440 resultados para GILT

em University of Michigan


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Willem Claesz Heda; 2 ft. 10 41/64 in.x 3 ft. 8 31/64 in.; oil on panel

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Green cloth binding, with gilt spine titles.

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Medium brown (C58) diagonal fine rib cloth; green, red, cream and gilt floral and lattice panel, gilt lettering, signed "MA", i.e. Margaret Armstrong; motif repeated on spine in green and pink; t.e.g., untrimmed.

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Includes index.

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Also issued as part of collection with collective title page, engraved portrait of author, biographical preface, and contents list: "R.P. Francisci Suarez Granatensis, e Societate Iesu Doctoris Theologi, et in Regia Conimbricensi Academia primarij theologiae professoris emeriti Opera omnia quorum cathalogum vide lector in vita authoris. Moguntiae, Sumptibus Hermanni Mylij Birckmanni Excudebat Balthasar Lippius. Anno M. DCXXI."

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The present 30 volumes seem to have remained with the Dukes of Leuchtenberg, until the ducal library was acquired for sale in 1935 by the dealers Ulrich Hoepli (Milan) and Braus-Riggenbach (Basel). The volumes are not complete, as leaves have been wholly or partly removed throughout; this is particularly evident in preliminary volumes 2 and 10 and volume 75. Prints and the relatively small number of drawings are mostly French, with some German, Dutch and English, and are mostly of the 17th or 18th centuries. They are mounted generally on rectos of leaves, often with hand-written captions. Large prints are occasionally bound in directly; these are often folded. The engraved general title page (bearing the date 1788) appears at the beginning of each volume; below the printed title a hand-written volume number and brief title describing the volume's contents usually appear. In many volumes the title leaf is followed by a hand-written contents leaf listing the section titles, which are also written individually throughout the volume on leaves with etched decorative frames. Sections are numbered continuously throughout the work as a whole. Numbering of the leaves, when present, appears in black ink within each volume at top center recto. Printmakers include B. & J. Audran, Francesco Bartolozzi, Abraham Bosse, Stefano della Bella, Jacques Callot, François Chéreau, Wenceslaus Hollar, Romeyn de Hooghe, Raymond La Fage, Sébastien Le Clerc, Pierre Lepautre, Claude Mellan, Bernard Picart, and Simon Thomassin. There are also early color prints by Gautier-Dagoty and Jean-Baptiste Morret.

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Errata, p. [946].

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A series of satirical verses on some of the paintings exhibited at the 1802 Salon.