33 resultados para Anne Marie de Jésus, Sœur (1624-1701) -- Portraits
em University of Michigan
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Final page blank.
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Mode of access: Internet.
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Greek text and French translation of Peri kenodoxias kai hopōs dei tous goneas anatraphein ta tekna.
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Bibliographical foot-notes.
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Top Row: Debbi Anderson, Cherie Armstrong, Diane Arney, Grace Ball, Marie Bazil, Suzanne Bihan, Nancy Black, Ellen Bochenck, Lisa Bramble, Ann Marie Brissette, Mary Brock, Gale Brown, Nancy Buhl, Judith Burek, Dana Leigh Burn, Mari Byce
Row 2: Dianne Byrd, Diane Cary, Julie Rosanne Cherno, Susan Copland, Lisa Corso, Sharon Corzine, Elsa Cowan, Linda Crawley, Constance D Anna, Mary Daly, Julie De May, Janet Dean, Lwah Ann Dennis, Leslie Jean De Noon, Barbara Deur, Marilynn Dowdy
Row 3: Laurie B. Dreisbach, Patricia Dvorak, Mary Earle, Judith Eason, Charlene Eickholt, Kathryn Elden, Susan Bourget, B.M. Rutkowski, J.Sebring-Mammel, Joan Kessler, Gregory Hazle, Rosa Ohno, Miriam Elgent, Micky Erickson, Kathleen Evans, Cathleen Fasse, Martha Finkelstein, Edie Firshman
Row 4: Susan Fitzpatrick, Lynn foley, Barbara Fredal, Lisa Ghormley, Susan Green, Carol Grishaw, Jennifer Hayden, Susan Hewens, Brenda J. Hooker, M. Karen Harning, Jean Huneke, Rose Hunter
Row 5: Joyce Jackson, Janet James, Mary Jesse, Christy Jones, Kathy Joy, Debra kadlec, Therese Keating, Ann Marie Kelly, Carol Key, Karen Dickstein, Jill Knechtel, Robin Kruger
Row 6: Mary Beth Kyko, Catherine Lawrence, Joni Lawrence, Eun Lee, Amy Long, Kathey F. Lord, Johanna Lund, Elizabeth Mac Kinnon, Marilyn Mackovjak, Lisa Mann, rose Marentette, Carmen McDowell
Row 7: Molly Mitchell, Mary Molewyk, Sandra Musci, Susan Nevins, Janet Newman, Marcy L. Ortquist, Jeanmarie Otto, Marci Peterhans, Marquite Pierce, Janet Pierson, Rachel Plumley, Frances Potasnik, Cynthia pressprich, Susan J. Robertson, Gilbert RodriqueZ, Deborah Romano, Deborah Ross, Patricia Rouen
Row 8: Abby Scholnick, Nancy Schuster, Cynthia Schwartz, Mary Ellen Sitek, Marqaret Smith, Ann Marie Smith, Cindy Smith, Julie Smrcka, Susan St. Onge, Michelle Stafford, Brenda Stallings, Nancy Steffler, Louise Sullivan, Laure Szatkowski, Bonnie R. Temple, Patricia A. Tevlin
Row 9: Linda L. Travis, Margaret Turner, Heidi Unger, Grace M.J. Valmassoi, Sally Van fleeren, Anne VanLoon, Jan Veseth, Anne MArie Villeneuve, Cynthia vrable, Lori E. Weyland, Theresa Wish, Anne Witham, Laura Wollum, Marla Young
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Top Row: Suzanne P. Zeros, Leslie A. Hazle, Deborah L. Thar, Jo-Ann Uhrhammer, Susan M. Revesz, Karla M. Jackson, Laura L. Campbell, Carol T. Dekeyser, Jeanette R. Lewey, Constance B. Squibb, Kristen Eckoff, Martha J. Armantrout, Kathleen A. Duhart, Sara J. Hemming, Carrie L. Malroit, Anne Marie L. Piehl, Rita A. Dobry, Susan A. Wintermeyer
Row 2: Deborah L. Kurzeja, Elanie C. Jenkins, Mary Nehra, June Ellis, Lisa Mediodia, Mary G. Rutz, Diane L. Larson, Mark A. Kempton, Margaret M. Ulchaker, Maureen B. Schreibea, Jan E. Merrick, Holly Russell, Betsy J. hodgman, Maeve N. Boran, Theresa J. Coker, Lisa Moss, Nancy J. Deckert, Nancy R. Bailey
