Primitive culture: researches into the development of mythology, philosophy, religion, art, and custom,

Mode of access: Internet.

Self culture; a magazine of knowledge, with departments devoted to literature, science, art and music, civics, education, religion, and the home.

Editors: 1895-96, E.C. Towne.--1896--1900, G.M. Adam.--1900, W.W. Hudson.

A reader's guide to contemporary literature, being the first supplement to the Best books; a reader's guide to the choice of the best available books (about 50,000) in every department of science, art and literatures, with the dates of the first and last editions and the price, size and publisher's name of each book.

Mode of access: Internet.

Contemporary art in Europe,

Includes index.

La science de la sétifère ou l'art de produire la soie avec avantage et sureté, comprenant la morique, ou l'art de culture les muriers; la bigattique, ou l'art d'élever les vers à soie; et la setifice, ou l'art de tirer la soie des cocons et d'en composer toutes espèces et qualités de fil de soie.

Mode of access: Internet.

Art and common sense /

Art and common sense.--Ingres: a pilgrimage to Montauban.--The magic of mere paint.--Contemporary European painting.--A note of French military painting.--The post-impressionist illusion.--A memorable exhibition.--Whistler.--Sargent.--Spanish art in Spain and elsewhere.--Secular types in Italian mural decoration.--Rodin.--Four leaders in American architecture.--J. Pierpont Morgan as a collector.

The twentieth century theatre, observations on the contemporary English and American stage,

Some of the material originally appeared in "The Yale Review," October 1911; "Old Penn," April 1916, and "The Art World," December 1916. cf. Pref.

Kemper Museum of Contemporary Art & Design, Kansas City Art Institute, Kansas City, Missouri, 1991-1994

[Early Conceptual Sketches], untitled. Ink sketches on reverse of "La Valencia Hotel" memo pad paper, 3 1/2 x 6 1/2 inches [from photographic copy by Lance Burgharrdt]

Kemper Museum of Contemporary Art & Design, Kansas City Art Institute, Kansas City, Missouri, 1991-1994

[Early Conceptual Sketches], untitled. Ink sketches on steno pad paper, initialed, 6x9 inches [from photographic copy by Lance Burgharrdt]

Kemper Museum of Contemporary Art & Design, Kansas City Art Institute, Kansas City, Missouri, 1991-1994

[Conceptual Sketch], untitled. Blue ink sketch on tracing paper, initialed, 12x24 inches [from photographic copy by Lance Burgharrdt]

Kemper Museum of Contemporary Art & Design, Kansas City Art Institute, Kansas City, Missouri, 1991-1994

[Conceptual Sketch of Fountain], untitled. Ink sketch on tracing paper with blue marker coloring, 7 1/2 x 12 inches [from photographic copy by Lance Burgharrdt]

Kemper Museum of Contemporary Art & Design, Kansas City Art Institute, Kansas City, Missouri, 1991-1994

[Conceptual Sketch of Fountain], untitled. Ink sketch on tracing paper with blue marker coloring, 10x12 inches [from photographic copy by Lance Burgharrdt]

Kemper Museum of Contemporary Art & Design, Kansas City Art Institute, Kansas City, Missouri, 1991-1994

Competition Drawing of Design Concept. Ink drawing on tracing paper, initialed, 11x17 inches [from photographic copy by Lance Burgharrdt]

Kemper Museum of Contemporary Art & Design, Kansas City Art Institute, Kansas City, Missouri, 1991-1994

Competition Drawing of Grand Atrium Hall. Ink drawing on tracing paper, initialed, 11x17 inches [from photographic copy by Lance Burgharrdt]

Kemper Museum of Contemporary Art & Design, Kansas City Art Institute, Kansas City, Missouri, 1991-1994

Competition Drawing of Grand Atrium Hall, Permanent Collection Gallery and Changing Exhibition Gallery. Ink drawing on tracing paper, initialed, 11x17 inches [from photographic copy by Lance Burgharrdt]