Kaleidophone : new resources of melody and harmony : pitch scales in relation to chord structures : an aid to composers, performers, arrangers, teachers, song-writers, students, conductors, critics, and all who work with music /

Mode of access: Internet.

Our recent actors: being recollections critical, and, in many instances, personal, of late distinguished performers of both sexes.

Mode of access: Internet.

A review of the poem intitled "The senators"; or, A re-examination into the merits of the principal performers of St. Stephen's Chapel.

Mode of access: Internet.

A List of references: maize virus diseases and corn stunt.

Each list is an addendum to the previous list.

Our recent actors: being recollections critical, and, in many instances, personal, of late distinguished performers of both sexes. With some incidental notices of living actors.

Mode of access: Internet.

The Treasury of song for the home circle: the richest, best-loved gems, sacred and secular ... to which are appended brief biographies of eminent composers, performers and singers ...

Added t.p., colored.

Hill's Opera House, Ann Arbor, Mich. : the Strakosch concert

Front page of four-page program which contains complete list of performers, works performed, and advertisement for Weber pianos

Will-o'-the-wisp, or, The shot in the dark : a comedy drama in three acts /

"Cast of characters as given at the first production at the National Theatre Comique, Cincinati, Ohio, under the management of Mr. Nat Hyams, Monday, December 18th, 1876."

Race at the Interface: Rendering Blackness on WorldStarHipHop.com

WorldStarHipHop.com (WSHH) is an online video aggregating website that describes itself as “the premiere online hip hop destination” and a home for “urban media.” Yet, browsing through the site provides little clarity on what constitutes a hip-hop video or urban Internet space because of the disparate video content, the actual racial diversity of the performers, and the website’s generic design. As a result, WSHH’s taglines make a strange claim about the current state of the black musical tradition. Through close readings of the site, this article considers the architecture of this space of interracial exchange and identifies the interface as an example of Modernist architectural simplicity. I argue WSHH’s modular design is flexible enough to include non-black bodies, while remaining a black “urban” space. Thus, the site’s straightforward architecture paradoxically becomes the scaffolding of a much more complex, de-corporealized, and “shareable” blackness.

The circus kings : our Ringling family story /

Mode of access: Internet.

Fifty years of a showman's life, or, The life and travels of Van Hare /

Source: Gift of John J. and Hanna M. McManus and Morris N. and Chesley V. Young, Oct. 12, 1955.