Row 3: Denise M. Zapinski, Michelle M. Post, Elicia baker-Rogers, Lisa A. Mast, Patricia Thomas, Karen A. Bartoluzzi, Jennifer M. Dzieciuch, Margie Von Berge, Nancy Lutz, Pamela Mrstik
Row 4: Elizabeth Doheny, Jacqueline T. Bartone, Lisa A. Pfahler, Sheryl L. Lovelace, Elizabeth A. Bazur, Janet L. Bauman, Delynn M. Dindoffer, Rebecca Waldo
Row 5: Janarl L. Harris, Jeanne M. Cancilla, Amy Garon, Alisa D. Karp, Liz Buchanan, Linda M. Ford.
Row 6: Ondreya Dillard, Linda C. Parks, Tricia Berner, Loranie A. McKaig, Susan M. Bleasdale, Heather L. Colquhoun, Valerie M. Spotts, Marcia L. Fouts
Row 7: Theresa Glick, Carrie L Giltrow, Lisa E. Chapelle, Mary H. Kiledo, Jody Kazmierczak, Patricia E. Goerke, Lisa Weingart, Laura A. Rhead, Pauletta McKivens, Nancy K. Dryer
Row 8: Mary S. Mac Taggart, Lynn M. Stephens, Ann E. Dowling, Amy L. Huntzinger, Patricia A. Schremser, Kathy Hughes, Sally Sample, Cheryl E. Easley, Rhetaugh Dumas, Janice Lindberg, Susan Boehm, Heather Hossack, Susan E. Parry, Amy D. Landau, Michele Mansour, Nancy R. Clark, Sarah Cunningham
Row 9: Rhonda B. Dean, Sandra s. Klein, Cheryl L. Goddard, Toni Rene Dawson, Sara R. Farhat, Lisa M. Kane, Kaye M. Lewandowski, Jennifer A. Blashill, Susan L. Bradley, Mary McGuiness, Ann Dameron, Karolyn L. Maron, Debra Fisher, Rebecca Vredenburg, Elaine B. Fritz, Mary A. Alphenaar, Kathy Rentenbach, Barbara J. Wolff
Row 10: Nancy L. Minegar, Mary E. Conners, Susan E. Kuzma, M. Maureen O'Conner, Elaine P. Wynter, Catherine L. Martin, Bobbi L Hall, Dawn M. Gilbert, Karen M. Kuhn, Genevieve M. Mccarthy, Anne M. Venturi, Jena Bargon, Karen Coesens, Lynne V. Duguay, Barbara A. Sterne, Jill A. Schafer, Jill A. Webster, Katharina E. Smith, Mary K. Brown
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Top Row: Lisa A. Anton, Karen M. Banish, Sherry L. Bendele, Lori Bishop, Rossana Biundo, Jennifer Brooks, Stefanie J. Brown, Kimberly J. Coleman, Christine M. Decker, Mary Jo Diebold, Molly Donohue, Mary C. Dubois, Meggan C. Ebert
Row 2: Michelle Fox, Ann Marie Gergely, Nina N. Giglio, Stephen Gniewek, Jennifer K. Gollon, Laura E. Gregorius, Shiree A. Hamilton, Corinne R. Hardecki, Yoline M. Hargrave, Raina C. Hartitz, Dana M. Hocking, Andrea E. Jarrett
Row 3: Nancy Johnson, Harjot Kaur, Doreen M. Kinney, Kristine Boyle, Michele Phillips, Anthony Stewart, Pamela Blumson, Lisa Rudin, Lisa Eby, Christina Koehlmann, Julie A. Kolar, Shelly M. Kraiza
Row 4: Cindy Kvarnberg, Beth Anne Lannan, Martha Lasley, James A. Lowery
Row 5: Eileen M. Lucier, Anne Marie Lutostanski, Crystal Tchoryk, Kathy Kline, Donna L. Marshall, Mary C. Maxim
Row 6: Melinda J. Mc Calla, Carolyn Mclean, Molly B. Meyersohn, Christine L. Nersesian, Ann-Marie Nosotti
Row 7: Darlene D. Osemlak, Francine D. Paglia, Danee L. Paullin, Shake Ketefian, Janice B. Lindberg, Rhetaugh G. Dumas, Violet Barkauskas, Beverly Jones, Elisabeth Pennington, Jill L. Pierpont, Marie E. Rosenburg, Rebecca L. Rotole
Row 8: Carla D. Rouse, Merilynne H. Rush, Bernadette Michelle Santos, Stephanie A. Schaltz, Colleen M. Seastrom, Anita M. Shedlock, Judith A. Skonieczny, Alice Skumautz, Nancy A. Standler, Kristine Stoetzer, Annaflor O. Suan, Lynn E. Taylo
