31 resultados para Modernist poetics

em University of Michigan


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'The Resonance of Unseen Things: Power, Poetics, Captivity and UFOs in the American Uncanny' offers an ethnographic meditation on the “uncanny” persistence and cultural freight of conspiracy theory. The project is a reading of conspiracy theory as an index of a certain strain of late-20th century American despondency/malaise, especially as experienced by people experiencing downward social mobility. Written by a cultural anthropologist with a literary background, this is a deeply interdisciplinary project that focuses on the enduring American preoccupation with captivity in a rapidly transforming world. Captivity is a trope that appears in both ordinary and fantastic iterations here, and this book shows how multiple troubled histories—of race, class, gender and power—become compressed into stories of uncanny memory.

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A study of the Beat-era writers in a global context. This title was made Open Access by libraries from around the world through Knowledge Unlatched.

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A translation of two works by Larsson: Intuition, published in Stockholm in 1892, and Poesiens logik, published in Lund in 1899. cf Pref.

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Includes bibliographical references.

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WorldStarHipHop.com (WSHH) is an online video aggregating website that describes itself as “the premiere online hip hop destination” and a home for “urban media.” Yet, browsing through the site provides little clarity on what constitutes a hip-hop video or urban Internet space because of the disparate video content, the actual racial diversity of the performers, and the website’s generic design. As a result, WSHH’s taglines make a strange claim about the current state of the black musical tradition. Through close readings of the site, this article considers the architecture of this space of interracial exchange and identifies the interface as an example of Modernist architectural simplicity. I argue WSHH’s modular design is flexible enough to include non-black bodies, while remaining a black “urban” space. Thus, the site’s straightforward architecture paradoxically becomes the scaffolding of a much more complex, de-corporealized, and “shareable” blackness.

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Vol. 3-4 have imprint: Napoli, Tip. dell'Industria.

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"This book aims to give organic and systematic expression to the working principles of literary criticism ... It may, indeed, be viewed as an extended commentary on the Poetics of Aristotle."--Pref.

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Includes bibliographical references

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