Rubén Darío in search of insipration: Greco-Roman mythology in his stories and poetry.

Bibliography: p. 167-174.

Lempriéreś biographical dictionary= or Sketches of the lves of celebrated characters in every age and nation to which is added, a dictionary of the principal divinities and heroes of Grecian and Roman mythology.

Mode of access: Internet.

Lempriere's biographical dictionary, or Sketches of the lives of celebrated characters in every age and nation. Abridged from Lempriere's biographical dictionary and containing every article in that work, with additions of several hundred names, from Allen, Walker, Jones, and others. To which is added, A dictionary of the principal divinities and heroes of Grecian and Roman mythology; and notices of one hundred eminent living individuals.

Mode of access: Internet.

Grecian and Roman mythology.

Mode of access: Internet.

Grecian and Roman mythology.

Mode of access: Internet.

Roman sculpture from Augustus to Constantine,

Index.

Descriptive catalogue of the casts from Greek and Roman sculpture.

Mode of access: Internet.

The mythology of Greece and Rome,

Mode of access: Internet.

The mythology of Greece and Rome : with special reference to its use in art /

Includes index.

The mythology of Greece and Rome : with special reference to its use in art /

Translation of: Kleine mythologie der Griechen undRömer.

Graeco-Roman institutions, from antievolutionist points of view ... four lectures delivered before the University of Oxford ...

Mode of access: Internet.

Catalogue of the Corbett collection of casts from Greek and Roman sculpture.

Introduction by Richard Norton.

The classical heritage of the middle ages,

"New and revised edition [first] published October, 1911."

The classical heritage of the Middle Ages.

Mode of access: Internet.

Die Komposition der pompejanischen Wandgemälde, mit 38 Abbildungen im Text.

"Die folgenden Untersuchungen haben im Sommer ... 1908 ... der Universität Halle in lateinischer Sprache als Doktordissertation vorgelegen, und ihre drei ersten Kapital sind unter dem Titel 'Qua ratione pictores Pompeiani in componendis parietibus usi sint' als Dissertation gedruckt worden."--Vorwort.