A series of designs for Gothic monuments, churchyard crosses, sepulchral slabs, and head crosses; together with remarks on some modern erections, and their assumed connection with ecclesiastical buildings--pagan symbolism--unchristian character--position--inscription, etc., etc.,

Mode of access: Internet.

Christ Crucified between the Two Thieves: The Three Crosses

Rembrandt van Rijn; 1 ft. 3 in.x 1 ft. 5 1/4 in.; drypoint printed on vellum

Catalogue of the Manks Crosses, with the Runic Inscriptions and various readings and renderings compared.

Mode of access: Internet.

Combining abilities in crosses among six inbred lines of swine /

Caption title.

Breeding behavior of certain agronomic characters in progenies of sugarcane crosses at the United States Sugarcane Field Station, Houma, La. /

Literature cited: p. 54.

Sindhi-Jersey and Sindhi-Holstein crosses : their external form and internal anatomy compared with those of purebred Jerseys and Holsteins /

Caption title.

Performance of two-clone crosses in alfalfa and an unanticipated self-pollination problem /

Caption title.

Noughts and crosses ; stories, studies, and sketches.

The omnibus.--Fortunio.--The outlandish ladies.--Statement of Gabriel Foot, highwayman.--The return of Joanna.--Psyche.--The Countess of Bellarmine.--A cottage in Troy.--Old Aeson.--Stories of Bleakirk.--A dark mirror.--The small people.--The mayor of Gantick.--The doctor's foundling.--The gifts of Feodor Himkoff.--Yorkshire Dick.--The carol.--The paradise of choice.--Beside the bee-hives.--The magic shadow.

Drevnostʹ russkish : kresty i obrazki = Antiquites russes : croix et images.

At head of title Sobranie B.I. i V.N. Chanenko = Collection B. Khanenko.

Manks antiquities;

Mode of access: Internet.

The masculine cross and ancient sex worship.

Preface dated 1874.

Nazm-ı Dilârâ, [1231, i.e. 1815 or 1816].

Elegant autograph copy of the versified Persian-Turkish glossary of the müderris Osman Şakir (whose name appears in Īḍāḥ al-maknūn as ʻUthmān Shukrī, d.1818?). Apparently inspired by the popular Tuhfe-yi Vehbî (used for many years in Ottoman schools) of Sünbülzâde Vehbi Mehmet Efendi (d.1809), see opening matter on p.5-15.

The arts in early England,

The author died while several chapters of v. 6 were obviously unfinished, but no attempt was made to complete the subject-matter. The work was to have been concluded with a 7th volume discussing the illuminated manuscripts of the period.

Les origines du crucifix dans l'art religieux.

Mode of access: Internet.