116 resultados para music in literature


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Wesley Howe, architect. Building built in 1893; purchased by School of Music in 1929. Sold by UM in 1965.

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Wesley Howe, architect. Building built in 1893; purchased by School of Music in 1929. Sold by UM in 1965.

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Microfiche (negative). Louisville, Ky. : Lost Cause Press, 1975. 7 cards : 11 x 15 cm. -- (No. 166)

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Each volume also has special title-page.

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Relates chiefly to the history of military music in England.

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Includes bibliographical references (p. 146-153).

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Mode of access: Internet.

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Mode of access: Internet.

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The evolution of the pianoforte, by T.L. Southgate.- Our English songs, by W.H. Cummings.- The early English viols and their music, by H. Watson.- Madrigals, rounds, catches, glees, and part-songs, by E.M. Lee.- The recorder, flute, fife, and piccolo, by J. Finn.- Music in England in the year 1604, by Sir F. Bridge.- Our dances of bygone days, by A.S. Rose.- Masques and early operas, by A.H.D. Prendergast.- English opera after Purcell, by F.J. Sawyer.- Our cathedral composers and their works, by G.F. Huntley.- The single and double reed instruments, by D.J. Blaikley.- The water-organ of the ancients and the organ of to-day, by F.W. Galpin.- The regal and its successors: the harmonica, by T.L. Southgate.- The violin family and its music, by W.W. Cobbett.- The brass wind instruments, by J.E. Borland.- Some notes on early printed music, by A.H. Littleton.- Music of the country-side, by Sir E. Clarke.

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The singular life and curious biographies of Mary Carleton.--The Carleton publications of 1663.--The minor publications of 1673.--"The counterfeit lady," a fiction.--The narrative technique of "The counterfeit lady."--The historical significance of "The counterfeit lady."--The current doctrine of the rise of the English novel.--Bibliographical difficulties.