The rising son; or, The antecedents and advancement of the colored race.

"Representative men and women": p. 418-552.

An essay on the origin, habits, &c. of the African race: incidental to the propriety of having nothing to do with Negroes: ;

Mode of access: Internet.

The sacrifice of a race /

Mode of access: Internet.

Les peuples de l'Afrique /

Final page of text is correctly numbered 258. It is followed by the table of contents on one leaf, the first page of which is unnumbered with the verso being incorrectly numbered 158.

The future of Africa : being addresses, sermons, etc., etc., delivered in the Republic of Liberia /

Mode of access: Internet.

The African times and orient review.

Publication suspended Sept. 1914-Dec. 1916.

The future of Africa; being addresses, sermons, etc., etc., delivered in the Republic of Liberia /

Reprint of the 1862 ed.

The claims of the Negro, ethnologically considered. : An address before the literary societies of Western Reserve College, at commencement, July 12, 1854. /

Last page blank.

Black white perceptions : race relations in Greensboro : a report /

"November 1980"--Cover.

Race at the Interface: Rendering Blackness on WorldStarHipHop.com

WorldStarHipHop.com (WSHH) is an online video aggregating website that describes itself as “the premiere online hip hop destination” and a home for “urban media.” Yet, browsing through the site provides little clarity on what constitutes a hip-hop video or urban Internet space because of the disparate video content, the actual racial diversity of the performers, and the website’s generic design. As a result, WSHH’s taglines make a strange claim about the current state of the black musical tradition. Through close readings of the site, this article considers the architecture of this space of interracial exchange and identifies the interface as an example of Modernist architectural simplicity. I argue WSHH’s modular design is flexible enough to include non-black bodies, while remaining a black “urban” space. Thus, the site’s straightforward architecture paradoxically becomes the scaffolding of a much more complex, de-corporealized, and “shareable” blackness.