327 resultados para Poetry criticism
em University of Michigan
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Mode of access: Internet.
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Mode of access: Internet.
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Mode of access: Internet.
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"Most of the essays in this little volume appear originally in the South Atlantic quarterly."
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v. 1. Poets and poetry: Introductory note. Hartley Coleridge. William Cowper. Percy Bysshe Shelley. John Milton. Art in English poetry.--v. 2. Prose writers: Edward Gibbon. Thomas Babington Macaulay. The Waverley novels. Charles Dickens. Lady Mary Wortley Montagu. Sterne and Thackeray. Index.
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'Risk Criticism: Reading in an Age of Manufactured Uncertainties' is a study of literary and cultural responses to global environmental risk that offers an environmental humanities approach to understanding risk in an age of unfolding ecological catastrophe. In 2015, the Bulletin of the Atomic Scientists re-set its iconic Doomsday Clock to three minutes to midnight, as close to the apocalypse as it has been since 1953. What pushed its hands was, however, not just the threat of nuclear weapons, but also other global environmental risks that the Bulletin judged to have risen to the scale of the nuclear, including climate change and innovations in the life sciences. If we may once have believed that the end of days would come in a blaze of nuclear firestorm (or the chill of the subsequent nuclear winter), we now suspect that the apocalypse may be much slower, creeping in as chemical toxin, climate change, or bio- or nano- technologies run amok. Taking inspiration from the questions raised by the Bulletin’s synecdochical “nuclear,” 'Risk Criticism' aims to generate a hybrid form of critical practice that brings “nuclear criticism”—a subfield of literary studies that has been, since the Cold War, largely neglected—into conversation with ecocriticism, the more recent approach to environmental texts in literary studies. Through readings of novels, films, theater, poetry, visual art, websites, news reports, and essays, 'Risk Criticism' tracks the diverse ways in which environmental risks are understood and represented today.
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"Native works ... consulted": p. vi-vii.
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Dryden and Pope.--Young and Thomson.--Collins and Gray.--The French revolution and the poets who preceded it.--Crabbe and Cowper.--Robert Burns.--Wordsworth, the poet of nature.--Wordsworth; Shelby; Byron.--The poetry of Shelley.--Shelley's interpretation of Christianity.--The poetry of Byron.--Byron's "Cain".
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Mode of access: Internet.
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Prefatory note signed "C" [i.e. Lord Coleridge]
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"A reprint of Dr. Currie's second edition." cf. J. Gibson. The bibliography of Robert Burns.
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Buchanan, under the pseudonym of Thomas Maitland, contributed to the Contemporary review, October 1871, p. 334-350, an article entitled "The fleshly school of poetry: Mr. D.G. Rossetti." Rossetti replied in the Athenæum, December 16, 1871 (cf. issue for December 30) Others entered into the controversy, and Buchanan, by way of rejoinder, elaborated his article in pamphlet form so as to include an attack upon other contemporary poets. cf. Athenæum, May 25, 1872.
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Albert Kahn, architect. Building completed 1924. Named James Burrill Angell Hall. Sometimes called Literary College. Interior ceiling decorations: Di Lorenzo Studios, N.Y. On verso: University of Michigan News Service
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Probably based on "Le langage des fleurs" by Mme. Louise Cortambert, who wrote under the pseudonym "Charlotte de Latour."
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Reprinted from various periodicals.