1972, Together with numerical list, classified list of local orders, tables of effects, table of rule-making authorities, table of United Kingdom statutory instruments and index
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Originally published under title: The compleat confectioner. Cf. Bitting, K.G. Gastronomic bib., p. 190.
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Mode of access: Internet.
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First published under title: The compleat confectioner.
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Peter Paul Rubens; 25 ft.x 18 ft. 9/64 in.; oil on canvas adhered to canvas laid down on a laminated wood support
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Toshusai Sharaku; 1 ft. 7/8 in.x 5 3/4 in.; woodcut, hosoban, ink and color on paper
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Toshusai Sharaku; 1 ft. 63/64 in.x 5 63/64 in.; woodcut, hosoban ink and color on paper
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Literary Coteries and the Making of Modern Print Culture, 1740-1790 offers the first study of manuscript-producing coteries as an integral element of eighteenth-century Britain’s literary culture. As a corrective to literary histories assuming that the dominance of print meant the demise of a vital scribal culture, the book profiles four interrelated and influential coteries, focusing on each group’s deployment of traditional scribal practices, on key individuals who served as bridges between networks, and on the aesthetic and cultural work performed by the group. Literary Coteries also explores points of intersection between coteries and the print trade, whether in the form of individuals who straddled the two cultures; publishing events in which the two media regimes collaborated or came into conflict; literary conventions adapted from manuscript practice to serve the ends of print; or simply poetry hand-copied from magazines. Together, these instances demonstrate how scribal modes shaped modern literary production.