14 resultados para Literary Study

em University of Michigan


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Mode of access: Internet.

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Introduction: Dominant ideas of modern study: unity, induction, evolution.--book I. Literary morphology: varieties of literature and their underlying principles.--book II. The field and scope of literary study.--book III. Literary evolution as reflected in the history of world literature.--book IV. Literary criticism: the traditional confusion and the modern reconstruction.--book V. Literature as a mode of philosophy.--book VI. Literature as a mode of art. Conclusion: the traditional and the modern study of literature. Syllabus. Works of the author. General index. Seventh impression, June, 1928

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Frontispiece accompanied by leaf with descriptive letterpress.

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Columbia university contributions to philosophy and psychology, vol. XVI, no. 3.

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Series "A" pt. 1: 2d ed.

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Title in red and black.

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The art of biography [printed in the "National review, April 1914]"--Some remarks on Ruskin's style.--The art of indexing.--Fifty years of a literary magazine [written for Jubilee number of the Cornhill (Jan. 1910)]--Literature and modern journalism.--Words and the war.--A study in superlatives.--The poetry of a painter.--The second thoughts of poets.

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Literary Coteries and the Making of Modern Print Culture, 1740-1790 offers the first study of manuscript-producing coteries as an integral element of eighteenth-century Britain’s literary culture. As a corrective to literary histories assuming that the dominance of print meant the demise of a vital scribal culture, the book profiles four interrelated and influential coteries, focusing on each group’s deployment of traditional scribal practices, on key individuals who served as bridges between networks, and on the aesthetic and cultural work performed by the group. Literary Coteries also explores points of intersection between coteries and the print trade, whether in the form of individuals who straddled the two cultures; publishing events in which the two media regimes collaborated or came into conflict; literary conventions adapted from manuscript practice to serve the ends of print; or simply poetry hand-copied from magazines. Together, these instances demonstrate how scribal modes shaped modern literary production.