Cours de composition musicale...

Mode of access: Internet.

Composition /

Bibliographical footnotes.

Composition.

Mode of access: Internet.

Cours de composition musicale /

Edition varies.

Rules how to compose : a facsimile edition of a manuscript from the library of the Earl of Bridgewater (circa 1610) now in the Huntington Library, San Marino, California /

Mode of access: Internet.

The material used in musical composition; a system of harmony designed originally for use in the English harmony classes of the conservatory of music at Stuttgart,

"Based upon the method of Prof. Dr. Immanuel Faisst."--Pref.

Essays on the nature and immutability of truth, in opposition to sophistry and scepticism; on poetry and music, as they affect the mind; on laughter, and ludicrous composition; on the utility of classical learning.

Mode of access: Internet.

The genesis of art-form; an essay in comparative aesthetics showing the identity of the sources, methods, and effects of composition in music, poetry, painting, sculpture and architecture,

Mode of access: Internet.

Essays: on the nature and immutability of truth, in opposition to sophistry and scepticism; on poetry and musick, as they affect the mind; on laughter, and ludicrous composition; on the utility of classical learning.

Mode of access: Internet.

Godfrey Weber's General music teacher : adapted to self-instruction, both for teachers and learners; embracing also an extensive dictionary of musical terms.

Uniform with the author's "Attempt at a systematically arranged theory of musical composition", Boston, Wilkins & Carter, 1841-46, To which it forms an introduction. The "Theory of musical composition" includes an index to both works.

The theory and practice of musical form : on the basis of Ludwig Bussler's "Musikalische Formenlehre," for instruction in composition both in private and in class /

Includes bibliographical references and index.

Plain reasons why neither Dr. Watts' Imitations of the Psalms, nor his other poems, nor any other human composition, ought to be used in the praises of the great God our Saviour--but, that a metre version of the book of Psalms, examined, with wise and critical care by pious and learned divines, and found by them to be as near the Hebrew metre Psalms, as the idiom of the English language would admit, ought to be used.

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