Row 9: Renee M. Thibodeau, Kirsten M. Thornquist, Lisa A. Treash, Lisa Marie Warriner, Miriam Beth Weiner, Teresa Wen, Martha Hill Wenzler, Melissa K. White, Denise M. Williams, Christina L. Wroubel, Jamie K. Yeulett, Sarah Jo York, Jennifer Zolinski
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Vol. 13 has running title: Description generale de la Chine.
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Includes bibliographical references and indexes.
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Mode of access: Internet.
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Mode of access: Internet.
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Includes bibliographical footnotes and index.
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Editor's autograph presentation copy to Monsieur et Madame Dutrey.
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Contiene: Vol. 2.
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How can the modern individual control his or her self-representation when the whole world seems to be watching? This question is a familiar one amid the the twenty-first century's architecture of 24-hour newsrooms, chat rooms and interrogation rooms, but this book traces this question back to the stages, the pages, and the streets of eighteenth-century London--and to the strange and spectacular self-representations performed there by England's first modern celebrities. These self-representations include the enormous wig that the actor, manager, and playwright Colley Cibber donned in his most famous comic role as Lord Foppington--and that later reappeared on the head of Cibber's cross-dressing daughter, Charlotte Charke. They include the black page of 'Tristram Shandy,' a memorial to the parson Yorick (and his author Laurence Sterne), a page so full of ink that it cannot be read. And they include the puffs and prologues that David Garrick used to hiehgten his publicity while protecting his privacy; the epistolary autobiography, modeled on the sentimental novel, of Garrick's protégée George Anne Bellamy; and the elliptical poems and portraits of the poet, actress, and royal courtesan Mary Robinson, known throughout her life as Perdita. Linking all of these representations is a quality that Fawcett terms "over-expression." 'Spectacular Disappearances' theorizes over-expression as the unique quality that allows celebrities to meet their spectators' demands for disclosure without giving themselves away. Like a spotlight so brilliant it is blinding, these exaggerated but illegible self-representations suggest a new way of understanding some of the key aspects of celebrity culture, both in the eighteenth century and today. They also challenge many of the disciplinary divides between theatrical character and novelistic character in eighteenth-century studies, or between performance studies and literary studies today. Drawing on a wide variety of materials and methodologies, 'Spectacular Disappearances' provides an overlooked but indispensable history for scholars and students of celebrity studies, performance studies, and autobiography--as well as to anyone curious about the origins of the eighteenth-century self.