13 resultados para Logic of representation

em University of Michigan


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Includes bibliography.

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--The logic of political economy.--Life of Milton.--The Suliotes.--The fatal marksman.--The incognito.--The dice.--The king of Hayti.

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Mode of access: Internet.

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Mode of access: Internet.

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Includes bibliographical references and index.

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This paper analyzes the relationship between the techniques used to build expert systems and the behaviors they exhibit to show that there is not sufficient evidence to link the behavioral shortcomings of first-generation expert systems to the shallow methods of representation and inference they employ. There is only evidence that the shortcomings are a consequence of a general lack of knowledge. Moreover, the paper shows that the first-generation of expert systems employ both shallow methods and most of the so-called deep methods. Lastly, we show that deeper methods augment but do not replace shallow reasoning methods; most expert systems should possess both."

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Each vol. has special t.p. added.

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Producers of online instructional videos about bokeh emphasize disks of light and out-of-focus backgrounds. They demonstrate how camera lenses and technical features can render bokeh, or unfocused areas. Photographic and video bokeh ordinarily appears away from the center of attention. The bokeh genre, in opposition to typical photography and video practices, foregrounds the peripheral and proposes aesthetics and ways of looking by seeing and not seeing objects. However, producers of online instructional videos about bokeh sometimes couple their sensual aestheticization of backgrounds to their stated attempts to satisfy viewers’ investments in filling foregrounds with images of objectified women. These producers emphasize unconventional aesthetics as a means of establishing their creative and technical expertise and obscuring their reproduction of traditional conceptions of women as viewable and controllable. Close textual analysis, literature on photography and transparency, and feminist considerations of representation allow me to consider the aesthetics and functions of this how-to form.

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Chapter 1 was written especially for this volume; chapter 2-5 are reprinted (with editorial revisions) from the author's Studies in logical theory; "the other essays are in part reprinted and in part rewritten, with additions, from various contributions to philosophical periodicals" cf. Pref. note.